Presents four theories describing the limits of literary interpretation, challenging "the cancer of uncontrolled interpretation" that diminishes the meaning and the basis of communication. -- Back cover.
Philosophical Allusions in James Joyce's Finnegans Wake is the first study to offer complete and comprehensive explanations of the most significant philosophical references in James Joyce's avant-garde masterpiece. Philosophy is important in all of Joyce's works, but it is his final novel which most fully engages with that field. Robert Baines shows the broad range of philosophers Joyce wove into his last work, from Aristotle to Confucius, Bergson to Kant. For each major philosophical allusion in Finnegans Wake, this book explains the original idea and reveals how Joyce first encountered it. Drawing upon extensive research into Joyce's notebooks and drafts, Baines then shows how Joyce developed and adapted that idea through repeated revisions. From here, the final form of the idea as it appears in the Wake is explored. In carefully examining the Wake's key philosophical allusions, essential themes within the novel come into focus, including history, time, language, being, and perception. We see also how those allusions combine to create a network of ideas, thinkers, and texts which has a logic and an integrity. Ultimately, Philosophical Allusions in James Joyce's Finnegans Wake shows that the more one knows of the Wake's philosophical allusions, the more one can find meaning and reason in this famously perplexing book of the night.
THE ONDT AND THE GRACEHOPER is James Joyce's peculiar and hilarious re-telling of Aesop's ancient fable of 'The Ant and the Grasshopper'. Joyce's versionis presented in Part III, Chapter 1 of his last great work, Finnegans Wake (1939). This book consists of forty-six colour illustrations by Irish artist Thomas McNally that run alongside Joyce's text. Each illustration is based on a linefrom the fable; taken together, they help to interpret and illuminate the work. Seventy-five years on from the original publication, this illustrated edition of Joyce's fable offers to readers a comedic, much needed entry-point into Finnegans Wake, and to its apprehension and appreciation. Although Joyce's novel is often described as one of the most impenetrable literary works ever written, there are great riches and humour beyond its difficult surface that everyone can enjoy. Reading through Joyce's fable alongside the illustrations, readers will be offered an immediate introduction to Finnegans Wake and to its sense of the fantastical that is so intrinsic a feature of Joyce's highly imaginative use of language. The book also contains essays by McNally and the eminent Joyce scholar Danis Rose, providing further guidance to readers in their exploration of Joyce's masterwork.
Examines the life and writings of James Joyce, including a biographical sketch, detailed synopses of his works, social and historical influences, and more.
This set comprises 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.
The Collected Critical Heritage II comprises 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995. The Critical Heritage series gathers together a large body of critical figures in literature. These carefully selected sources include: * comtemporary reviews from both popular and literary media. In these students can read about how Lady Chatterly's Lover shocked contemporary reviewers or what Ibsen's Doll's House meant to the early women's movement. * little-known documentary material, such as diaries and correspondence - often between authors and their publishers and critics. * landmark essays in the history of criticism. * significant pieces of criticism from later periods to demonstrate how an author's reputation changed over time.
June 16, 2004, was the one hundredth anniversary of Bloomsday, the day that James Joyce's novel Ulysses takes place. To celebrate the occasion, thousands took to the streets in Dublin, following in the footsteps of protagonist Leopold Bloom. The event also was marked by the Bloomsday 100 Symposium, where world-renowned scholars discussed Joyce's seminal work. This volume contains the best, most provocative readings of Ulysses presented at the conference. The contributors to this volume urge a close engagement with the novel. They offer readings that focus variously on the materialist, historical, and political dimensions of Ulysses. The diversity of topics covered include nineteenth-century psychology, military history, Catholic theology, the influence of early film and music hall songs on Joyce, the post-Ulysses evolution of the one-day novel, and the challenge of discussing such a complex work amongst the sea of extant criticism.
This is the only full-length study of Finnegans Wake to outline and catalog the immense amount of naturalistic detail from which Joyce built the book. The opening chapters describe the physical setting, time, and main characters out of which the book is constructed. John Gordon argues that behind this detail is an essentially autobiographical story involving Joyce's history and, in particular, his feelings toward his father, wife, daughter and the older brother who died in infancy. Many of the author's findings are new and likely to be controversial because recent criticism has tended to the belief that what he attempts to do cannot be done. This new study of Finnegans Wake represents a radically conservative approach and is intended to function both as a guide to the newcomer seeking a chapter-by-chapter plot summary and as an original contribution to Joyce criticism.
Exploring the role of boundaries and limits in the writing of James Joyce Beating the Bounds examines the role of boundaries and limits in James Joyce’s later works, primarily Finnegans Wake but also Ulysses and other texts. Building on the ideas of philosophers Friedrich Nietzsche, Giordano Bruno, and scholar Fritz Senn, Roy Benjamin explains and reconciles Joyce’s contrary tendencies to establish and transgress limits. Benjamin begins by contrasting Joyce’s exploration of the artificial impositions of ritual and political power with the writer’s attention to natural boundaries of rivers and mountains. The next section considers sexual, spiritual, and interpersonal boundaries in the Wake. Benjamin then discusses how Joyce simultaneously affirms and undermines the limits of philosophy, geometry, and aesthetics. The final section covers Joyce’s representation of the boundaries imposed in cosmogonic myths, the collision between the bounded medieval world and the boundless world of modern science, and the drive to escape from the boundaries of place. In this detailed and original analysis, Benjamin demonstrates that in Joyce’s writing, the tendency to disintegrate into chaos is countered by an urge to impose order. Benjamin’s close readings put an abundance of subjects in conversation through the concept of limits, showing the Wake’s relevance to many different fields of thought. A volume in the Florida James Joyce Series, edited by Sebastian D. G. Knowles
In his denial that language refers to anything but itself and in his undoing representation, Joyce anticipates contemporary developments in the history of critical theory. Contrary to modern criticism, Joyce does not abandon representation, the idea that language affords access to reality.