Old Story New makes it easy for parents to stay on the life-giving course of sharing the gospel story with their family. This second volume in Marty Machowski's family devotional series continues the gospel story begun in the Old Testament devotional, Long Story Short. Using the same effective ten-minute-a-day structure, it connects children ...
When Anne Robertson asked a bunch of people on the street what came to mind when they heard the word Bible, she was met with a flood of mixed responses, including "wisdom," "truth," and "love", but also such words as "myth," "lies," "bigotry," and "poison." What she realized was that we all read the Bible through filtered lenses, according to our varied expectations of what the Bible is or should be. But, as Robertson shows here, the Bible as a whole is primarily God's story--a story of relationship, community, and love. Robertson's New Vision for an Old Story gives readers the right lenses to see beyond the printed page to the God who encounters us in dynamic relationship and transforms our lives. The very nature and message of Scripture are rooted in incarnation. When we need to navigate community, truth, fear, and suffering, the Bible-- God's own story--can guide us through it all.
Joseph and the coat of many colors. It's a classic story with all the right elements: sibling rivalry, bitter betrayal, unexpected power, and ultimate forgiveness. But what if we've missed the real story behind the story? More than just the account of one man's life, Voddie Baucham Jr. reveals how the story of Joseph is a key moment in the storyline of the Bible. Demonstrating God's unwavering commitment to his people, Joseph's life fits into God's original plan to save the world through a promised Messiah: Jesus Christ. With fresh and engaging insights into the biblical text, Baucham examines Joseph's life in light of the gospel, helping readers grasp the history-altering significance of this amazing story.
Christian parents know the importance of passing the gospel story on to their children, yet we live in a busy world filled with distractions. This easy-to-use family devotional, in just ten minutes a day, five days a week, empowers parents to pass on the most valuable treasure the world has ever known. Each day focuses on highlighting the ...
"Based on the ESV Bible, this unique, illustrated Bible storybook uses 156 stories to present God's plan of salvation in Christ from its opening narrative in Genesis to its finale in Revelation."--Provided by publisher.
There have been many great and enduring works of literature by Caribbean authors over the last century. The Caribbean Contemporary Classics collection celebrates these deep and vibrant stories, overflowing with life and acute observations about society. Old Story Time is a Caribbean classic, providing brilliantly entertaining theatre about race, identity, malice, and the redeeming power of love. In this enthralling drama, we progress with Len from poor scholarship boy to successful accountant. We see a similar but opposite shift in George, from wealthy, well-connected schoolboy to double-dealing crook. Len's mother Miss Aggy, the girls he first loves, and the woman he eventually marries, many destinies are entwined with Len's. Misunderstandings can be dangerous, and trust and love need some help to win through. With the help of Pa Ben, our far-seeing narrator, can things end well? Trevor Rhone was a leading dramatist in Jamaica. His sparkling and original talent has won acclaim from critics and audiences worldwide. Suitable for readers aged 14 and above.
While honoring the historical context and literary diversity of the Old Testament, Telling the Old Testament Story is a thematic reading that construes the OT as a complex but coherent narrative. Unlike standard, introductory textbooks that only cover basic background and interpretive issues for each Old Testament book, this introduction combines a thematic approach with careful exegetical attention to representative biblical texts, ultimately telling the macro-level story, while drawing out the multiple nuances present within different texts and traditions. The book works from the Protestant canonical arrangement of the Old Testament, which understands the story of the Old Testament as the story of God and God’s relationship with all creation in love and redemption—a story that joins the New Testament to the Old. Within this broader story, the Old Testament presents the specific story of God and God’s relationship with Israel as the people called, created, and formed to be God’s covenant partner and instrument within creation. The Old Testament begins by introducing God’s mission in Genesis. The story opens with the portrait of God’s good, intended creation of right-relationships (Gen 1—2) and the subsequent distortion of that good creation as a result of humanity’s rebellion (Gen 3—11). Genesis 12 and following introduce God’s commitment to restore creation back to the right-relationships and divine intentions with which it began. Coming out of God’s new covenant engagement with creation in Gen 9, this divine purpose begins with the calling of a people (who turn out to be the manifold descendants of Abraham and Sarah) to be God’s instrument of blessing for all creation and thus to reverse the curse brought on by sin. The diverse traditions that comprise the remainder of the Pentateuch then combine to portray the creation and formation of Israel as a people prepared to be God’s instrument of restoration and blessing. As the subsequent Old Testament books portray Israel’s life in the land and journey into and out of exile, the reader encounters complex perspectives on Israel’s attempts to understand who God is, who they are as God’s people, and how, therefore, they ought to live out their identity as God’s people within God’s mission in the world. The final prophetic books that conclude the Protestant Old Testament ultimately give the story of God’s mission and people an open-ended quality, suggesting that God’s mission for God’s people continues and leading Christian readers to consider the New Testament’s story of the Church as an extension and expansion of the broader story of God introduced in the Old Testament. The main methodological perspective that informs the book includes work on the phenomenological function of narrative (especially story’s function to shape the identity and practice of the reader), as well as more recent so-called “missional” approaches to reading Christian scripture. Canonical criticism provides the primary means for relating the distinctive voices within the Old Testament texts that still honor the particularity and diversity of the discrete compositions. Accessibly written, this book invites readers to enter imaginatively into the biblical story and find the Old Testament's lively and enduring implications.