Colonial government, Pilgrims, the New England town, Native land, the background of religious toleration, and the changing memory recalling the Pilgrims – all are examined and stereotypical assumptions overturned in 15 essays by the foremost authority on the Pilgrims and Plymouth Colony. Thorough research revises the story of colonists and of the people they displaced. Bangs’ book is required reading for the history of New England, Plymouth Colony, Massachusetts Natives, the Mennonite contribution to religious toleration in Europe and New England, and the history of commemoration, from paintings and pageants to living history and internet memes. If Pilgrims were radical, so is this book.
The Museum of the Old Colony is an ongoing conceptual art installation by visual artist Pablo Delano (b. 1954) that addresses the complex history of his native Puerto Rico after the Spanish-American War (1898), when the Caribbean archipelago was seized by the United States from Spain as a "possession." Appropriating archival photographs, film footage, and popular artifacts that Delano collects and "curates" for his performative museum, the installation provocatively critiques the stereotypes and entrenched misperceptions of Puerto Rico disseminated in mainstream media over a century. The work thus speaks to the relationship between U.S. imperial power and the island-nation, and to the lasting and devastating legacies of colonial rule. With dry wit and sardonic humor, The Museum of the Old Colony equally illuminates the power of images to inculcate cultural values and the authority of museums to confer meaning on the objects that such trusted institutions have acquired and displayed. This catalog is the companion volume to the latest iteration of Delano's installation, at James Madison University's Duke Hall Gallery of Fine Art. With essays by editor Laura Katzman and distinguished scholars Amanda J. Guzmán (Trinity College); Beth Hinderliter (James Madison University); Laura Roulet (independent curator); and César A. Salgado (University of Texas, Austin), the publication examines Delano's ever-evolving project from historical, anthropological, cultural, literary, and museological perspectives. This richly illustrated volume features a foreword by Marianne Ramírez Aponte (Museum of Contemporary Art, Puerto Rico) and an extensive interview with the artist by the editor.
This study includes a revised model of the historical geography of Anatolia in the Old Assyrian Colony Period (c. 1969-1715 BC), that is based on topographical, archaeological, and written records. The book challenges traditional views of Anatolian geography by using arguments based on logistics, infrastructure, and the organization of trade to suggest a new interpretation focused on central markets, fluctuating prices, and interlocking regional systems of exchange. The historical implications of this revised geography for Old Assyrian and early Hittite history and Bronze Age archaeology are extensively discussed. The book contains translations and discussions of passages from hundreds of published and unpublished Old Assyrian texts and gives a comprehensive inventory of Anatolian toponyms, accompanied by numerous photographs and maps.
This volume challenges received images of Old Colony Mennonites as ‘living in the past' or perfect examples of community. Through the concept of the ‘imagination of the future’ this book presents an analysis of their historical transformations as the result of attempting to apply in practice their Christian ideals of building a community of believers in the world, while remaining separate from it. It argues that while they contributed to the territorialisation of the states that hosted them through their migrations from sixteenth-century Europe to late twentieth-century Latin America, they systematically rejected being incorporated into the nation through the building of a community of agricultural settlements that maintain ties across international borders. It explores how these imaginations are maintained and transformed through the analysis of schisms, conflict, and border management, together with a biographical approach to conversion narratives, and the religious experience.
An ambitious new history of the Pilgrims and Plymouth Colony, published for the 400th anniversary of the Mayflower’s landing In 1620, separatists from the Church of England set sail across the Atlantic aboard the Mayflower. Understanding themselves as spiritual pilgrims, they left to preserve their liberty to worship God in accordance with their understanding of the Bible. There exists, however, an alternative, more dispiriting version of their story. In it, the Pilgrims are religious zealots who persecuted dissenters and decimated the Native peoples through warfare and by stealing their land. The Pilgrims’ definition of liberty was, in practice, very narrow. Drawing on original research using underutilized sources, John G. Turner moves beyond these familiar narratives in his sweeping and authoritative new history of Plymouth Colony. Instead of depicting the Pilgrims as otherworldly saints or extraordinary sinners, he tells how a variety of English settlers and Native peoples engaged in a contest for the meaning of American liberty.
Retired from his fighting days, John Perry is now village ombudsman for a human colony on distant Huckleberry. With his wife, former Special Forces warrior Jane Sagan, he farms several acres, adjudicates local disputes, and enjoys watching his adopted daughter grow up. That is, until his and Jane's past reaches out to bring them back into the game--as leaders of a new human colony, to be peopled by settlers from all the major human worlds, for a deep political purpose that will put Perry and Sagan back in the thick of interstellar politics, betrayal, and war. Old Man's War Series #1 Old Man’s War #2 The Ghost Brigades #3 The Last Colony #4 Zoe’s Tale #5 The Human Division #6 The End of All Things Short fiction: “After the Coup” Other Tor Books The Android’s Dream Agent to the Stars Your Hate Mail Will Be Graded Fuzzy Nation Redshirts Lock In The Collapsing Empire (forthcoming) At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Former Attorney General and former Chief Justice of Puerto Rico, Jose Trias Monge describes his island as one of the most densely populated places on earth, with a severely distressed economy and limited political freedom--still considered a colony of the U.S. Monge claims the island has become too dependent on U.S. money and argues for decolonization and movement toward more independence. 28 illustrations.
“All Souls is the written equivalent of an Irish wake, where revelers dance and sing the dead person’s praises. In that same style, the book leavens tragedy with dashes of humor but preserves the heartbreaking details.”—The New York Times Book Review A 25th anniversary edition of the National Bestselling memoir, with a new afterword from Michael Patrick MacDonald, takes us deep into the South Boston housing projects during one of the city's most tumultuous times in history and tells the story of his family struggling the overcome the poverty, crime, addiction, and incarceration that overtook the neighborhood. A breakaway bestseller since its first printing, All Souls takes us deep into Michael Patrick MacDonald’s Southie, the proudly insular neighborhood with the highest concentration of white poverty in America. Rocked by Whitey Bulger’s crime schemes and busing riots, MacDonald’s Southie is populated by sharply hewn characters. We meet Ma, Michael’s mini-skirted, accordian-playing, single mother who endures the deaths of four of her eleven children. And there are Michael’s older siblings Davey, sweet artist-dreamer; Kevin, child genius of scam; and Frankie, Golden Gloves boxer and neighborhood hero whose lives are high-wire acts played out in a world of poverty and pride. Nearly suffocated by his grief and his community’s code of silence, MacDonald tells his family story here with gritty but moving honesty. All Souls is heartbreaking testimony to lives lost too early, and the story of how a place so filled with pain could still be “the best place in the world.”
