The Odyssey of Samuel Glass
The Odyssey of Samuel Glass

Author: Bernard Kops

Publisher:

Published: 2012

Total Pages: 0

ISBN-13: 9780954848286

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A coming-of-age story by a master of storytelling on the need to love and cherish life and grab it by the drosky's reins. This is Kops at his most irrepressible and irreverent, vibrant and lyrical and connected - to the present and the past. Seventeen-year-old Sam Glass is depressed. Since his father died suddenly, he sees no point in life especially not among the cosy middle class environs where his love of quoting from classical literature falls on deaf ears. Then a strange figure appears who claims to be a rabbi from the Middle Ages, who takes Sam back in time to the Russia of 1881. He meets a panoply of characters including his own forebears and some familiar figures from Jewish history. Then he discovers the secret purpose for which he has been chosen -- to assassinate Tsar Alexander II ..

The Glassmakers
The Glassmakers

Author: Samuel Kurinsky

Publisher:

Published: 1990-12-31

Total Pages: 464

ISBN-13:

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"The religious and ethical contribution of the Judaism to civilization has been rightly acknowledged. The seminal role the Jews have played in the technological evolution of civilization has been largely overlooked." "This remarkable book uses the history of glassmaking as a foil with which new light is shed on the hidden history of that phenomenally creative people. During his association with the glassmakers of Venice, the author uncovered an intriguing historical symbiosis between the Jews and the art of glassmaking. The revelation impelled him to launch an intensive, eight-year campaign of research which led him across three continents and through 4000 years of human history. He discovered that the vitric arts, conceived in Akkadia among the progenitors of the Jews, was subsequently borne by the Jews into the Diaspora, an enthralling historical odyssey which has never been told in its entirety." "Many myths are shattered in the course of following the adventurous path of the art from its Akkadian roots through Canaan, Egypt, Rome, Persia, China and the West. Drawing upon a wealth of archeological, Biblical, archival and historical material, an intense beam of light is cast into the darker recesses of history in which conquered peoples suffer the indignity of having the record of their accomplishments obliterated by their conquerors, a process the author terms "Institutionalized Obfuscation."" "The peculiar parallelism between the movement of the Jews and the vitric arts bears historical connotations which stretch far beyond glassmaking; the very foundation upon which classic versions of history is based is demolished by the revelations which erupt from the pages of the book."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Bernard Kops
Bernard Kops

Author: William Baker

Publisher: Rowman & Littlefield

Published: 2013-12-18

Total Pages: 169

ISBN-13: 1611476577

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This is the first book-length study of the work of contemporary writer Bernard Kops. Born on November 28, 1926 to Dutch-Jewish immigrants, Bernard Kops became famous after the production of his play The Hamlet of Stepney Green: A Sad Comedy with Some Songs in 1958. This play, like much of his work, focuses on the conflicts between young and old. Identified as an “angry young man,” Kops, like his contemporaries John Osborne, Shelagh Delaney, and Harold Pinter, belonged to the so-called new wave of British drama that emerged in the mid-1950s. Kops went on to create important documentaries about the Blitz and living in London during the early 1940s. He has written two autobiographies, over ten novels, many journalistic pieces, and more than forty plays for TV, stage, and radio. A prolific poet, Kops has authored a long pamphlet poem and eight poetry collections. Now in his mid-80s, the prolific and versatile Kops still produces, his creativity undimmed by age.

Rewriting Shakespeare’s Plays For and By the Contemporary Stage
Rewriting Shakespeare’s Plays For and By the Contemporary Stage

Author: Michael Dobson

Publisher: Cambridge Scholars Publishing

Published: 2017-06-23

Total Pages: 195

ISBN-13: 1443878707

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Why have contemporary playwrights been obsessed by Shakespeare’s plays to such an extent that most of the canon has been rewritten by one rising dramatist or another over the last half century? Among other key figures, Edward Bond, Heiner Müller, Carmelo Bene, Arnold Wesker, Tom Stoppard, Howard Barker, Botho Strauss, Tim Crouch, Bernard Marie Koltès, and Normand Chaurette have all put their radical originality into the service of adapting four-century-old classics. The resulting works provide food for thought on issues such as Shakespearean role-playing, narrative and structural re-shuffling. Across the world, new writers have questioned the political implications and cultural stakes of repeating Shakespeare with and without a difference, finding inspiration in their own national experiences and in the different ordeals they have undergone. How have our contemporaries carried out their rewritings, and with what aims? Can we still play Hamlet, for instance, as Dieter Lesage asks in his book bearing this title, or do we have to “kill Shakespeare” as Normand Chaurette implies in a work where his own creative process is detailed? What do these rewritings really share with their sources? Are they meaningful only because of Shakespeare’s shadow haunting them? Where do we draw the lines between “interpretation,” “adaptation” and “rewriting”? The contributors to this collection of essays examine modern rewritings of Shakespeare from both theoretical and pragmatic standpoints. Key questions include: can a rewriting be meaningful without the reader’s or spectator’s already knowing Shakespeare? Do modern rewritings supplant Shakespeare’s texts or curate them? Does the survival of Shakespeare in the theatrical repertory actually depend on the continued dramatization of our difficult encounters with these potentially obsolete scripts represented by rewriting?

Homeric Seafaring
Homeric Seafaring

Author: Samuel Mark

Publisher: Texas A&M University Press

Published: 2005-02-09

Total Pages: 288

ISBN-13: 9781585443918

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In this comprehensive history of Homer’s references to ships and seafaring, author Samuel Mark reveals patterns in the way that Greeks built ships and approached the sea between 850 and 750 b.c. To discuss and clarify the terms used by Homer, Mark draws on scholarly literature as well as examples from recent excavations of ancient shipwrecks. Mark begins by emphasizing the importance of the household during a period in which chiefs ruled and Greek nobles disdained merchants and considered seafaring a necessary but less than distinguished activity. His chapter on Odysseus’s construction of a ship includes discussions of the types of wood used. He concludes that most Greek ships were of laced, rather than pegged mortise-and-tenon construction. Mark goes on to discuss characteristics of Homeric ships and their stern ornaments, oars, quarter rudders, masts, mast-steps, keels, ropes, cables, and planks. Mark reaches several surprising conclusions: that in an agricultural society, seafaring was a common activity, even among the nobles; that hugging the coast could be more treacherous than sailing across open sea; that Homeric ships were built mainly to be sailed, instead of rowed; that sea battles were relatively common; that helmsmen were crucial to a safe voyage; and that harbors were little more than natural anchorages. Mark’s discussion of Homer’s geography covers theories that posit Odysseus sailing in the Adriatic and Mediterranean Seas and even on the Atlantic Ocean. As befits a study whose subjects are partly historical, partly archaeological, and partly myth and legend, Mark’s conclusions are tentative. Yet, this comprehensive and meticulous study of Homer’s references to ships and seafaring is sure to become a standard study on the subject.

The Four Modes of Seeing
The Four Modes of Seeing

Author: ElizabethCarson Pastan

Publisher: Routledge

Published: 2017-07-05

Total Pages: 492

ISBN-13: 1351544500

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Borrowing its title from Madeline Harrison Caviness's influential work on the modes of seeing articulated by the twelfth-century cleric Richard of Saint Victor, this interdisciplinary collection brings together the work of thirty scholars from England, France, Germany, Italy, Switzerland, and the United States. Each author has contributed an original article that engages with ideas formulated in Caviness's wide-ranging scholarship. The historiographic introduction discusses themes in Caviness's publications and their importance for art historical and medieval studies today. The book's thematic matrix groups together essays concerned with: The Material Object, Documentary Reconstruction, Post-Disciplinary Approaches, Multiple Readings, Gender and Reception, Performativity, Text and Image, Collecting and Consumption, and Politics and Ideology. The contributors include curators, art historians, historians, and literary scholars. Their subjects range from medieval stained glass to the nineteenth-century Gothic Revival, the Sachsenspiegel, and Mel Gibson's The Passion of the Christ. Many foreground issues of gender, reception, and textuality, which have permeated Caviness's scholarship. Some also present approaches to sites that have been the subject of important studies by Caviness, including Canterbury, Chartres, Reims, Saint-Denis, Sens, and Troyes. The volume offers a broad range of methodological approaches to key topics in the study of medieval imagery and thus highlights the vitality of the field today.

In Search of the Perfect Loaf
In Search of the Perfect Loaf

Author: Samuel Fromartz

Publisher: National Geographic Books

Published: 2015-07-21

Total Pages: 0

ISBN-13: 0143127624

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"An invaluable guide for beginning bakers."—The New York Times An irresistible account of bread, bread baking, and one home baker’s journey to master his craft In 2009, journalist Samuel Fromartz was offered the assignment of a lifetime: to travel to France to work in a boulangerie. So began his quest to hone not just his homemade baguette—which later beat out professional bakeries to win the “Best Baguette of D.C.”—but his knowledge of bread, from seed to table. For the next four years, Fromartz traveled across the United States and Europe, perfecting his sourdough in California, his whole grain rye in Berlin, and his country wheat in the South of France. Along the way, he met historians, millers, farmers, wheat geneticists, sourdough biochemists, and everyone in between, learning about the history of breadmaking, the science of fermentation, and more. The result is an informative yet personal account of bread and breadbaking, complete with detailed recipes, tips, and beautiful photographs. Entertaining and inspiring, this book will be a touchstone for a new generation of bakers and a must-read for anyone who wants to take a deeper look at this deceptively ordinary, exceptionally delicious staple: handmade bread.

The Collected Works of Samuel Taylor Coleridge, Volume 14
The Collected Works of Samuel Taylor Coleridge, Volume 14

Author: Samuel Taylor Coleridge

Publisher: Princeton University Press

Published: 2019-08-06

Total Pages: 744

ISBN-13: 0691655960

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Volume 1 of 2. Coleridge's nephew, son-in-law, and first editor, Henry Nelson Coleridge, began at the end of 1822 a record of Coleridge's remarks as a way of preparing an anthology of the interests and thought of the great poet and critic. His manuscripts, gathered to form the major text of his new edition, include passages on relatives, friends, and various censorable topics omitted from the Table Talk of 1835 and unpublished until now. These two volumes also contain talk recorded by other listeners from 1798 until Coleridge's death in 1834. Some of these records have not been previously published; some are published from manuscripts that differ from versions previously known. Also included are previously unpublished remarks by Wordsworth. Along with a bibliography of earlier editions of Table Talk and other useful appendixes, Carl Woodring's edition reprints the second edition (1836), which differs from the manuscripts more extensively than the edition of 1835. THis is the first fully annotated edition of a work that long remained more popular in the United Kingdom than any of the works in prose published by Coleridge himself. The two volumes make a convenient encyclopedia of his ideas and interests. Carl Woodring is George Edward Woodberry Professor of Literature Emeritus at Columbia University. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.