The Ocean, the Bird, and the Scholar

The Ocean, the Bird, and the Scholar

Author: Helen Vendler

Publisher: Harvard University Press

Published: 2015-05-11

Total Pages: 457

ISBN-13: 0674736567

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A Times Higher Education Book of the Week One of our foremost commentators on poetry examines the work of a broad range of nineteenth- and twentieth-century English, Irish, and American poets. The Ocean, the Bird, and the Scholar gathers two decades’ worth of Helen Vendler’s essays, book reviews, and occasional prose—including the 2004 Jefferson Lecture—in a single volume. “It’s one of [Vendler’s] finest books, an impressive summation of a long, distinguished career in which she revisits many of the poets she has venerated over a lifetime and written about previously. Reading it, one can feel her happiness in doing what she loves best. There is scarcely a page in the book where there isn’t a fresh insight about a poet or poetry.” —Charles Simic, New York Review of Books “Vendler has done perhaps more than any other living critic to shape—I might almost say ‘create’—our understanding of poetry in English.” —Joel Brouwer, New York Times Book Review “Poems are artifacts and [Vendler] shows us, often thrillingly, how those poems she considers the best specimens are made...A reader feels that she has thoroughly absorbed her subjects and conveys her understanding with candor, clarity, wit.” —John Greening, Times Literary Supplement


The Ocean, the Bird, and the Scholar

The Ocean, the Bird, and the Scholar

Author: Helen Vendler

Publisher: Harvard University Press

Published: 2015-05-11

Total Pages: 457

ISBN-13: 067442574X

DOWNLOAD EBOOK

A Times Higher Education Book of the Week One of our foremost commentators on poetry examines the work of a broad range of nineteenth- and twentieth-century English, Irish, and American poets. The Ocean, the Bird, and the Scholar gathers two decades’ worth of Helen Vendler’s essays, book reviews, and occasional prose—including the 2004 Jefferson Lecture—in a single volume. “It’s one of [Vendler’s] finest books, an impressive summation of a long, distinguished career in which she revisits many of the poets she has venerated over a lifetime and written about previously. Reading it, one can feel her happiness in doing what she loves best. There is scarcely a page in the book where there isn’t a fresh insight about a poet or poetry.” —Charles Simic, New York Review of Books “Vendler has done perhaps more than any other living critic to shape—I might almost say ‘create’—our understanding of poetry in English.” —Joel Brouwer, New York Times Book Review “Poems are artifacts and [Vendler] shows us, often thrillingly, how those poems she considers the best specimens are made...A reader feels that she has thoroughly absorbed her subjects and conveys her understanding with candor, clarity, wit.” —John Greening, Times Literary Supplement


Poets Thinking

Poets Thinking

Author: Helen Vendler

Publisher: Harvard University Press

Published: 2009-06-30

Total Pages: 155

ISBN-13: 0674044622

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Poetry has often been considered an irrational genre, more expressive than logical, more meditative than given to coherent argument. And yet, in each of the four very different poets she considers here, Helen Vendler reveals a style of thinking in operation; although they may prefer different means, she argues, all poets of any value are thinkers. The four poets taken up in this volume--Alexander Pope, Walt Whitman, Emily Dickinson, and William Butler Yeats--come from three centuries and three nations, and their styles of thinking are characteristically idiosyncratic. Vendler shows us Pope performing as a satiric miniaturizer, remaking in verse the form of the essay, Whitman writing as a poet of repetitive insistence for whom thinking must be followed by rethinking, Dickinson experimenting with plot to characterize life's unfolding, and Yeats thinking in images, using montage in lieu of argument. With customary lucidity and spirit, Vendler traces through these poets' lines to find evidence of thought in lyric, the silent stylistic measures representing changes of mind, the condensed power of poetic thinking. Her work argues against the reduction of poetry to its (frequently well-worn) themes and demonstrates, instead, that there is always in admirable poetry a strenuous process of thinking, evident in an evolving style--however ancient the theme--that is powerful and original.


Part of Nature, Part of Us

Part of Nature, Part of Us

Author: Helen Vendler

Publisher: Harvard University Press

Published: 1980

Total Pages: 394

ISBN-13: 9780674654761

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A collection of book reviews and essays on more than forty modern American poets.


On Extended Wings

On Extended Wings

Author: Helen Vendler

Publisher: Cambridge, Mass. : Harvard University Press

Published: 1969

Total Pages: 358

ISBN-13:

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Though Wallace Stevens' shorter poems are perhaps his best known, his longer poems, Helen Hennessy Vendler suggests in this book, deserve equal fame and equal consideration. Stevens' central theme--the worth of the imagination--remained with him all his life, and Mrs. Vendler therefore proposes that his development as a poet can best be seen, not in description--which must be repetitive--of the abstract bases of his work, but rather in a view of his changing styles. The author presents here a chronological account of fourteen longer poems that span a thirty-year period, showing, through Stevens' experiments in genre, diction, syntax, voice, imagery, and meter, the inventive variety of Stevens' work in long forms, and providing at the same time a coherent reading of these difficult poems. She concludes, "Stevens was engaged in constant experimentation all his life in an attempt to find the appropriate vehicle for his expansive consciousness; he found it in his later long poems, which surpass in value the rest of his work."


The Breaking of Style

The Breaking of Style

Author: Helen Vendler

Publisher: Harvard University Press

Published: 1995

Total Pages: 116

ISBN-13: 9780674081215

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Vendler's masterful study of changes in style yields a new view of the interplay of moral, emotional, and intellectual forces in a poet's work. Throughout, Vendler reminds us that what distinguishes successful poetry is a mastery of language at all levels--including the rhythmic, the grammatical, and the graphic.


Coming of Age as a Poet

Coming of Age as a Poet

Author: Helen Vendler

Publisher: Harvard University Press

Published: 2003

Total Pages: 198

ISBN-13: 9780674010246

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With characteristic precision, authority, and grace, Vendler helps readers to appreciate the conception and practice of poetry as she explores four poets and their first "perfect" works. 4 halftones.


The Music of what Happens

The Music of what Happens

Author: Helen Vendler

Publisher: Harvard University Press

Published: 1988

Total Pages: 494

ISBN-13: 9780674591523

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This is a collection of previously published book reviews of modern poetry. The poets discussed include John Ashbery, Donald Davie, Allen Ginsberg, Seamus Heaney, Ted Hughes, Sylvia Plath, Anne Sexton and Wallace Stevens.


Our Secret Discipline

Our Secret Discipline

Author: Helen Vendler

Publisher: Harvard University Press

Published: 2007-11-29

Total Pages: 460

ISBN-13: 9780674026957

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The fundamental difference between rhetoric and poetry, according to Yeats, is that rhetoric is the expression of ones quarrels with others while poetry is the expression of ones quarrel with oneself. Through exquisite attention to outer and inner forms, Vendler explores the most inventive reaches of the poets mind.


Wallace Stevens

Wallace Stevens

Author: Helen Vendler

Publisher: Harvard University Press

Published: 1986

Total Pages: 98

ISBN-13: 9780674945753

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In this graceful book, Helen Vendler brings her remarkable skills to bear on a number of Stevens' short poems. She shows us that this most intellectual of poets is in fact the most personal of poets; that his words are not devoted to epistemological questions alone but are also "words chosen out of desire."