When Lila Moore inherits her grandfather's house, she finds herself in a small Midwestern town where margarine is never an acceptable substitution for butter, a coveted family recipe can serve as currency, and the friend who will take your darkest secrets to the grave will still never give you the secret to her prize-winning begonias. Lila is charmed by the people of Auburn, from the blue-eyed lawyer with the southern drawl to the little old lady who unceasingly tries to set Lila up with her grandson. But when spooky things begin to happen, Lila realizes some of her new friends are guarding a secret like its a precious family heirloom. It's a dangerous secret, and it has come back to haunt them. Lila is caught in the middle, and her life may depend on uncovering it. But even if she can, can she stay in Auburn when not everyone is what they seem, and even the house wants her gone?
A sophisticated and suspenseful novel about the poignant lives of two women living in different eras. On the day John F. Kennedy is inaugurated, Claire, an uncompromising young wife and mother obsessed with the glamour of Jackie O, struggles over the decision of whether to stay in a loveless marriage or follow the man she loves and whose baby she may be carrying. Decades earlier, in 1919, Vivien Lowe, an obituary writer, is searching for her lover who disappeared in the Great San Francisco Earthquake of 1906. By telling the stories of the dead, Vivien not only helps others cope with their grief but also begins to understand the devastation of her own terrible loss. The surprising connection between Claire and Vivien will change the life of one of them in unexpected and extraordinary ways. Part literary mystery and part love story, The Obituary Writer examines expectations of marriage and love, the roles of wives and mothers, and the emotions of grief, regret, and hope.
A little ghost boy has appeared in the pond near Juniper’s house. He’s looking for something. And although he can’t remember what it is, Juniper’s quirk makes her just the girl to help him find it. The problem is, Bo isn’t the only spirit taking advantage of the portal to the afterlife. Before long Auburn is overrun with restless souls, and some of them want more than just one more Bingo win. To make matters worse, Juniper's quirk goes awry when she needs it most. With a charming new ally she’s not sure she can trust, magic that won’t behave, and ominous ghosts threatening the people she loves, Juniper must find a solution to her haunting problem, or else …
* INTERNATIONAL BESTSELLER * "This novel delivers sweet, smart escapism." —People "Fans of The Chilbury Ladies’ Choir and The Guernsey Literary and Potato Peel Pie Society will adore The Jane Austen Society... A charming and memorable debut, which reminds us of the universal language of literature and the power of books to unite and heal." —Pam Jenoff, New York Times bestselling author of The Lost Girls of Paris Just after the Second World War, in the small English village of Chawton, an unusual but like-minded group of people band together to attempt something remarkable. One hundred and fifty years ago, Chawton was the final home of Jane Austen, one of England's finest novelists. Now it's home to a few distant relatives and their diminishing estate. With the last bit of Austen's legacy threatened, a group of disparate individuals come together to preserve both Jane Austen's home and her legacy. These people—a laborer, a young widow, the local doctor, and a movie star, among others—could not be more different and yet they are united in their love for the works and words of Austen. As each of them endures their own quiet struggle with loss and trauma, some from the recent war, others from more distant tragedies, they rally together to create the Jane Austen Society. A powerful and moving novel that explores the tragedies and triumphs of life, both large and small, and the universal humanity in us all, Natalie Jenner's The Jane Austen Society is destined to resonate with readers for years to come.
An obituary so soon! Surely the reports of neoconservatism's death are greatly exaggerated. C. Bradley Thompson has written (with Yaron Brook) the most comprehensive and original analysis of neoconservatism yet published and in the process has dealt it a mortal blow. Neoconservatism: An Obituary for an Idea reveals publicly for the first time what the neocons call their philosophy of governance--their plan for governing America. This book explicates the deepest philosophic principles of neoconservatism, traces the intellectual relationship between the political philosopher Leo Strauss and contemporary neoconservative political actors, and provides a trenchant critique of neoconservatism from the perspective of America's founding principles. The theme of this timely book--neoconservatism as a species of anti-Americanism--will shake up the intellectual salons of both the Left and Right. What makes this book so compelling is that Thompson actually lived for many years in the Straussian/neoconservative intellectual world. Neoconservatism therefore fits into the "breaking ranks" tradition of scholarly criticism and breaks the mold when it comes to informed, incisive, nonpartisan critique of neoconservative thought and action.
The “fascinating…great-grandson’s account” (The Wall Street Journal) of the US postal inspector who brought to justice the deadly Black Hand is “unputdownable” (Library Journal, starred review). Before the emergence of prohibition-era gangsters like Al Capone and Lucky Luciano, there was the Black Hand: an early twentieth-century Sicilian-American crime ring that preyed on immigrants from the old country. In those days, the FBI was in its infancy, and local law enforcement were clueless against the dangers. Terrorized victims rarely spoke out, and the criminals ruled with terror—until Inspector Frank Oldfield came along. In 1899, Oldfield became America’s 156th Post Office Inspector—joining the ranks of the most powerful federal law enforcement agents in the country. Based in Columbus, Ohio, the unconventional Oldfield brilliantly took down train robbers, murderers, and embezzlers from Ohio to New York to Maryland. Oldfield was finally able to penetrate the dreaded Black Hand when a tip-off put him onto the most epic investigation of his career, culminating in the 1909 capture of sixteen mafiosos in a case that spanned four states, two continents—and ended in the first international organized crime conviction in the country. Hidden away by the Oldfield family for one hundred years and covered-up by rival factions in the early 20th century Post Office Department, this incredible true story out of America’s turn-of-the-century heartland will captivate all lovers of history and true crime. “I tip my hat to Inspector Oldfield. He was way ahead of his time and his efforts are magnificently relived in this book” (Daniel L. Mihalko, former Postal Inspector in Charge, Congressional & Public Affairs).
The New York Times 100 Notable Books of 2020 Time Magazine's 100 Must-Read Books of 2020 NPR's Best Books of 2020 National Book Award in Poetry, Longlist Frank Sanchez Book Award After her mother died, poet Victoria Chang refused to write elegies. Rather, she distilled her grief during a feverish two weeks by writing scores of poetic obituaries for all she lost in the world. In Obit, Chang writes of “the way memory gets up after someone has died and starts walking.” These poems reinvent the form of newspaper obituary to both name what has died (“civility,” “language,” “the future,” “Mother’s blue dress”) and the cultural impact of death on the living. Whereas elegy attempts to immortalize the dead, an obituary expresses loss, and the love for the dead becomes a conduit for self-expression. In this unflinching and lyrical book, Chang meets her grief and creates a powerful testament for the living. "When you lose someone you love, the world doesn’t stop to let you mourn. Nor does it allow you to linger as you learn to live with a gaping hole in your heart. Indeed, this daily indifference to being left behind epitomizes the unique pain of grieving. Victoria Chang captures this visceral, heart-stopping ache in Obit, the book of poetry she wrote after the death of her mother. Although Chang initially balked at writing an obituary, she soon found herself writing eulogies for the small losses that preceded and followed her mother’s death, each one an ode to her mother’s life and influence. Chang also thoughtfully examines how she will be remembered by her own children in time."—Time Magazine
Welcome to Auburn, where fresh baked cookies hold the key to your future, and a melody carries the secrets of your past. Mina Fairchild keeps to herself, and that’s the way she likes it. Her secluded life protects the secrets she hides, as well as a certain peculiarity that even people in the colorful town of Auburn, Nebraska find strange. But when her movie-star sister Bernadette shows up on her sofa, Mina’s cozy bungalow is overrun with paparazzi. One dark eyed reporter seems to see straight into Mina’s soul and her world begins to crumble. It’s bad enough when he noses around her secrets, but then he starts digging for information about her mother, and Mina can’t let that happen. Bernadette fled her Hollywood life after her boyfriend’s affair caused her to do things that sent the tabloids flying off the racks. Now she’s facing the sister she hasn’t spoken to in eight years, and an ex-fiancé, to whom she owes more than an explanation. While she’s not sure she can tell them the truth, she’s determined to make things right, even if that means America’s Sweetheart waits tables in a small-town diner. Trouble is, this prodigal return has unraveled more than the sisters realize. When a body is discovered, and a strange woman comes to Bernadette pleading for help, Auburn encounters a decades old mystery that causes Mina to question the very people she’s been protecting, and threatens the few people she’s close to.
“Within the short period of a year, she was a bride, a beloved wife and companion, a mother, a corpse,” reported The National Intelligencer on the death of Elizabeth Buchanan in 1838. Such obituaries fascinate us. Few of us realize that, when examined historically, they can reveal not only information about the departed but also much about American culture and about who and what we value. They also offer hints about the way Americans view death. This book also will fascinate, for it surveys more than 8,000 newspaper obituaries from 1818 to 1930 to show what they reveal about our culture. It shows how, in memorializing individual citizens, obituaries make a public expression of our values. Far from being staid or morbid, these death notices offer a lively look at a changing America. Indeed, obits are little windows through which to view America's cultural history. In the nineteenth century, they spoke of a person's character, in the twentieth of a person's work and wealth. In the days when women were valued mainly in their relationships with men, their obituaries were about the men in their lives. Then, as now, important friendships make a difference, for sometimes a death has been deemed newsworthy only because of whom the deceased knew. In 1838 when a fifty-year-old Virginian named William P. Custis died “after a long and wasting illness,” readers of The Daily National Intelligencer learned about his generous hospitality, his sterling business principles, and his kindness as a neighbor and husband. Custis's obituary not only recorded the fact of his death but also celebrated his virtues. The newspaper obituary has a commemorative role. It distills the essence of a citizen's life, and it reflects what society values and wants to remember about the deceased. Throughout our history, these published accounts have revealed changing values. They provide a link between public remembrances of individuals and the collective memory of a great American past. In obits of yesteryear, men were brave, gallant, vigilant, bold, honest, and dutiful. Women were patient, resigned, obedient, affectionate, amiable, pious, gentle, virtuous, tender, and useful. Mining newspapers of New York City, New Orleans, Baltimore, Chicago, and San Francisco, along with two early national papers, Niles' Weekly Register and The National Intelligencer, Janice Hume has produced a portrait of America, an entertaining history, and a revealing look at the things Americans have valued.
