The Oath, a Divine Ordinance and an Element of the Social Constitution: Its Origin, Etc
Author: D. X. JUNKIN
Publisher:
Published: 1845
Total Pages: 252
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: D. X. JUNKIN
Publisher:
Published: 1845
Total Pages: 252
ISBN-13:
DOWNLOAD EBOOKAuthor: David Xavier Junkin
Publisher:
Published: 1845
Total Pages: 252
ISBN-13:
DOWNLOAD EBOOKAuthor: George JUNKIN
Publisher:
Published: 1853
Total Pages: 120
ISBN-13:
DOWNLOAD EBOOKAuthor: Henry Stevens
Publisher: London : C. Whittingham
Published: 1866
Total Pages: 766
ISBN-13:
DOWNLOAD EBOOKAuthor: Henry Stevens
Publisher:
Published: 1866
Total Pages: 648
ISBN-13:
DOWNLOAD EBOOKAuthor: University of Minnesota. Board of Regents
Publisher:
Published: 1876
Total Pages: 388
ISBN-13:
DOWNLOAD EBOOKAuthor: University of Minnesota. Board of Regents
Publisher:
Published: 1876
Total Pages: 386
ISBN-13:
DOWNLOAD EBOOKThe report for 1870/1871 includes "An alphabetical catalogue" of the library, and later reports include "List of books added" up to .
Author: University of Minnesota
Publisher:
Published: 1876
Total Pages: 148
ISBN-13:
DOWNLOAD EBOOKAuthor: University of Minnesota
Publisher:
Published: 1875
Total Pages: 602
ISBN-13:
DOWNLOAD EBOOKAuthor: Eliza Richards
Publisher: Cambridge University Press
Published: 2004-09-06
Total Pages: 264
ISBN-13: 9780521832816
DOWNLOAD EBOOKPoe is frequently portrayed as an isolated idiosyncratic genius who was unwilling or unable to adapt himself to the cultural conditions of his time. Eliza Richards revises this portrayal through an exploration of his collaborations and rivalries with his female contemporaries. Richards demonstrates that he staged his performance of tortured isolation in the salons and ephemeral publications of New York City in conjunction with prominent women poets whose work sought to surpass. She introduces and interprets the work of three important and largely forgotten women poets: Frances Sargent Osgood, Sarah Helen Whitman, and Elizabeth Oakes Smith. Richards re-evaluates the work of these writers, and of nineteenth-century lyric practices more generally, by examining poems in the context of their circulation and reception within nineteenth-century print culture. This book will be of interest to scholars of American print culture as well as specialists of nineteenth-century literature and poetry.