Over the last few decades, a rich and increasingly diverse practice has emerged in the art world that invites the public to touch, enter, and experience the work, whether it is in a gallery, on city streets, or in the landscape. Like architecture, many of these temporary artworks aspire to alter viewers' experience of the environment. An installation is usually the end product for an artist, but for architects it can also be a preliminary step in an ongoing design process. Like paper projects designed in the absence of "real" architecture, installations offer architects another way to engage in issues critical to their practice. Direct experimentation with architecture's material and social dimensions engages the public around issues in the built environment that concern them and expands the ways that architecture can participate in and impact people's everyday lives. The first survey of its kind, Installations by Architects features fifty of the most significant projects from the last twenty-five years by today's most exciting architects, including Anderson Anderson, Philip Beesley, Diller + Scofidio, John Hejduk, Dan Hoffman, and Kuth/Ranieri Architects. Projects are grouped in critical areas of discussion under the themes of tectonics, body, nature, memory, and public space. Each project is supplemented by interviews with the project architects and the discussions of critics and theorists situated within a larger intellectual context. There is no doubt that installations will continue to play a critical role in the practice of architecture. Installations by Architects aims to contribute to the role of installations in sharpening our understanding of the built environment.
Recorded in 1949, "Foggy Mountain Breakdown" changed the face of American music. Earl Scruggs's instrumental essentially transformed the folk culture that came before it while helping to energize bluegrass's entry into the mainstream in the 1960s. The song has become a gateway to bluegrass for musicians and fans alike as well as a happily inescapable track in film and television. Thomas Goldsmith explores the origins and influence of "Foggy Mountain Breakdown" against the backdrop of Scruggs's legendary career. Interviews with Scruggs, his wife Louise, disciple Bela Fleck, and sidemen like Curly Seckler, Mac Wiseman, and Jerry Douglas shed light on topics like Scruggs's musical evolution and his working relationship with Bill Monroe. As Goldsmith shows, the captivating sound of "Foggy Mountain Breakdown" helped bring back the banjo from obscurity and distinguished the low-key Scruggs as a principal figure in American acoustic music.Passionate and long overdue, Earl Scruggs and Foggy Mountain Breakdown takes readers on an ear-opening journey into two minutes and forty-three seconds of heaven.
The Harvard philosopher Donald C. Williams (1899-1983) was a key figure in the history of analytic philosophy. He played a crucial role in reviving metaphysics at a time when other philosophers ridiculed, criticized, and committed it to the flames. He constructed an explanatorily powerful and parsimonious ontology and cosmology founded on logic, science, and common sense. His most influential articles were on the metaphysics of properties ('The Elements of Being') and the metaphysics of time ('The Sea Fight Tomorrow', 'The Myth of Passage'). His ontology of abstract particulars or tropes and his four-dimensional manifold theory of time remain leading hypotheses in metaphysics. Because of his novel contributions and his defense of metaphysics he made a lasting impact on philosophers of the next generation who in turn believed in the substance of metaphysical inquiry. A. R. J. Fisher brings together Williams's seminal articles in metaphysics along with previously unpublished essays that shed new light on his philosophical outlook and complete his metaphysical vision. This volume, with its comprehensive Introduction, is set to be the definitive source for Williams's work, both for historians of analytic philosophy and for contemporary metaphysicians.
Learn the history and techniques of hand lettering from a renowned design studio. This practical and visual guide features exercises, case studies, and typographic models for letter styles such as serif, sans serif, brush, and script. Known throughout the world for its eclectic typeface collections and far-reaching creative exploits, from fonts and fashion to ceramics and space technology, House Industries has been a standard bearer for American graphic design for more than twenty-five years. The House Industries Lettering Manual is an accessible hands-on guide to drawing letters from Ken Barber, House's head letterer and type design director. Modeled after a series of sold-out lettering workshops that Ken has conducted around the world, this highly illustrated handbook outlines the history of lettering, various methods and techniques, common letter styles, and best practices for getting paid for your work. This handy how-to guide also provides lettering models to help sharpen your drawing skills and offer departure points for further experimentation. Designed by House Industries and including copious examples, exercises, and opportunities to practice what you've learned, plus photographs of works-in-progress and finished projects, this instructive and visually engaging book will help you master the dynamic art of lettering, whether you're a budding artist or an experienced designer.
“ [A] moving novel about friendship, forgiveness, and mortality.” —Nancy Pearl, NPR’s Morning Edition Ron Carlson has always been a critics’ favorite, but Return to Oakpine shows the acclaimed writer at his finest. In this tender and nostalgic portrait of western American life, Carlson tells the story of four middle-aged friends who once played in a band while growing up together in small-town Wyoming. One of them, Jimmy Brand, left for New York City and became an admired novelist. Thirty years later in 1999, he’s returned to die. Craig Ralston and Frank Gunderson never left Oakpine; Mason Kirby, a Denver lawyer, is back on family business. Jimmy’s arrival sends the other men’s dreams and expectations, realized and deferred, whirling to the surface. And now that they are reunited, getting the band back together might be the most essential thing they ever do.
In the 1950s, a series of dams was proposed along the Brazos River in north-central Texas. For John Graves, this project meant that if the stream’s regimen was thus changed, the beautiful and sometimes brutal surrounding countryside would also change, as would the lives of the people whose rugged ancestors had eked out an existence there. Graves therefore decided to visit that stretch of the river, which he had known intimately as a youth. Goodbye to a River is his account of that farewell canoe voyage. As he braves rapids and fatigue and the fickle autumn weather, he muses upon old blood feuds of the region and violent skirmishes with native tribes, and retells wild stories of courage and cowardice and deceit that shaped both the river’s people and the land during frontier times and later. Nearly half a century after its initial publication, Goodbye to a River is a true American classic, a vivid narrative about an exciting journey and a powerful tribute to a vanishing way of life and its ever-changing natural environment.