Jeff Palmer, known to sculpt the human body only with light, started his very successful career as a photographer with this book. In black and white photography of the finest, Jeff Palmer catches men in sensual moments of yearning and dreaming.
The Postcard’s Radical Openness offers a groundbreaking exploration of what this multifaceted, double-sided open card entails and how it has affected our being in the world. With a holistic approach, it focuses on studying the postcard’s specific way of being and performing, a particular ontology that opens up what is constitutively implicated in such an apparently trivial artifact. The book, organized into four parts, meticulously unveils the postcard’s political, technological, aesthetic, and ethical dimensions, ending with a coda correlating the postcard’s radical openness to G. Klimt’s painting, Nuda Veritas (1899) in reference to the scope of truth. By examining the postcard’s complex worldwide history, its socio-cultural significance, and its global effect, the book reveals hidden stories shedding light on its impact on photography, printing, marketing, trade, and business practices and exposes the aesthetic, communicative, and ethical qualities that lie behind the enormous success of postcards at the turn of the 20th century. This comprehensive study is positioned as a thought-provoking invitation to scholars and students interested in material culture, media studies, and human interactions, as well as to history enthusiasts, art lovers, and postcard collectors. Offering a distinctive contribution, the book not only fills a void in the literature but also encourages readers to question and reflect on the transformative power inherent in the postcard's 'radical openness,' presenting a novel and unparalleled analysis of this seemingly trivial yet culturally significant object.
Containing 21 detachable postcards of miniature scenes in which naughty little people engage in surprising, funny, titillating, or simply obscene behavior, this book gives readers a humorous look beneath the veneer of polite society. Artists Vincent Bousserez, Etienne Clement, Daniel Dorall, Jonah Samson, and Lisa Swerling make stunning use of miniature scenes to create startling situations and amusing, memorable images. The pictures play with the notions of surprise and hidden drama, inviting the viewer to take a peek into the darkly funny depths of human behavior—from the silly and the crude to the disturbing and the mysterious. Ideal for sharing with or sending to friends, this postcard book is an original, fun and amusing gift for adults (or overgrown kids!)
The Nude explores some of the principal ways that paintings of the nude function in the conflicted terrain of culture and society in Europe and America from the fifteenth through twentieth centuries, as set against questions about human sexuality that emerge around differences of class, gender, age, and race. Author Richard Leppert relates the visual history of how the naked body intersects with the foundational characteristics of what it is to be human, measured against a range of basic emotions (happiness, delight, and desire; fear, anxiety, and abjection) and read in the context of changing social and cultural realities. The bodies comprising the Western nude are variously pleasured or tormented, ecstatic or bored, pleased or horrified. In short, as this volume amply demonstrates, the nude in Western art is a terrain on whose surface is written a summation of Western history: its glory but also its degradation.
A fresh, fascinating appraisal that is the first study of the nude in photography as seen through the social customs, manners and taboos that shaped the art. 20 full-color and 200 black-and-white photographs.
THE TITLE IS SELF EXPLANATORY. THERE ARE NO WORDS IN THIS BOOK. EROTIC CABINET CARDS, WILL TAKE A BRIEF LOOK AT THE EROTIC CABINET CARDS OF THE PAST. THE TIME IS EARLY 1900'S. SOME PEOPLE DID NOT LIKE THE EROTIC CABINET CARDS. THEY SAID THEY WERE VULGAR, DISTASTEFUL. OTHERS SAID THEY WERE PORNOGRAPHIC. I WILL LET YOU BE THE JUDGE OF THAT. I THINK THE CARDS WERE A FREE EXPRESSION OF A NEW ART FORM. IT'S TOTALLY UP TO YOU. ENJOY AND SEE YOU IN VOLUME NUMBER TWO.
In Open Letters, the most comprehensive study of Russian picture postcards to date, Alison Rowley uses this medium to explore a variety of aspects of Russian popular culture.
Waugh identifies four primary aspects of homoerotic photography and film - the artistic, the commercial, the illicit, and the politico-scientific - tracing their development against a background of advances in visual technology. This comprehensive work explores a vast, eclectic tradition in its totality, analyzing the visual imagery in addition to its production, circulation, and consumption.