Thomas Holcroft (1745–1809) was a key figure in the radical movement of the 1790s. This work is intended for scholars wanting to understand Britain and its literature in the 1790s.
Thomas Holcroft (1745–1809) was a key figure in the radical movement of the 1790s. This work is intended for scholars wanting to understand Britain and its literature in the 1790s.
Thomas Holcroft (1745–1809) was a key figure in the radical movement of the 1790s. This work is intended for scholars wanting to understand Britain and its literature in the 1790s.
Thomas Holcroft (1745–1809) was a key figure in the radical movement of the 1790s. This work is intended for scholars wanting to understand Britain and its literature in the 1790s.
Thomas Holcroft was a central figure of the 1790s, whose texts played an important role in the transition toward Romanticism. In this, the first essay collection devoted to his life and work, the contributors reassess Holcroft's contributions to a remarkable range of literary genres-drama, poetry, fiction, autobiography, political philosophy-and to the project of revolutionary reform in the late eighteenth century. The self-educated son of a cobbler, Holcroft transformed himself into a popular playwright, influential reformist novelist, and controversial political radical. But his work is not important merely because he himself was a remarkable character, but rather because he was a hinge figure between laboring Britons and the dissenting intelligentsia, between Enlightenment traditions and developing 'Romantic' concerns, and between the world of self-made hack writers and that of established critics. Enhanced by an updated and corrected chronology of Holcroft's life and work, key images, and a full bibliography of published scholarship, this volume makes way for more concerted and focused scholarship and teaching on Holcroft. Taken together, the essays in this collection situate Holcroft's self-fashioning as a member of London's literati, his central role among the London radical reformers and intelligentsia, and his theatrical innovations within ongoing explorations of the late eighteenth-century public sphere of letters and debate.
Thomas Holcroft (1745–1809) was a key figure in the radical movement of the 1790s. This work is intended for scholars wanting to understand Britain and its literature in the 1790s.
Thomas Holcroft (1745-1809) was a key figure in the radical movement of the 1790s. This work is intended for scholars wanting to understand Britain and its literature in the 1790s.
A far-reaching analysis of censorship's profound impact on Georgian theatrical culture and its development across the long eighteenth century, showcasing how the analysis of plays can be helpful for historical research.
Thomas De Quincey (1785-1859) is one of the greatest English prose writers of the nineteenth century. In this edition texts are drawn from the first published versions, and a full second version provided where he thoroughly recast his own work at a later date. The bulk of his unpublished manuscripts are presented here, among them several works only recently re-discovered.
“The theatre scholar’s daunting but irresistible quest to recover some echoes of performance of the past has never been more engagingly presented than in Pascoe’s account of tracing the long-silenced voice of Sarah Siddons. Her report is a warm, witty, and highly informative exploration of the methodology and the pleasures of historical research.” —Marvin Carlson, author of The Haunted Stage: The Theatre as Memory Machine During her lifetime (1755–1831), English actress Sarah Siddons was an international celebrity acclaimed for her performances of tragic heroines. We know what she looked like—an endless number of artists asked her to sit for portraits and sculptures—but what of her famous voice, reported to cause audiences to hyperventilate or faint? In The Sarah Siddons Audio Files, Judith Pascoe takes readers on a journey to discover how the actor’s voice actually sounded. In lively and engaging prose, Pascoe retraces her quixotic search, which leads her to enroll in a “Voice for Actors” class, to collect Lady Macbeth voice prints, and to listen more carefully to the soundscape of her life. Bringing together archival discoveries, sound recording history, and media theory, Pascoe shows how romantic poets’ preoccupation with voices is linked to a larger cultural anxiety about the voice’s ephemerality. The Sarah Siddons Audio Files contributes to a growing body of work on the fascinating history of sound and will engage a broad audience interested in how recording technology has altered human experience.