Screening The Novel

Screening The Novel

Author: Keith Selby

Publisher: Springer

Published: 2016-07-27

Total Pages: 214

ISBN-13: 1349205168

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The book takes as its theme the relationship between literature and the contemporary means of production and distribution collectively termed 'the media' - in particular, film and television. The intention of the book is to explore and evaluate the mutual opportunities and restrictions in this relationship. In the grammar of our culture there seems to be an accepted opinion that print is superior in terms of cultural production to film, radio or television, that to read a book is somehow a 'higher' cultural activity than seeing a play on television or seeing a film. By the same token, a novel is a 'superior' work of art to film or television. The longer perspective reveals that traditionally there always is a greater respect paid to the previous mode of literary production - poetry was superior to drama, poetic drama was superior to the novel, and film attained cult and classic status initially over television.


From Literary Composition to Cinematic Adaptation: A Study of Cinema through Literature from Indian Perspective

From Literary Composition to Cinematic Adaptation: A Study of Cinema through Literature from Indian Perspective

Author: Dipak Giri

Publisher: AABS Publishing House, Kolkata, West Bengal, India-712121

Published: 2022-03-12

Total Pages: 225

ISBN-13: 9391146511

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Adaptation of literary texts, be it Indian or foreign, into Indian cinema or Indian literary texts into foreign cinema, is not new for film makers, rather one can say that such adaptation is as long as film making itself. Last few decades have witnessed a spectacular rise of many such adaptations produced out of literary texts. From past to present, literary texts of many popular writers from national to global level have been adapted into Indian cinema and also Indian literary texts into foreign cinema. However, adapting a literary work into a two or three hours cinema, mostly in case of a novel is not always an easy task to a film maker as sometimes, accommodation does not come to fit in the stipulated time frame which eventually results in messing up the whole essence of the original art. Regardless of partial or whole, a cinema based on literary text has always been a great appeal to an erudite person. The present anthology is an endeavour of some select Indian cinema based on literary texts, irrespective of Indian and foreign and also some foreign cinema based on wholly Indian literary texts. Be it Indian cinema based on popular world literature or foreign cinema based on wholly Indian texts, the book is a deft study of the cinematic adaptation of literary texts from an Indian perspective.


Spanishness in the Spanish Novel and Cinema of the 20th – 21st Century

Spanishness in the Spanish Novel and Cinema of the 20th – 21st Century

Author: Cristina Sánchez-Conejero

Publisher: Cambridge Scholars Publishing

Published: 2009-10-02

Total Pages: 265

ISBN-13: 144381458X

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Spanishness in the Spanish Novel and Cinema of the 20th-21st Century is an exploration of the general concept of “Spanishness” as all things related to Spain, specifically as the multiple meanings of “Spanishness” and the different ways of being Spanish are depicted in 20th-21st century literary and cinematic fiction of Spain. This book also represents a call for a re-evaluation of what being Spanish means not just in post-Franco Spain but also in the Spain of the new millennium. The reader will find treatments of some of the crucial themes in Spanish culture such as immigration, nationalisms, and affiliation with the European Union as well as many others of contemporary relevance such as time, memory, and women studies that defy exclusivist and clear-cut single notions of Spanishness. These explorations will help contextualize what it means to be Spanish in present day Spain and in the light of globalization while also dissipating stereotypical notions of Spain and Spanishness.


Feminism and Film Theory

Feminism and Film Theory

Author: Constance Penley

Publisher: Routledge

Published: 2013-07-04

Total Pages: 281

ISBN-13: 1135201064

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First published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.


The Aesthetics and Psychology of the Cinema

The Aesthetics and Psychology of the Cinema

Author: Jean Mitry

Publisher: Indiana University Press

Published: 1997

Total Pages: 428

ISBN-13: 9780253213778

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Mitry was driven to explain the "why," "what if," and "how come" experiences that resulted after the "wow" experience in cinema. His theory uses psychology and phenomenology to understand how cinema can elevate the viewer from the everyday world.


Transnational Cinema in Europe

Transnational Cinema in Europe

Author: Manuel Palacio

Publisher: LIT Verlag Münster

Published: 2013

Total Pages: 200

ISBN-13: 3643904789

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The attempt to produce films for the international market has led to lively exchanges and meeting points between local and national identity discourses and global processes of identity formation. Co-productions alone can no longer be seen as an incentive for national cultural production. Rather, it is necessary to regard co-productions as a privileged site for an analysis of the relations between identity, nation, and culture. Transnational Cinema in Europe is the result of a collaboration of two research groups in Madrid and Vienna. The book consists of articles by members of both research groups, as well as by several other experts. (Series: Contributions to the European Theater, Film and Media Studies / Beitrage zur europaischen Theater-, Film- und Medienwissenschaft - Vol. 4)


A History of Danish Cinema

A History of Danish Cinema

Author: C. Claire Thomson

Publisher: Edinburgh University Press

Published: 2021-11-30

Total Pages: 435

ISBN-13: 1474461158

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The first English-language book to cover Danish cinema from the 1890s to the present day.


Cinema and Popular Geo-politics

Cinema and Popular Geo-politics

Author: Marcus Power

Publisher: Routledge

Published: 2013-09-13

Total Pages: 222

ISBN-13: 1317999185

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With a detailed range of approaches, this new collection investigates how cinematic narratives can and have been used to portray different political 'threats' and 'dangers'. Including a range of chapters with a contemporary focus, it studies issues such as: how the geopolitical world has been constructed through film how cinema can provide explanatory narratives in periods of cultural and political anxiety, uneasiness and uncertainty. Examining the ways in which film impacts upon popular understandings of national identity and the changing geopolitical world, the book looks at how audiences make sense of the (geo)political messages and meanings contained within a variety of films - from the US productions of Hollywood, to Palestinian, Mexican, British, and German cinematic traditions. This thought-provoking book draws on an international range of contributions to discuss and fully investigate world cinema in light of key contemporary issues. This book was previously published as a special issue of Geopolitics.


Argentine Cinema

Argentine Cinema

Author: David George

Publisher: Lexington Books

Published: 2017-12-22

Total Pages: 193

ISBN-13: 1498511872

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Argentine Cinema: From Noir to Neo-Noir examines the phenomenon of Argentine film noir. Beginning with definitions of film noir and its international iterations, the book presents a history of the development of film noir and neo-noir in Argentina (from the 1940s to the present), as well as a technical, aesthetic, and socio-historical analysis of such recent Argentine neo-noir films as The Aura, The Secret in Their Eyes, and The German Doctor. It considers the question of inscription of such classic noirs as Double Indemnity and The Third Man and looks forward to future scholarly work on other Latin American noir and neo-noir films, especially those produced in Mexico and Brazil.


Arab Modernism as World Cinema

Arab Modernism as World Cinema

Author: Peter Limbrick

Publisher: University of California Press

Published: 2020-03-10

Total Pages: 301

ISBN-13: 0520330560

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Arab Modernism as World Cinema explores the radically beautiful films of Moroccan filmmaker Moumen Smihi, demonstrating the importance of Moroccan and Arab film cultures in histories of world cinema. Addressing the legacy of the Nahda or “Arab Renaissance” of the nineteenth and early twentieth century—when Arab writers and artists reenergized Arab culture by engaging with other languages and societies—Peter Limbrick argues that Smihi’s films take up the spirit of the Nahda for a new age. Examining Smihi’s oeuvre, which enacts an exchange of images and ideas between Arab and non-Arab cultures, Limbrick rethinks the relation of Arab cinema to modernism and further engages debates about the use of modernist forms by filmmakers in the Global South. This original study offers new routes for thinking about world cinema and modernism in the Middle East and North Africa, and about Arab cinema in the world.