The Nonhuman in American Literary Naturalism
The Nonhuman in American Literary Naturalism

Author: Karin M. Danielsson

Publisher: Rowman & Littlefield

Published: 2023-09-05

Total Pages: 287

ISBN-13: 1666915718

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The Nonhuman in American Literary Naturalism responds to a need to expand and refine the connections among nonhuman studies and American literary naturalism and to productively expand the scholarly discourse surrounding this vital movement in American literary history. This collection focuses on that which becomes visible when the human subject is skirted, or moved off-center: in other words, the representation of nonhuman animals and other vital or inert species, things, entities, cityscapes and seascapes, that play an important part in American literary naturalism. Informed by animal studies, ecocriticism, posthumanism, new materialism, and other recent theoretical perspectives, the essays in this collection discuss early naturalist texts as well as more recent naturalistic-oriented authors.

The Nonhuman in American Literary Naturalism
The Nonhuman in American Literary Naturalism

Author: Karin M. Danielsson

Publisher: Ecocritical Theory and Practice

Published: 2023-10-15

Total Pages: 0

ISBN-13: 9781666915709

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This volume includes theoretically innovative essays focusing on the nonhuman by writers working in the tradition of American literary naturalism from the 1890s to the present day.

The Oxford Handbook of American Literary Naturalism
The Oxford Handbook of American Literary Naturalism

Author: Keith Newlin

Publisher: Oxford University Press

Published: 2011-05-26

Total Pages: 536

ISBN-13: 0195368932

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After its heyday in the late nineteenth and early twentieth century, naturalism, a genre that typically depicts human beings as the product of biological and environmental forces over which they have little control, was supplanted by modernism, a genre in which writers experimented with innovations in form and content. In the last decade, the movement is again attracting spirited scholarly debate. The Oxford Handbook of American Literary Naturalism takes stock of the best new research in the field through collecting twenty-eight original essays drawing upon recent scholarship in literary and cultural studies. The contributors offer an authoritative and in-depth reassessment of writers from Stephen Crane, Frank Norris, Theodore Dreiser, and Jack London to Kate Chopin, Edith Wharton, Ernest Hemingway, Richard Wright, John Steinbeck, Joyce Carol Oates, and Cormac McCarthy. One set of essays focus on the genre itself, exploring the historical contexts that gave birth to it, the problem of definition, its interconnections with other genres, the scientific and philosophical ideas that motivate naturalist authors, and the continuing presence of naturalism in twenty-first century fiction. Others examine the tensions within the genre-the role of women and African-American writers, depictions of sexuality, the problem of race, and the critique of commodity culture and class. A final set of essays looks beyond the works to consider the role of the marketplace in the development of naturalism, the popular and critical response to the works, and the influence of naturalism in the other arts.

The Oxford Handbook of Jack London
The Oxford Handbook of Jack London

Author: Jay Williams

Publisher: Oxford University Press

Published: 2016-12-01

Total Pages: 608

ISBN-13: 0199315183

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London's first-hand engagement with the world--the process of becoming and maintaining himself as a citizen of the world--helps define the kind of writing he produced. It is insufficient now to call him a naturalist writer if his principal concern was to reflect and represent, not the usual fare of violence and natural forces that we as literary theorists have used to periodize London's work, but rather something larger, more indeterminant, contemporary. The word modern appears often in the pages of this handbook, and though it is not new to call London a modernist, the sheer weight of the scholarship in this present volume that attests to this alternative designation gives it a thorough grounding that previous attempts lacked. London called his times the Machine Age, not just to underscore the rapidity of modern life and its new mechanization, but also to highlight the need for a new social and economic order. The purpose of this handbook is to honor him as a representative American writer of the age as he understood it.

Naturalism in Question
Naturalism in Question

Author: Mario De Caro

Publisher: Harvard University Press

Published: 2004-05-31

Total Pages: 358

ISBN-13: 9780674012950

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Today most philosophers in the English-speaking world adhere to “naturalist” credos that philosophy is continuous with science, and that the natural sciences provide a complete account of all that exists. This volume presents a group of leading thinkers who criticize scientific naturalism in order to defend a more inclusive or liberal naturalism.

Naturalism in American Fiction
Naturalism in American Fiction

Author: John J. Conder

Publisher: University Press of Kentucky

Published: 2021-03-17

Total Pages: 284

ISBN-13: 0813181917

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In this closely reasoned study, John J. Conder has created a new and more vital understanding of naturalism in American literature. Moving from the Hobbesian dilemma between causation and free will down through Bergson's concept of dual selves, Conder defines a view of determinism so rich in possibilities that it can serve as the inspiration of literary works of astonishing variety and unite them in a single, though developing, naturalistic tradition in American letters. At the heart of this book, beyond its philosophic discussion, is Conder's reading of key works in the naturalistic canon, beginning with Stephen Crane's "The Open Boat" and "The Blue Hotel." The special character of determinism in Crane is, Conder holds, the source of his complexity and striking originality. He finds a stricter determinism in Norris's McTeague. In Dreiser, however, the naturalistic tradition develops toward a fusion of determinism and freedom in a single work, and this fusion in a different guise operates in Dos Passos's view of self in Manhattan Transfer. With Steinbeck's The Grapes of Wrath the uniting of determinism and freedom finds its fullest realization in the concept of dual selves, one determined, one free. In Faulkner's The Sound and the Fury and Absalom, Absalom! the concept of the dual self appears in its most complex form. The developments in the work of Steinbeck and Faulkner, Conder believes, bring the classic phase of American literary naturalism to a close. Naturalism in American Fiction illuminates a group of major literary works and revives a theoretic consideration of naturalism. It thus makes a fundamental contribution to American studies.

Gale Researcher Guide for: Frank Norris and American Naturalism
Gale Researcher Guide for: Frank Norris and American Naturalism

Author: Hannah L. Huber

Publisher: Gale, Cengage Learning

Published:

Total Pages: 12

ISBN-13: 1535847956

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Gale Researcher Guide for: Frank Norris and American Naturalism is selected from Gale's academic platform Gale Researcher. These study guides provide peer-reviewed articles that allow students early success in finding scholarly materials and to gain the confidence and vocabulary needed to pursue deeper research.

The Pit
The Pit

Author: Frank Norris

Publisher: Cosimo, Inc.

Published: 2009-01-01

Total Pages: 434

ISBN-13: 1605209023

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Like his more famous contemporary Upton Sinclair, American author BENJAMIN FRANKLIN NORRIS, JR. (1870-1902) also highlighted the corruption and greed of corporate monopolies in the late 19th and early 20th centuries... themes that continue to make his work riveting reading more than a century later. The Pit, first published in 1903, is a fictional narrative of the dealing in the Chicago wheat pit, focusing on speculator Curtis Jadwin, who is so addicted to his own greed that it becomes his downfall. The second part of Norris's projected "Trilogy of the Epic of the Wheat," *The Pit is preceded by 1901's The Octopus, also available from Cosimo. (Norris died before he could write the third volume, The Wolf.)

The Oxford Handbook of Twentieth-Century American Literature
The Oxford Handbook of Twentieth-Century American Literature

Author: Leslie Bow

Publisher: Oxford University Press

Published: 2022-08-11

Total Pages: 449

ISBN-13: 0192557319

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An essential and field-defining resource, this volume brings fresh approaches to major US novels, poetry, and performance literature of the twentieth century. With sections on 'structures', 'movements', 'attachments', and 'imaginaries', this handbook brings a new set of tools and perspectives to the rich and diverse traditions of American literary production. The editors have turned to leading as well as up-and-coming scholars in the field to foreground methodological concerns that assess the challenges of transnational perspectives, critical race and indigenous studies, disability and care studies, environmental criticism, affect studies, gender analysis, media and sound studies, and other cutting-edge approaches. The 20 original chapters include the discussion of working-class literature, border narratives, children's literature, novels of late-capitalism, nuclear poetry, fantasies of whiteness, and Native American, African American, Asian American, and Latinx creative texts.

Form and History in American Literary Naturalism
Form and History in American Literary Naturalism

Author: June Howard

Publisher: UNC Press Books

Published: 2017-03-01

Total Pages: 303

ISBN-13: 1469620693

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Examining the novels of Frank Norris, Theodore Dreiser, Jack London, and other writers, June Howard presents a study of American literary naturalism as a genre. Naturalism, she states, is a way of imagining the world and the relation of the self to the world, a way of making sense -- and making narrative -- out of the comforts and discomforts of its historical moment. Howard believes that naturalism accomodates the sense of perilousness, uncertainty, and disorder that many Americans felt in the late nineteenth and early twentieth centuries. She argues for a redefinition of the form which allows it to be seen as an immanent ideology responding to a specific historical situation. Working both from accepted definitions of naturalism and from close analysis of the literary texts themselves, Howard consructs a new description of the genre in terms of its thematic antinomies, patterns of characterization, and narrative strategies. She defines a range of historical and cultural reference for the ideas and images of American naturalism and suggests that the form has affinities with such contemporary ideologies as political progressivism and criminal anthropology. In the process, she demonstrates that genre criticism and historical analysis can be combined to create a powerful method for writing literary history. Throughout Howard's study, the concept of genre is used not as a prescriptive straitjacket but as a category allowing the perception of significant similarities and differences among literary works and the coordination of textual analysis with the history of literary and social forces. For Howard, naturalism is a dynamic solution to the problem of generating narrative from the particular historical and cultural materials available to the authors. Originally published in 1985. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.