This classic Western from the pen of one of the genre's most skilled authors, Max Brand, will engage the interest of a wide range of readers. Even in a novel that is packed with all of the elements that fans of the genre have come to expect, Brand manages to bring unexpected twists to the tale.
Westerns may have had their heyday, but they remain popular. The greatest films from 1914, when The Squaw Man and The Virginian were among the genre's best, through 2001, when American Outlaws and Texas Rangers were tops, are the subject of this work. For each year, the author names the outstanding western films in the following categories: picture, screenplay (original and adaptation), direction, cinematography, music, male and female leading roles, and male and female supporting roles. Also for each year, the author lists the westerns that received Academy Award nominations (and those that won), makes note of the births and deaths of notable actors, directors, producers, composers, cinematographers, authors and other such personalities, and describes the genre's significant achievements.
The undead are back! In Undead in the West: Vampires, Zombies, Mummies, and Ghosts on the Cinematic Frontier, Cynthia J. Miller and A. Bowdoin Van Riper assembled a collection of essays that explored the unique intersection of two seemingly distinct genres in cinema: the western and the horror film. In this new volume, Undead in the West II: They Just Keep Coming, Miller and Van Riper expand their examination of undead Westerns to include not only film, but literature, sequential art, gaming, and fan culture (fan fiction, blogging, fan editing, and zombie walks). These essays run the gamut from comics and graphic novels such as American Vampire, Preacher, and Priest, and games like Darkwatch and Red Dead Redemption, to novels and short stories by celebrated writers including Robert E. Howard, Joe R. Lansdale, and Stephen King. Featuring a foreword by renowned science fiction author William F. Nolan (Logan’s Run) and an afterword by acclaimed game designer Paul O’Connor (Darkwatch), this collection will appeal to scholars of literature, gaming, and popular culture, as well as to fans of this unique hybrid.
From High Noon to Unforgiven, the "A" Western represents the pinnacle of Western filmmaking. More intellectual, ambitious, and time-consuming than the readily produced "B" or serial Westerns, these films rely on hundreds of talented artists. This comprehensive reference work provides biographies and Western filmographies for nearly 1,000 men and women who have contributed to at least three "A" Westerns. These contributors are arranged by their role in film production. Cinematographers, composers, actors, actresses, and directors receive complete biographical treatment; writers whose work was used in at least two Westerns are also featured. An appendix lists well-known actors who have appeared in either one or two "A" Westerns, as specified.
Called the King of the Pulps, Frederick Schiller Faust, aka Max Brand, wrote nearly 400 Westerns from The Untamed to Destry Rides Again--a total of more than 220 books in this genre. Yet Max Brand also created Dr. Kildare (of books, films, and television) and wrote under twenty-one pseudonyms, in another dozen genres. This book removes the mask, with deeply personal memoirs from family, friends and fellow writers, taking us through his orphaned boyhood on the brutal ranches of California, his frustrating decades in Italy, as both a classical poet and a fast-action pulpist, to his heroic death as a war correspondent on the World War II battlefields. Faust's life story is augmented by a complete bibliography of his work--over a thousand books, stories, and films--plus the first listing of works about Faust.
Famous for his unique style of thoughtful and literary Westerns, Max Brand (real name Frederick Faust) produced a prolific array of compelling characters and innovative plots in over 500 different books. Brand also featured the popular young medical intern Dr. James Kildare in a series of pulp fiction stories, which featured over several decades in a series of American theatrical films. This comprehensive eBook presents Brand’s collected works, with numerous illustrations, many rare texts appearing in digital print for the first time, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Brand’s life and works * Concise introductions to the major novels and other texts * Over 50 novels, with individual contents tables * The complete Ronicky Doone trilogy * Features the rare Dr. Kildare story ‘Whiskey Sour’ for the first time in digital publishing * The Complete Tizzo the Firebrand Series for the first time — with ‘The Great Betrayal’ and ‘The Storm’ available in no other collection * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Rare short stories, including Brand’s first piece of fiction, ‘Convalescence’ * Scholarly ordering of texts into chronological order and literary genres Please note: the eBook contains as many Max Brand works as possible available in the US public domain. New texts will be added to the edition as they become available. Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Dan Barry Series The Untamed (1919) The Night Horseman (1920) The Seventh Man (1921) The Ronicky Doone Trilogy Ronicky Doone (1921) Ronicky Doone’s Treasures (1922) Ronicky Doone’s Rewards (1922) The Dr. Kildare Series Internes Can’t Take Money (1936) Whiskey Sour (1938) Tizzo the Firebrand Series The Firebrand (1934) The Great Betrayal (1935) The Storm (1935) The Cat and the Perfume (1935) Claws of the Tigress (1935) The Bait and the Trap (1935) The Pearls of Bonfadini (1935) Other Novels Above the Law (1918) Harrigan! (1918) Riders of the Silences (1919) Trailin’! (1919) The Man Who Forgot Christmas (1920) Black Jack (1921) Bull Hunter (1921) Donnegan (Gunman’s Reckoning) (1921) The Long, Long Trail (1921) Sheriff Larrabee’s Prisoner (1921) A Shower of Silver (1921) Way of the Lawless (1921) Alcatraz (1922) The Rangeland Avenger (1922) The Garden of Eden (1922) Wild Freedom (1922) His Name His Fortune (1923) Outlaw Breed (1923) The Quest of Lee Garrison (1923) Rodeo Ranch (1923) Soft Metal (1923) “Sunset” Wins (1923) The Tenderfoot (1924) The Whispering Outlaw (1924) The Black Rider (1925) Acres of Unrest (1926) Werewolf (1926) Thunder Moon (1927) The Mountain Fugitive (1927) The Mustang Herder (1927) The Sheriff Rides (1928) Marbleface (1930) Sixteen in Nome (1930) The Hair-Trigger Kid (1931) The Lightning Warrior (1932) The Short Stories Miscellaneous Stories Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks
The Western Story: A Chronological Treasury consists of twenty Western stories spanning the years 1892 to 1994. For that generation of American writers who saw the frontier in the last century?including Mark Twain, Bret Harte, and Owen Wister?it seemed exotic, strange, wonderful. Others, such as Frederic Remington and John G. Neihardt, reflected the clash between various Indian nations and pioneers. These authors prepared the way for the founders of the first Golden Age of the Western story: Willa Cather, who wrote of pioneer life in Nebraska; Zane Grey, who combined wilderness experiences with romance and the search for spiritual truth; B. M. Bower, who portrayed the cowboys and frontier women she knew growing up in Montana; Max Brand, who created dramas in which the psychological and spiritual meaning of life was more important than the physical terrain; and Ernest Haycox, who combined character and drama with historical accuracy. ø Another generation of writers perpetuated this first Golden Age: Peter Dawson and T. T. Flynn, who began writing Western stories in the 1930s; Walter Van Tilburg Clark, who created a masterpiece in The Ox-Bow Incident; Dorothy M. Johnson and Les Savage Jr., who experimented with making the Western story still more realistic; and Louis L?Amour, whose visibility and popularity won legions of new readers to the genre. ø Humanity, depth, and verisimilitude were already part of the Western story when Will Henry, Elmer Kelton, and T. V. Olsen came on the scene to intensify these qualities in their own stories even as they experimented with new perspectives. And Cynthia Haseloff?s story (written especially for this collection), with its symbolism and its simplicity, may be the harbinger of a second Golden Age.