'One of the great American prose stylists of our time.' New York Times 'Auster really does possess the wand of the enchanter.' New York Review of Books The New York Trilogy is perhaps the most astonishing work by one of America's most consistently astonishing writers. The Trilogy is three cleverly interconnected novels that exploit the elements of standard detective fiction and achieve a new genre that is all the more gripping for its starkness. It is a riveting work of detective fiction worthy of Raymond Chandler, and at the same time a profound and unsettling existentialist enquiry in the tradition of Kafka or Borges. In each story the search for clues leads to remarkable coincidences in the universe as the simple act of trailing a man ultimately becomes a startling investigation of what it means to be human. The New York Trilogy is the modern novel at its finest: a truly bold and arresting work of fiction with something to transfix and astound every reader. 'Marks a new departure for the American novel.' Observer 'A shatteringly clever piece of work . . . Utterly gripping, written with an acid sharpness that leaves an indelible dent in the back of the mind.' Sunday Telegraph
The second book in the acclaimed New York Trilogy--a detective story that becomes a haunting and eerie exploration of identity and deception. It is a story of hidden violence that culminates in an inevitable but unexpectedly shattering climax.
"I am alone in the dark, turning the world around in my head as I struggle through another bout of insomnia, another white night in the great American wilderness." So begins Paul Auster's brilliant, devastating tale about the many realities we inhabit as wars flame all around us. Seventy-two-year-old August Brill is recovering from a car accident in his daughter's house in Vermont. When sleep refuses to come, he lies in bed and tells himself stories, struggling to push back thoughts about things he would prefer to forget ? his wife's recent death and the horrific murder of his granddaughter's boyfriend, Titus. The retired book critic imagines a parallel world in which America is not at war with Iraq but with itself. In this other America the twin towers did not fall, and the 2000 election results led to secession, as state after state pulled away from the union, and a bloody civil war ensued. As the night progresses, Brill's story grows increasingly intense, and what he is so desperately trying to avoid insists on being told. Joined in the early hours by his granddaughter, he gradually opens up to her and recounts the story of his marriage. After she falls asleep, he at last finds the courage to revisit the trauma of Titus's death. Passionate and shocking, Man in the Dark is a story of our moment, an audiobook that forces us to confront the blackness of night even as it celebrates the existence of ordinary joys in a world capable of the most grotesque violence.
A graphic novel classic with a new introduction by Art Spiegelman Quinn writes mysteries. The Washington Post has described him as a “post-existentialist private eye.” An unknown voice on the telephone is now begging for his help, drawing him into a world and a mystery far stranger than any he ever created in print. Adapted by Paul Karasik and David Mazzucchelli, with graphics by David Mazzucchelli, Paul Auster’s groundbreaking, Edgar Award-nominated masterwork has been astonishingly transformed into a new visual language.
An inside look into Paul Auster's art and craft, the inspirations and obsessions, mesmerizing and dramatic in turn. A remarkably candid, and often surprisingly dramatic, investigation into one writer's art, craft, and life, A Life in Words is rooted in three years of dialogue between Auster and Professor I. B. Siegumfeldt, starting in 2011, while Siegumfeldt was in the process of launching the Center for Paul Auster Studies at the University of Copenhagen. It includes a number of surprising disclosures, both concerning Auster's work and about the art of writing generally. It is a book that's full of surprises, unscripted yet amounting to a sharply focused portrait of the inner workings of one of America's most productive and successful writers, through all twenty-one of Auster's narrative works and the themes and obsessions that drive them.
A man's obsession with a silent-film star sends him on a journey into a shadow world of lies, illusions, and unexpected love Six months after losing his wife and two young sons in an airplane crash, Vermont professor David Zimmer spends his waking hours mired in a blur of alcoholic grief and self-pity. Then, watching television one night, he stumbles upon a clip from a lost silent film by comedian Hector Mann. Zimmer's interest is piqued, and he soon finds himself embarking on a journey around the world to research a book on this mysterious figure, who vanished from sight in 1929 and has been presumed dead for sixty years. When the book is published the following year, a letter turns up in Zimmer's mailbox bearing a return address from a small town in New Mexico-supposedly written by Hector's wife. "Hector has read your book and would like to meet you. Are you interested in paying us a visit?" Is the letter a hoax, or is Hector Mann still alive? Torn between doubt and belief, Zimmer hesitates, until one night a strange woman appears on his doorstep and makes the decision for him, changing his life forever. This stunning novel plunges the reader into a universe in which the comic and the tragic, the real and the imagined, the violent and the tender dissolve into one another. With The Book of Illusions, one of America's most powerful and original writers has written his richest, most emotionally charged work yet.
When reclusive crime writer Daniel Quinn receives a mysterious call seeking a private detective in the middle of the night, he quickly and unwittingly becomes the protagonist in a thriller of his own. As the familiar territory of the noir detective genre gives way to something altogether more disturbing, Quinn becomes consumed by his mission, and begins to lose his grip on reality.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY LIBRARY JOURNAL RITA finalist and New York Times bestselling author Ruthie Knox kicks off a steamy series set in the city that never sleeps—alone, at least. May Fredericks hates New York. Which is fair enough, since New York seems to hate her back. After relocating to Manhattan from the Midwest to be with her long-distance boyfriend, NFL quarterback Thor Einarsson, May receives the world’s worst marriage proposal, stabs the jerk with a shrimp fork, and storms off alone—only to get mugged. Now she’s got no phone, no cash, and no friends. How’s a nice girl supposed to get back to safe, sensible Wisconsin? Frankly, Ben Hausman couldn’t care less. Sure, it’s not every day he meets a genuine, down-to-earth woman like May—especially in a dive in the Village—but he’s recovering from an ugly divorce that cost him his restaurant. He wants to be left alone to start over and become a better man. Then again, playing the white knight to May’s sexy damsel in distress would be an excellent place to start—if only he can give her one very good reason to love New York. Praise for Truly “Knox writes such sultry, detailed romance. The sexual tension and the sex itself are very hot. . . . Highly recommend this story.”—Smexy Books “Truly is another Knox classic. Well written, heartwarming, sweet, super sexy with a dash of heartbreak and soul-searching, I devoured this fabulous story. . . . An absolutely fabulous read about two imperfect people . . . I can’t wait to see what Ruthie Knox will come up with next.”—The Brunette Librarian “Knox is rapidly becoming my go-to author for excellent contemporary romance, providing all of the necessary components to a great read: accessible characters, solid plot, well-paced events and a whole lotta steam. And she delivers it all here. . . . Knox is amazingly talented at incorporating emotion with the physical that fairly sizzles with heat. I strongly encourage readers to immediately read this wonderful book.”—Pretty Sassy Cool “Knox is an incredible writer. She has the gift of making ordinary people larger than life. She adds a special blend of humor, creative dialogue, unique characters, and an interesting plot with its own magical flare. . . . These two vastly different people will discover the magic of life, love, and happiness in a new way. . . . They will console each other about their past failures, cheer each other on, and find their chemistry is much more than sexual. . . . I highly recommend this book.”—Smut Book Junkie Book Reviews “Well written and my favorite Ruthie Knox book to date, Truly is a powerful story and an amazing journey of self-discovery with a sexy love story thrown in for good measure!”—Guilty Pleasures Book Reviews “Truly is one of those stories that just got under my skin and into my heart. . . . It’s not just a romance, it’s a story of two people finding a new path at those crossroads in life we all have to face from time to time. And while the romance between Ben and May is hot and intimate, it is their individual discovery of the path into their future that really hit home with me. This was the story that made me a Ruthie Knox fan for life. If you haven’t read it, I wholeheartedly recommend it. The writing is top notch and the story is interesting, fast paced and has very unique characters.”—Red Hot + Blue Reads
A “compelling” (Los Angeles Times) tale of friendship, betrayal, estrangement, and the unpredictable intrusions of violence in the everyday – from the author of the forthcoming 4 3 2 1: A Novel "Six days ago, a man blew himself up by the side of a road in northern Wisconsin. . . ." So begins the story by Peter Aaron about his best friend, Benjamin Sachs. Sachs had a marriage Aaron envied, an intelligence he admired, a world he shared. And then suddenly, after a near-fatal fall that might or might not have been intentional, Sachs disappeared. Now Aaron must piece together the life that led to Sach's death. His sole aim is to tell the truth and preserve it, before those who are investigating the case invent an account of their own.
