Historians and biographers have struggled to reconcile these seemingly contradictory tendencies. Tuchinsky's history of the Tribune, by placing the newspaper and its ideology squarely within the political, economic, and intellectual climate of Civil War-era America, illustrates the connection between socialist reform and mainstream political thought. It was democratic socialism--favoring free labor, and bridging the divide between individualism and collectivism--that allowed Greeley's Tribune to forge a coalition of such disparate elements as the old Whigs, new Free Soil men, labor, and staunch abolitionists. This progressive coalition helped ensure the political success of the Republican Party. Indeed, even in 1860, proslavery ideologue George Fitzhugh referred to socialism as Greeley's "lost book"--The overlooked but crucial source of the Tribune's and, by extension, the Republican Party's antagonism toward slavery and its more general free labor ideology.
Was he New York City’s last pirate . . . or its first gangster? This is the true story of the bloodthirsty underworld legend who conquered Manhattan, dock by dock—for fans of Gangs of New York and Boardwalk Empire. “History at its best . . . I highly recommend this remarkable book.”—Douglas Preston, #1 New York Times bestselling author of The Lost City of the Monkey God Handsome and charismatic, Albert Hicks had long been known in the dive bars and gin joints of the Five Points, the most dangerous neighborhood in maritime Manhattan. For years, he operated out of the public eye, rambling from crime to crime, working on the water in ships, sleeping in the nickel-a-night flops, drinking in barrooms where rat-baiting and bear-baiting were great entertainments. His criminal career reached its peak in 1860, when he was hired, under an alias, as a hand on an oyster sloop. His plan was to rob the ship and flee, disappearing into the teeming streets of lower Manhattan, as he’d done numerous times before, eventually finding his way back to his nearsighted Irish immigrant wife (who, like him, had been disowned by her family) and their infant son. But the plan went awry—the ship was found listing and unmanned in the foggy straits of Coney Island—and the voyage that was to enrich him instead led to his last desperate flight. Long fascinated by gangster legends, Rich Cohen tells the story of this notorious underworld figure, from his humble origins to the wild, globe-crossing, bacchanalian crime spree that forged his ruthlessness and his reputation, to his ultimate incarnation as a demon who terrorized lower Manhattan, at a time when pirates anchored off 14th Street. Advance praise for The Last Pirate of New York “A remarkable work of scholarship about old New York, combined with a skillfully told, edge-of-your-seat adventure story—I could not put it down.”—Ian Frazier, author of Travels in Siberia “With its wise and erudite storytelling, Rich Cohen’s The Last Pirate of New York takes the reader on an exciting nonfiction narrative journey that transforms a grisly nineteenth-century murder into a shrewd portent of modern life. Totally unique, totally compelling, I enjoyed every page.”—Howard Blum, New York Times bestselling author of Gangland and American Lightning
A landmark narrative history of American media that puts race at the center of the story. Here is a new, sweeping narrative history of American news media that puts race at the center of the story. From the earliest colonial newspapers to the Internet age, America’s racial divisions have played a central role in the creation of the country’s media system, just as the media has contributed to—and every so often, combated—racial oppression. News for All the People reveals how racial segregation distorted the information Americans received from the mainstream media. It unearths numerous examples of how publishers and broadcasters actually fomented racial violence and discrimination through their coverage. And it chronicles the influence federal media policies exerted in such conflicts. It depicts the struggle of Black, Latino, Asian, and Native American journalists who fought to create a vibrant yet little-known alternative, democratic press, and then, beginning in the 1970s, forced open the doors of the major media companies. The writing is fast-paced, story-driven, and replete with memorable portraits of individual journalists and media executives, both famous and obscure, heroes and villains. It weaves back and forth between the corporate and government leaders who built our segregated media system—such as Herbert Hoover, whose Federal Radio Commission eagerly awarded a license to a notorious Ku Klux Klan organization in the nation’s capital—and those who rebelled against that system, like Pittsburgh Courier publisher Robert L. Vann, who led a remarkable national campaign to get the black-face comedy Amos ’n’ Andy off the air. Based on years of original archival research and up-to-the-minute reporting and written by two veteran journalists and leading advocates for a more inclusive and democratic media system, News for All the People should become the standard history of American media.
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This classic survey of one of the most dramatic eras in American history is most notable, perhaps, for the insight it offers into the mindset of the era itself. First published from 1893 through 1906, in the immediate aftermath of the events it covers, it was criticized even then for the author's clear bias-Rhodes believed it was a mistake to have given black men the right to vote after the Civil War. Today, it remains a fascinating look at the times through a prism that is itself of historical interest. This eight-volume set is a replica of the 1920 "new" edition. Volume III covers: [ the push for secession [ the border slave states [ the Crittenden compromise [ Jefferson Davis, President of the Confederacy [ Fort Sumpter [ Lincoln's inaugural address [ outbreak of the Civil War [ the battle of Bull Run [ Stonewall Jackson, McClellan, and Grant [ blockade of the South [ and much more. After earning a fortune in iron, coal, and steel, American author JAMES FORD RHODES (1848-1927) retired to write about history, for which he won the Loubat Prize from the Berlin Academy of Sciences (1901) and the gold medal from the National Institute of Arts and Letters (1910). He is also the author of the single-volume History of the Civil War, 1861-1865 (1918), available from Cosimo.
