The New York Apartment Houses of Rosario Candela and James Carpenter

The New York Apartment Houses of Rosario Candela and James Carpenter

Author: Andrew Alpern

Publisher:

Published: 2001

Total Pages: 360

ISBN-13:

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The supreme addresses of choice in New York are on Park Avenue and on Fifth Avenue, but merely living on either of these famous boulevards is not enough. The ultimate aspiration is to dwell in a suite of rooms designed by one of the two masters of apartm


Pietro Belluschi

Pietro Belluschi

Author: Meredith L. Clausen

Publisher: MIT Press

Published: 1994

Total Pages: 508

ISBN-13: 9780262531672

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Meredith Clausen reveals the enormous power that Belluschi wielded as an arbiter of taste and decision-maker in the 1950s and 1960s; his role in shaping the policy of the State Department in its overseas building program; and his role in securing major commissions for favored architects such as I.M. Pei. Equally important is Clausen's discussion of Belluschi's role in the development of regionalism in the Pacific Northwest and its impact on the definition of modernism as it was emerging in the United States.


Gerrit Engel

Gerrit Engel

Author: Gerrit Engel

Publisher: Schirmer/Mosel

Published: 2006

Total Pages: 358

ISBN-13:

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Presents 150 photographs of buildings in Manhattan, arranged in chronological order from 1793 to 2005, with information on the name of the architect, location, and the date of construction of each building.


740 Park

740 Park

Author: Michael Gross

Publisher: Crown

Published: 2006-10-10

Total Pages: 580

ISBN-13: 0767917448

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From the author of House of Outrageous Fortune For seventy-five years, it’s been Manhattan’s richest apartment building, and one of the most lusted-after addresses in the world. One apartment had 37 rooms, 14 bathrooms, 43 closets, 11 working fireplaces, a private elevator, and his-and-hers saunas; another at one time had a live-in service staff of 16. To this day, it is steeped in the purest luxury, the kind most of us could only imagine, until now. The last great building to go up along New York’s Gold Coast, construction on 740 Park finished in 1930. Since then, 740 has been home to an ever-evolving cadre of our wealthiest and most powerful families, some of America’s (and the world’s) oldest money—the kind attached to names like Vanderbilt, Rockefeller, Bouvier, Chrysler, Niarchos, Houghton, and Harkness—and some whose names evoke the excesses of today’s monied elite: Kravis, Koch, Bronfman, Perelman, Steinberg, and Schwarzman. All along, the building has housed titans of industry, political power brokers, international royalty, fabulous scam-artists, and even the lowest scoundrels. The book begins with the tumultuous story of the building’s construction. Conceived in the bubbling financial, artistic, and social cauldron of 1920’s Manhattan, 740 Park rose to its dizzying heights as the stock market plunged in 1929—the building was in dire financial straits before the first apartments were sold. The builders include the architectural genius Rosario Candela, the scheming businessman James T. Lee (Jacqueline Kennedy Onassis’s grandfather), and a raft of financiers, many of whom were little more than white-collar crooks and grand-scale hustlers. Once finished, 740 became a magnet for the richest, oldest families in the country: the Brewsters, descendents of the leader of the Plymouth Colony; the socially-registered Bordens, Hoppins, Scovilles, Thornes, and Schermerhorns; and top executives of the Chase Bank, American Express, and U.S. Rubber. Outside the walls of 740 Park, these were the people shaping America culturally and economically. Within those walls, they were indulging in all of the Seven Deadly Sins. As the social climate evolved throughout the last century, so did 740 Park: after World War II, the building’s rulers eased their more restrictive policies and began allowing Jews (though not to this day African Americans) to reside within their hallowed walls. Nowadays, it is full to bursting with new money, people whose fortunes, though freshly-made, are large enough to buy their way in. At its core this book is a social history of the American rich, and how the locus of power and influence has shifted haltingly from old bloodlines to new money. But it’s also much more than that: filled with meaty, startling, often tragic stories of the people who lived behind 740’s walls, the book gives us an unprecedented access to worlds of wealth, privilege, and extraordinary folly that are usually hidden behind a scrim of money and influence. This is, truly, how the other half—or at least the other one hundredth of one percent—lives.


Supreme City

Supreme City

Author: Donald L. Miller

Publisher: Simon and Schuster

Published: 2015-05-19

Total Pages: 784

ISBN-13: 1416550208

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An award-winning historian surveys the astonishing cast of characters who helped turn Manhattan into the world capital of commerce, communication and entertainment --


A Pattern Language

A Pattern Language

Author: Christopher Alexander

Publisher: Oxford University Press

Published: 2018-09-20

Total Pages: 1216

ISBN-13: 0190050357

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You can use this book to design a house for yourself with your family; you can use it to work with your neighbors to improve your town and neighborhood; you can use it to design an office, or a workshop, or a public building. And you can use it to guide you in the actual process of construction. After a ten-year silence, Christopher Alexander and his colleagues at the Center for Environmental Structure are now publishing a major statement in the form of three books which will, in their words, "lay the basis for an entirely new approach to architecture, building and planning, which will we hope replace existing ideas and practices entirely." The three books are The Timeless Way of Building, The Oregon Experiment, and this book, A Pattern Language. At the core of these books is the idea that people should design for themselves their own houses, streets, and communities. This idea may be radical (it implies a radical transformation of the architectural profession) but it comes simply from the observation that most of the wonderful places of the world were not made by architects but by the people. At the core of the books, too, is the point that in designing their environments people always rely on certain "languages," which, like the languages we speak, allow them to articulate and communicate an infinite variety of designs within a forma system which gives them coherence. This book provides a language of this kind. It will enable a person to make a design for almost any kind of building, or any part of the built environment. "Patterns," the units of this language, are answers to design problems (How high should a window sill be? How many stories should a building have? How much space in a neighborhood should be devoted to grass and trees?). More than 250 of the patterns in this pattern language are given: each consists of a problem statement, a discussion of the problem with an illustration, and a solution. As the authors say in their introduction, many of the patterns are archetypal, so deeply rooted in the nature of things that it seemly likely that they will be a part of human nature, and human action, as much in five hundred years as they are today.


The Language of Architecture

The Language of Architecture

Author: Andrea Simitch

Publisher: Rockport Publishers

Published: 2014-06-01

Total Pages: 227

ISBN-13: 1627880488

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DIVLearning a new discipline is similar to learning a new language; in order to master the foundation of architecture, you must first master the basic building blocks of its language – the definitions, function, and usage. Language of Architecture provides students and professional architects with the basic elements of architectural design, divided into twenty-six easy-to-comprehend chapters. This visual reference includes an introductory, historical view of the elements, as well as an overview of how these elements can and have been used across multiple design disciplines./divDIV /divDIVWhether you’re new to the field or have been an architect for years, you’ll want to flip through the pages of this book throughout your career and use it as the go-to reference for inspiration, ideas, and reminders of how a strong knowledge of the basics allows for meaningful, memorable, and beautiful fashions that extend beyond trends./divDIV /divDIVThis comprehensive learning tool is the one book you’ll want as a staple in your library./divDIV /div


Climate Change and Cities

Climate Change and Cities

Author: Cynthia Rosenzweig

Publisher:

Published: 2018-03-29

Total Pages: 855

ISBN-13: 1316603334

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Climate Change and Cities bridges science-to-action for climate change adaptation and mitigation efforts in cities around the world.


Gondola Days

Gondola Days

Author: Elizabeth Anne McCauley

Publisher:

Published: 2004

Total Pages: 0

ISBN-13: 9780914660217

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At the end of the nineteenth century, a remarkable group of artists, writers and patrons gathered regularly at the Palazzo Barbaro in Venice, Italy. While Venice had long attracted wealthy tourists from across Europe and America, a particularly rich expatriate culture flourished at this time. In the 1880s, Daniel and Ariana Curtis of Boston purchased and restored the Palazzo Barbaro, where they lived in self-imposed exile. The Palazzo eventually became the center of a fascinating circle of American and English personalities living in Venice: the poet Robert Browning; Katharine de Kay Bronson of Newport, a writer greatly interested in local Venetian craft; Sir Austen Henry Layard, an archaelogist and an important collector of Renaissance paintings. Isabella and John Gardner, also of Boston, rented the Palazzo Barbaro every other year, beginning in 1884. A myriad of fascinating figures such as the painters John Singer Sargent, James McNeil Whistler and Claude Monet; the connoisseur Bernhard Bereson; writers Henry James, Paul Bourget, Vernon Lee, and a galaxy of socialites frequently joined this rich and culturally diverse group. As the Gardner Museum commemorates its centennial, Gondola Days accompanies an exhibition which will display the artistic products of this fascinating time and place. It will present this beloved Venetian palace as a source of inspiration for the Gardner, which, under Isabella's direction, became Boston's own Palazzo Barbaro: a Venetian gothic structure, with flowering gardens, full of paintings and objects, but also enlightened by working artists, poets and thinkers. This book explores the distinctive interaction of this small group of individuals, and their special connections with Venice. The exhibition will display paintings, watercolors, drawings, and sketchbooks, as well as photographs (many made by the visitors to the Palazzo), literary manuscripts, letters, albums, and other documents. SELLING POINTS: A collection of paintings, watercolours, drawings and sketchbooks, photographs, manuscripts and letters Accompanies an exhibition at the Isabella Stewart Gardner Museum from 21 April 2004 - 15 August 2004, which explores the source of inspiration for Fenway Court Showcases the artistic products of this fascinating time and place Demonstrates the fascination that arose around the Palazzo Barbaro and the interaction it stimulated between American and English personalities in Venice 177 illustrations