The New Woman and the Aesthetic Opening

The New Woman and the Aesthetic Opening

Author: Ebba Witt-Brattström

Publisher:

Published: 2004

Total Pages: 256

ISBN-13:

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Is there such a thing as an aesthetic feminism? How has the poetics of gender changed since the beginning of the twentieth century? Starting with the Modern Breakthrough and the fin de siecle and ending with a discussion of contemporary literary feminism, this anthology attempts to redirect the study of the interrelation of aesthetics and gender by giving historical perspective to twentieth century literary works. Its approach invites a de-centering of modernist aesthetics and a revision of the canon with its persistent cult of the male genius at the expense of the more dialogical model of women's literature. By following the course of women's and men's literature throughout the period, gently unlocking the gridlock of gender and aesthetics in high modernism, it traces a forgotten dialogue between the sexes. The New Woman should be understood as a figure connecting nineteenth-century discourses of sexuality and the feminist movement(s) in a discursive response. Her brave redefinition of the gender contract is an indispensable gateway to modern culture. The fin de siecle anticipated postmodernist themes such unstable male-female identities, the importance of Eros, a queer fantasy of a neuter gender, and the narcissistic game of self-invention as a response to the feeling of loss of collective values.


The New Woman

The New Woman

Author: Sally Ledger

Publisher: Manchester University Press

Published: 1997

Total Pages: 228

ISBN-13: 9780719040931

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By comparing fictional representations with "real" New Women in late-Victorian Britain, Sally Ledger makes a major contribution to an understanding of the "Woman Question" at the end of the century. Chapters on imperialism, socialism, sexual decadence, and metropolitan life situate the "revolting daughters" of the Victorian age in a broader cultural context than previous studies.


The New Woman in Print and Pictures

The New Woman in Print and Pictures

Author: Marianne Berger Woods

Publisher: McFarland

Published: 2009-05-13

Total Pages: 204

ISBN-13:

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Although feminist women have existed throughout history, the term "New Woman" wasn't officially coined until 1894, when British novelists began to address the concept of the New Woman through discussions of female suffrage, dress reform, women's advances toward more legal rights, birth control, sexual freedom, and women working outside the home. This annotated bibliography includes original novels and articles printed from 1894 to 1944, the era most closely associated with the New Woman. It includes all period novels with a New Woman protagonist and all period articles with the New Woman as primary subject, along with several poems, cartoons, advertisements, and artworks. The bibliography also includes critical literature published worldwide from the 1960s to 2008 that examines the primary material included in the first section. Because the New Woman was the target of many derisive articles, poems, and visual works, these critical response pieces are included.


The "new Woman" Revised

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Author: Ellen Wiley Todd

Publisher: Univ of California Press

Published: 1993-01-01

Total Pages: 464

ISBN-13: 9780520074712

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In the years between the world wars, Manhattan's Fourteenth Street-Union Square district became a center for commercial, cultural, and political activities, and hence a sensitive barometer of the dramatic social changes of the period. It was here that four urban realist painters--Kenneth Hayes Miller, Reginald Marsh, Raphael Soyer, and Isabel Bishop--placed their images of modern "new women." Bargain stores, cheap movie theaters, pinball arcades, and radical political organizations were the backdrop for the women shoppers, office and store workers, and consumers of mass culture portrayed by these artists. Ellen Wiley Todd deftly interprets the painters' complex images as they were refracted through the gender ideology of the period. This is a work of skillful interdisciplinary scholarship, combining recent insights from feminist art history, gender studies, and social and cultural theory. Drawing on a range of visual and verbal representations as well as biographical and critical texts, Todd balances the historical context surrounding the painters with nuanced analyses of how each artist's image of womanhood contributed to the continual redefining of the "new woman's" relationships to men, family, work, feminism, and sexuality.


Wagadu Volume 3

Wagadu Volume 3

Author: Wagadu

Publisher: Xlibris Corporation

Published: 2007-09-26

Total Pages: 250

ISBN-13: 1465331379

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The United Nations has proclaimed the 21st century to be the century of water. In this volume, Water and Women in Past, Present and Future, scholars analyze the gendered political economy of water resource allocations and importantly, offer recommendations for viable, women-friendly solutions to address scarcity and distribution, among other issues. Contributors also explore feminist analyses of the aesthetic dimension of water and the feminine, since water is often associated with women, shown in cross-cultural examples of mythology, symbols and legends. Intersecting the fields of hydro-politics and aesthetics, this book should be of interest to policy analysts, activists, and academics.


Performing Femininity

Performing Femininity

Author: Rachel Morley

Publisher: Bloomsbury Publishing

Published: 2016-12-15

Total Pages: 306

ISBN-13: 1786730588

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Oriental dancers, ballerinas, actresses and opera singers the figure of the female performer is ubiquitous in the cinema of pre-Revolutionary Russia. From the first feature film, Romashkov's Stenka Razin (1908), through the sophisticated melodramas of the 1910s, to Viskovsky's The Last Tango (1918), made shortly before the pre-Revolutionary film industry was dismantled by the new Soviet government, the female performer remains central. In this groundbreaking new study, Rachel Morley argues that early Russian film-makers used the character of the female performer to explore key contemporary concerns from changing conceptions of femininity and the emergence of the so-called New Woman, to broader questions concerning gender identity. Morley also reveals that the film-makers repeatedly used this archetype of femininity to experiment with cinematic technology and develop a specific cinematic language."


Philosophical and Cultural Interpretations of Russian Modernisation

Philosophical and Cultural Interpretations of Russian Modernisation

Author: Katja Lehtisaari

Publisher: Taylor & Francis

Published: 2016-09-13

Total Pages: 223

ISBN-13: 1317081196

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In this book the expert international contributors attempt to answer questions such as: How far is it possible to attribute change in contemporary Russia as due to cultural factors? How does the process of change in cultural institutions reflect the general development of Russia? Are there certain philosophical ideas that explain the Russian interpretation of a modern state? This edited volume elaborates on processes of Russian modernisation regarding a wide range of factors, including the use of modern technology, elements of civil society, a reliable legal system, high levels of education, equality among citizens, freedom of speech, religion and trade. The main focus is on the Putin era but historical backgrounds are also discussed, adding context. The chapters cover a wide spectrum of research fields from philosophy and political ideas to gender issues, language, the education system, and the position of music as a constituent of modern identity. Throughout the book the chapters are written so as to introduce experts from other fields to new perspectives on Russian modernisation, and de-modernisation, processes. It will be of great interest to postgraduates and scholars in Philosophy, Politics, IR, Music and Cultural Studies, and, of course, Russian studies.


Women, Nationalism, and Social Networks in the Habsburg Monarchy, 1848–1918

Women, Nationalism, and Social Networks in the Habsburg Monarchy, 1848–1918

Author: Marta Verginella

Publisher: Purdue University Press

Published: 2023-12-15

Total Pages: 197

ISBN-13: 1612499317

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Women, Nationalism, and Social Networks in the Habsburg Monarchy, 1848–1918 focuses on the lives of women in Southeastern Europe during the nineteenth and twentieth centuries, exploring the intersection of gender and nationalism. By looking at a wide range of sources and employing rich historiography, this collection investigates the currents of women’s emancipatory efforts in a climate of conflicting assumptions relating to nationhood and nationalization. This book sheds light on a time when both women and nations were working to assert themselves, and how women promoted the national cause in an attempt to assume stronger roles in the public sphere. The volume studies areas that were nationally mixed and linguistically plural, thus pointing to the dynamic role of peripheries and pluralism affecting women’s approaches to and experience of nationalization. These essays speak to women’s agency as individuals and members of the social networks, and their roles in cultural, ethnic, and political movements in pluralistic societies of the late nineteenth and early twentieth centuries, thereby arguing that they “enacted” borders and were not simply acted on by them, while also elucidating the ways they transgress the borders.


New Woman Fiction, 1881-1899, Part I Vol 2

New Woman Fiction, 1881-1899, Part I Vol 2

Author: Carolyn W de la L Oulton

Publisher: Routledge

Published: 2017-09-29

Total Pages: 378

ISBN-13: 1351221736

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Contains three early examples of the genre of New Woman writing, each portraying women in ways wholly different to those which had gone before. This title includes "Kith and Kin" (1881), "Miss Brown" and "The Wing of Azrael".


Nordic Literature of Decadence

Nordic Literature of Decadence

Author: Pirjo Lyytikäinen

Publisher: Routledge

Published: 2019-07-11

Total Pages: 303

ISBN-13: 0429655428

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Nordic Literature of Decadence fills a gap on the map of world literature and participates in a thriving area of research by extending the investigation of broadly understood fin de siècle decadence to unexplored areas of Nordic literature, which remain practically unknown to Anglophone audiences. In the Nordic countries the new Parisian movements were seen as having caused a malicious invasion, a ‘black flood’ that was spreading over the North destroying the very foundations of Nordic national cultures. Nevertheless, the appeal of this controversial movement was irresistible to discontents and innovators, even in countries where the old moral, religious and nationalist atmosphere still retained its stranglehold and modern urban, industrial and social developments lagged behind that of the metropoles breeding this new literature and art. The Nordic countries developed their own distinctive manifestations of decadence favouring allegorical and allusive forms, local rural settings and depictions of primitive nature, coupling the philosophical underpinnings of fin-de-siècle decadence with ancient Nordic mythology and rising national movements. Nordic decadence thus became a distinctive and recognizable phenomenon, which travelled back to France and other European countries, influencing the ongoing debate on decadence as it was conducted on a global scale. Nordic Literature of Decadence discusses literature from five Nordic countries: Denmark, Norway, Sweden, Finland and Estonia and offers additional and alternative perspectives to the cosmopolitan traffic and cultural exchanges of literary decadence that have been explored so far in the English language scholarship.