Offering both familiar poems and some fascinating unfamiliar ones, this anthology contains over 250 poems that deal with Christianity. Ranging from the Anglo-Saxon masterpiece "The Dream of the Rood" to the works of modern poets such as T.S. Eliot, W.H. Auden, Sir John Betjeman, and John Berryman. Davie has chosen works from around the world, including several women poets--such as the Elizabethan Countess of Pembroke and Emily Dickinson--as well as the four men whom he describes as "the masters of the sacred poem in English": George Herbert, Henry Vaughan, Christopher Smart, and William Cowper. Stressing the importance of "the plain style" in Christian poetry throughout the ages, Davie also offers a large selection of congregational hymns.
This magnificent anthology presents the Irish tradition as a unity: verse in Irish and English, usually regarded separately, are shown as elements in a shared and often painful history. The selection begins in pre-Christian times and closes with nineteenth- and twentieth-century verse. Poets featured include Swift, Goldsmith, W. B. Yeats, Patrick Kavanagh, and Seamus Heaney.
This stunning anthology gathers together the riches of poetry in Hebrew from 'The Song of Deborah' to contemporary Israeli writings. Verse written up to the tenth century show the development of piyut, or liturgical poetry, and retell episodes from the Bible and exalt the glory of God. Medieval works introduce secular ideas in love poems, wine songs and rhymed narratives, as well as devotional verse for specific religious rituals. Themes such as the longing for the homeland run through the ages, especially in verse written after the rise of the Zionist movement, while poems of the last century marry Biblical references with the horrors of the Holocaust. Together these works create a moving portrait of a rich and varied culture through the last 3,000 years.
When Carolyn Weber set out to study Romantic literature at Oxford University, she didn't give much thought to God or spiritual matters—but over the course of her studies she encountered the Jesus of the Bible and her world turned upside down. Surprised by Oxford chronicles her conversion experience with wit, humor, and insight into how becoming a Christian changed her. Carolyn Weber arrives at Oxford a feminist from a loving but broken family, suspicious of men and intellectually hostile to all things religious. As she grapples with her God-shaped void alongside the friends, classmates, and professors she meets, she tackles big questions in search of truth, love, and a life that matters. From issues of fatherhood, feminism, doubt, doctrine, and love, Weber explores the intricacies of coming to faith with an aching honesty and insight echoing that of the poets and writers she studied. Surprised by Oxford is: The witty memoir of a skeptical agnostic who comes to a dynamic personal faith in God Rich with illustration and literary references Gritty, humorous, and spiritually perceptive An inside look at Oxford University Weber eloquently describes a journey many of us have embarked upon, grappling with tough questions and doubts about the meaning of faith—and ultimately finding it in the most unlikely of places.
The Bible is by far the leading source of inspiration for Western literature, and in particular, the life of Jesus has drawn the attention of artists and writers throughout the ages. Now, in a volume of astonishing range and originality, Robert Atwan, George Dardess, and Peggy Rosenthal present 280 remarkable poems from world literature focusing on Jesus's life and teaching. Readers accustomed to the predictable inclusions of many anthologies will be surprised and delighted by the diversity of poets represented here, from Aquinas, Dante, de Guevara, Donne, and Sor Juana, to D.H. Lawrence, Gabriela Mistral, Wole Soyinka, Margaret Atwood, Gwendolyn Brooks, Czeslaw Milosz, and Leopold Senghor. Perhaps no other thematically organized anthology could have brought together writers as different as Jorge Luis Borges, Thomas Merton, Alice Walker, Rainer Maria Rilke, and Jack Kerouac. Indeed, simply to turn the page in Divine Inspiration is an adventure in itself. And in terms of form, style, modulations of tone and perspective, the variety here is as unparalleled as it is unpredictable. The editors of Divine Inspiration have done a masterful job of unifying this vast assortment of poems. Organized chronologically around the life of Jesus, the book is divided into nine sections--from Birth and Infancy, through Healings and Miracles, to the Resurrection-- and presents passages from the Gospels followed by the poems they inspired. This structure gives readers the dual pleasures of a strong narrative pull punctuated by moments of lyric intensity. Our familiarity with the life of Jesus is thus enlivened, deepened, and in some cases wholly transformed by the imaginative power of the poems. In the largest section of the book, on the Passion of Jesus, we find an array of poems by Anna Akhmatova, Antonio Machado, Thomas Hardy, Miguel de Unamuno, Charles Baudelaire, R.S. Thomas, Andrew Marvell, Frederico Garcia Lorca, and Denise Levertov, among others. To see the Passion of Jesus refracted through the lenses of such poets is to see it anew, or more vividly than before. And to encounter Chinese, Korean, Nigerian, Arab, Latin American, Scandinavian, Hungarian, and Greek poets alongside English, French, and German is a testimony both to the editors' devoted scholarship and to the power of Jesus's life to inspire great poetry across a spectrum of cultures and eras. An invaluable sourcebook for students, scholars, and general readers alike, Divine Inspiration should prove equally satisfying to readers with a strong interest in religion and to all lovers of poetry.
