This book includes essays on writers from the 1840s to the 1890s, well known writers such as Anne Bronte, Wilkie Collins and Bram Stoker, lesser known writers such as Geraldine Jewsbury, Charles Reade, Margaret Oliphant, George Moore, Sarah Grand and Mary Ward. The contributors explore important thematic concerns: the relation between private and public realms; gender and social class; sexuality and the marketplace; and male and female cultural identity.
In this rich interdisciplinary study, Hildegard Hoeller argues that nineteenth-century American culture was driven by and deeply occupied with the tension between gift and market exchange. Rooting her analysis in the period's fiction, she shows how American novelists from Hannah Foster to Frank Norris grappled with the role of the gift based on trust, social bonds, and faith in an increasingly capitalist culture based on self-interest, market transactions, and economic reason. Placing the notion of sacrifice at the center of her discussion, Hoeller taps into the poignant discourse of modes of exchange, revealing central tensions of American fiction and culture.
In the history of electronic communication, the last quarter of the nineteenth century holds a special place, for it was during this period that the telephone, phonograph, electric light, wireless, and cinema were all invented. In When old Technologies Were New, Carolyn Marvin explores how two of these new inventions--the telephone and the electric light--were publicly envisioned at the end of the nineteenth century, as seen in specialized engineering journals and popular media. Marvin pays particular attention to the telephone, describing how it disrupted established social relations, unsettling customary ways of dividing the private person and family from the more public setting of the community. On the lighter side, she describes how people spoke louder when calling long distance, and how they worried about catching contagious diseases over the phone. A particularly powerful chapter deals with telephonic precursors of radio broadcasting--the "Telephone Herald" in New York and the "Telefon Hirmondo" of Hungary--and the conflict between the technological development of broadcasting and the attempt to impose a homogenous, ethnocentric variant of Anglo-Saxon culture on the public. While focusing on the way professionals in the electronics field tried to control the new media, Marvin also illuminates the broader social impact, presenting a wide-ranging, informative, and entertaining account of the early years of electronic media.
The Nineteenth Century Revis(it)ed: The New Historical Fiction explores the renaissance of the American historical novel at the turn of the twenty-first century. The study examines the revision of nineteenth-century historical events in cultural products against the background of recent theoretical trends in American studies. It combines insights of literary studies with scholarship on popular culture. The focus of representation is the long nineteenth century – a period from the early republic to World War I – as a key epoch of the nation-building project of the United States. The study explores the constructedness of historical tradition and the cultural resonance of historical events within the discourse on the contemporary novel and the theory formation surrounding it. At the center of the discussion are the unprecedented literary output and critical as well as popular success of historical fiction in the USA since 1995. An additional postcolonial and transatlantic perspective is provided by the incorporation of texts by British and Australian authors and especially by the inclusion of insights from neo-Victorian studies. The book provides a critical comment on current and topical developments in American literature, culture, and historiography.
The elusive search for stability is the subject of Professor D. George Boyce's Nineteenth-Century Ireland, the fifth in the New Gill History of Ireland series. Nineteenth-century Ireland began and ended in armed revolt. The bloody insurrections of 1798 were the proximate reasons for the passing of the Act of Union two years later. The 'long nineteenth century' lasted until 1922, by which the institutions of modern Ireland were in place against a background of the Great War, the Ulster rebellion and the armed uprising of the nationalist Ireland. The hope was that, in an imperial structure, the ethnic, religious and national differences of the inhabitants of Ireland could be reconciled and eliminated. Nationalist Ireland mobilised a mass democratic movement under Daniel O'Connell to secure Catholic Emancipation before seeing its world transformed by the social cataclysm of the Great Irish Potato Famine. At the same time, the Protestant north-east of Ulster was feeling the first benefits of the Industrial Revolution. Although post-Famine Ireland modernised rapidly, only the north-east had a modern economy. The mixture of Protestantism and manufacturing industry integrated into the greater United Kingdom and gave a new twist to the traditional Irish Protestant hostility to Catholic political demands. In the home rule period from the 1880s to 1914, the prospect of partition moved from being almost unthinkable to being almost inevitable. Nineteenth-century Ireland collapsed in the various wars and rebellions of 1912–22. Like many other parts of Europe than and since, it had proved that an imperial superstructure can contain domestic ethnic rivalries, but cannot always eliminate them. Nineteenth-Century Ireland: Table of Contents Introduction - The Union: Prelude and Aftermath, 1798–1808 - The Catholic Question and Protestant Answers, 1808–29 - Testing the Union, 1830–45 - The Land and its Nemesis, 1845–9 - Political Diversity, Religious Division, 1850–69 - The Shaping of Irish Politics (1): The Making of Irish Nationalism, 1870–91 - The Shaping of Irish Politics (2): The Making of Irish Unionism, 1870–93 - From Conciliation to Confrontation, 1891–1914 - Modernising Ireland, 1834–1914 - The Union Broken, 1914–23 - Stability and Strife in Nineteenth-Century Ireland
Tracing the segmentation of the literary marketplace in 19th century America, this book analyses the implications of the subdivided literary field for readers, writers, and literature itself.
The publishing phenomenon of summer reading, often focused on novels set in vacation destinations, started in the nineteenth century, as both print culture and tourist culture expanded in the United States. As an emerging middle class increasingly embraced summer leisure as a marker of social status, book publishers sought new market opportunities, authors discovered a growing readership, and more readers indulged in lighter fare. Drawing on publishing records, book reviews, readers' diaries, and popular novels of the period, Donna Harrington-Lueker explores the beginning of summer reading and the backlash against it. Countering fears about the dangers of leisurely reading—especially for young women—publishers framed summer reading not as a disreputable habit but as a respectable pastime and welcome respite. Books for Idle Hours sheds new light on an ongoing seasonal publishing tradition.
During the nineteenth century, New Orleans thrived as the epicenter of classical music in America, outshining New York, Boston, and San Francisco before the Civil War and rivaling them thereafter. While other cities offered few if any operatic productions, New Orleans gained renown for its glorious opera seasons. Resident composers, performers, publishers, teachers, instrument makers, and dealers fed the public's voracious cultural appetite. Tourists came from across the United States to experience the city's thriving musical scene. Until now, no study has offered a thorough history of this exciting and momentous era in American musical performance history. John H. Baron's Concert Life in Nineteenth-Century New Orleans impressively fills that gap. Baron's exhaustively researched work details all aspects of New Orleans's nineteenth-century musical renditions, including the development of orchestras; the surrounding social, political, and economic conditions; and the individuals who collectively made the city a premier destination for world-class musicians. Baron includes a wide-ranging chronological discussion of nearly every documented concert that took place in the Crescent City in the 1800s, establishing Concert Life in Nineteenth-Century New Orleans as an indispensable reference volume.
