What is your plan for the end of the world as we know it? How will you protect the people you love? What will you leave to them when you are gone? The good news is this is not the first time the world has ended. What's more, men were made for times like these. And the men of the past--the good ones, anyway--have left us a plan to follow. They built houses to last--houses that could weather a storm. This book contains their plan.
The modern-day suburb began, and began booming, in 19th-century Britain. As suburbia spread, the New Woman arose and fin-de-siecle concerns grew, suburban men felt more besieged. Anxieties about hygiene, pollution, purity, the home, class, gender roles, patrilineal power and the state of the Empire rippled through British fiction. The new man of the house was trying, often desperately, to hold onto the old order, changing even more rapidly as the 20th century and modernist fiction arrived. This study traces suburban masculinities in popular genres--speculative fiction, comic fiction and detective fiction--and in literary works from the late-Victorian era to the start of the First World War.
For more than a decade, Linc Menner has raised the status of househusband to an art form. . . . While his wife, Jo, brings home the bacon, Linc Menner holds down the fort–his gourmet cooking is sublime, his cleaning unrivaled, and his devotion to his daughter, Violet, unparalleled. But when the Menners relocate from upstate New York to the steamy beaches of Naples, Florida, life takes an unexpected turn. As the Menners renovate their new home Linc’s bliss turns into a war zone of contractors, dry wall dust, and chaos. And suddenly being surrounded by guys whose faces go blank as he expounds on the virtues of lump-free gravy makes Linc realize he has forgotten what it feels like to be a man. So Linc trades his flip-flops for work boots, and his wild mop of hair for a barbershop buzz, and marches his flabby physique to the nearest gym–attracting the secret devotion of one of Violet’s teacher in the process. And his stunned family watches helplessly as they lose the man who keeps them all together. To make matters worse, it’s hurricane season and there’s a category 5 heading right for Naples. As life on the home front explodes into hilarity and catastrophe, Linc must chart his own delightfully crooked course to finally become the Man of the House. Praise for Ad Hudler’s Househusband “With self-deprecating humor and adroit expression, Hudler delves deep into the American psyche of gender roles. . . . The dialogue rings with authenticity.” –The State (Columbia, S.C.) “Winning . . . [a] breezy comic outing.” –The New York Times From the Trade Paperback edition.
A "smoothly written and fair-minded" (Wall Street Journal) biography of architect Philip Johnson -- a finalist for the National Book Critic's Circle Award. When Philip Johnson died in 2005 at the age of 98, he was still one of the most recognizable and influential figures on the American cultural landscape. The first recipient of the Pritzker Prize and MoMA's founding architectural curator, Johnson made his mark as one of America's leading architects with his famous Glass House in New Caanan, CT, and his controversial AT&T Building in NYC, among many others in nearly every city in the country -- but his most natural role was as a consummate power broker and shaper of public opinion. Johnson introduced European modernism -- the sleek, glass-and-steel architecture that now dominates our cities -- to America, and mentored generations of architects, designers, and artists to follow. He defined the era of "starchitecture" with its flamboyant buildings and celebrity designers who esteemed aesthetics and style above all other concerns. But Johnson was also a man of deep paradoxes: he was a Nazi sympathizer, a designer of synagogues, an enfant terrible into his old age, a populist, and a snob. His clients ranged from the Rockefellers to televangelists to Donald Trump. Award-winning architectural critic and biographer Mark Lamster's The Man in the Glass House lifts the veil on Johnson's controversial and endlessly contradictory life to tell the story of a charming yet deeply flawed man. A rollercoaster tale of the perils of wealth, privilege, and ambition, this book probes the dynamics of American culture that made him so powerful, and tells the story of the built environment in modern America.
Traditionally, the American Dream has included owning a house, and until recently that meant the bigger the better. McMansions have flourished in suburbs across the country, and as houses got bigger we filled them with more stuff. Kerri Fivecoat-Campbell had been subconsciously trying to live up to this American Dream when circumstances forced her and her husband into a 480-square foot house in the woods. What was supposed to be a writing cabin and guest house became their full-time abode and they quickly discovered that they had serendipitously discovered a better way of life. They realized that by living smaller, they were in fact, Living Large. They were not spending extra time cleaning and maintaining the house, but had the freedom to pursue their hobbies; they did not waste money on things they didn’t need; and they grew emotionally (as well as physically) closer. Kerri and her husband realized that Living Large is less about square footage and more about a state of mind. As Kerri relates the story of her transformation to a “Living Larger,” she also profiles more than a dozen other families living tiny house lives and offers practical advice for how you can too. The book will: *walk you through the financial advantages of small space living *help you define and find the right size house *teach you to scale down to the essentials to be surrounded only by things you love *show you how to make use of outdoor space *give tips on how to decorate judiciously and much more. Whether readers are inspired to join the tiny house movement or not, they are sure to be inspired to Live Large with less.
Stephen McCauley's much-loved novels The Object of My Affection and The Easy Way Out prompted The New York Times Book Review to dub him "the secret love child of Edith Wharton and Woody Allen." Now McCauley stakes further claim to that title -- and more -- with a rich and deftly funny novel that charts the unpredictable terrain of family, friends, and fathers. Thirty-five-year-old Clyde Carmichael spends too much time at things that make him miserable: teaching at a posh but flaky adult learning center; devouring forgettable celebrity biographies; and obsessing about his ex-lover, Gordon. Clyde's other chief pursuit is dodging his family -- his maddeningly insecure sister and his irascible father, who may or may not be at death's door. Clyde's in danger of becoming as aimless as Marcus, his handsome (and unswervingly straight) roommate, who's spent ten years on one dissertation and far too many fizzled relationships. Enter Louise Morris. Clyde's old friend and Marcus's onetime lover is a restless writer and single mother, who shows up with Ben, her son and a neurotic dog in tow. The looming question of Ben's paternity nudges Clyde back into the orbit of his own father -- and propels our endearing hero into the kind of bittersweet emotional terrain that McCauley captures so well.
Slavery is back. America, 1962. Having lost a war, America finds itself under Nazi Germany and Japan occupation. A few Jews still live under assumed names. The 'I Ching' is prevalent in San Francisco. Science fiction meets serious ideas in this take on a possible alternate history.
Part adventure story, part love story, part homecoming, Still Points North is a page-turning memoir that explores the extremes of belonging and exile, and the difference between how to survive and knowing how to truly live. Growing up in the wilds of Alaska, seven-year-old Leigh Newman spent her time landing silver salmon, hiking glaciers, and flying in a single-prop plane. But her life split in two when her parents unexpectedly divorced, requiring her to spend summers on the tundra with her “Great Alaskan” father and the school year in Baltimore with her more urbane mother. Navigating the fraught terrain of her family’s unraveling, Newman did what any outdoorsman would do: She adapted. With her father she fished remote rivers, hunted caribou, and packed her own shotgun shells. With her mother she memorized the names of antique furniture, composed proper bread-and-butter notes, and studied Latin poetry at a private girl’s school. Charting her way through these two very different worlds, Newman learned to never get attached to people or places, and to leave others before they left her. As an adult, she explored the most distant reaches of the globe as a travel writer, yet had difficulty navigating the far more foreign landscape of love and marriage. In vivid, astonishing prose, Newman reveals how a child torn between two homes becomes a woman who both fears and idealizes connection, how a need for independence can morph into isolation, and how even the most guarded heart can still long for understanding. Still Points North is a love letter to an unconventional Alaskan childhood of endurance and affection, one that teaches us that no matter where you go in life, the truest tests of courage are the chances you take, not with bears and blizzards, but with other people. Praise for Still Points North “Newman has crafted a vivid exploration of a broken family. . . . Her pain will resonate strongly with readers, and she vividly brings both Alaska and Maryland to life. . . . A natural for book clubs.”—Booklist “Newman’s adult search for her own true home is riveting, as are her worldwide adventures; it’s a joy to be in on the ride.”—Reader’s Digest “What really sets this fearless memoir apart is the heartfelt, riotously funning writing, which will have you reading passages aloud, and rooting for Newman all the way.”—O: The Oprah Magazine “Newman writes so lucidly about bewilderment, so honestly about self-deception, so courageously about fear, so compassionately about insensitivity, so hilariously about suffering and loss. Still Points North is a remarkable book: a travel memoir of the mapless, dangerous seas and territories between childhood and adulthood.”—Karen Russell, Pulitzer Prize finalist for Swamplandia! “A wise, refreshing and enjoyable read.”—New York Daily News “[Newman is] at her best bringing to life the chapters on her near-feral Alaskan upbringing. You can practically smell the freshly killed game.”—Entertainment Weekly
