The new Image of Man
Author:
Publisher: Reichl Verlag
Published:
Total Pages: 130
ISBN-13: 9783876673929
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The Image of Man
Author: George L. Mosse
Publisher: Oxford University Press
Published: 1998-10-08
Total Pages: 241
ISBN-13: 0190284382
DOWNLOAD EBOOKWhat does it mean to be a man? What does it mean to be manly? How has our notion of masculinity changed over the years? In this book, noted historian George L. Mosse provides the first historical account of the masculine stereotype in modern Western culture, tracing the evolution of the idea of manliness to reveal how it came to embody physical beauty, courage, moral restraint, and a strong will. This stereotype, he finds, originated in the tumultuous changes of the eighteenth century, as Europe's dominant aristocrats grudgingly yielded to the rise of the professional, bureaucratic, and commercial middle classes. Mosse reveals how the new bourgeoisie, faced with a bewildering, rapidly industrialized world, latched onto the knightly ideal of chivalry. He also shows how the rise of universal conscription created a "soldierly man" as an ideal type. In bringing his examination up to the present, Mosse studies the key historical roles of the so-called "fairer sex" (women) and "unmanly men" (Jews and homosexuals) in defining and maintaining the male stereotype, and considers the possible erosion of that stereotype in our own time.
The Family of Man
Author: Edward Steichen
Publisher: ABRAMS
Published: 1996
Total Pages: 192
ISBN-13: 9780810961692
DOWNLOAD EBOOKIn the pages of this book are reproduced all of the 503 images that Steichen described as "photographs, made in all parts of the world, of the gamut of life from birth to death with emphasis on daily relationship..."-- Back cover.
New Images of Man
Author: Peter Selz
Publisher:
Published: 1959
Total Pages: 0
ISBN-13:
DOWNLOAD EBOOKThe World Created in the Image of Man
Author: Vladimir Evseevich Brodskiĭ
Publisher: Peter Lang
Published: 2010
Total Pages: 148
ISBN-13: 9781433107795
DOWNLOAD EBOOKThe World Created in the Image of Man investigates the development of the third dimension in painting from the dramatic moment when spatial construction becomes charged with an external force antagonistic to the effort of forms, or human figures, to preserve their permanence. The competitive contact between the external and internal worlds represented in the picture brings a vital element to the unfolding of art as it occurs in both the West and the East. As the analysis of masterpieces from different historical periods and cultures demonstrates here, this vital impulse becomes a necessary part of pictorial composition and the measure of the quality of the work of art. It can reveal itself in a limitless and disparate variety of subject matter: a scene from Japanese court life, as depicted in the illustrations of the early twelfth century to the novel The Tale of Genji; a representation of the maternal feeling of the Virgin anticipating the fate of her child in Byzantine icon painting; Raphael's «universal interior» in The School of Athens; Rembrandt's allegory of historic continuity in Aristotle with the Bust of Homer. The progression of this dynamic eventually leads to the surrender of form to space with the Impressionists; and to the conclusion of the book, which considers Postmodern art in the form of the installation, where the emphasis is put on the unprecedented role of the viewer as a component of the work, and which suggests an environment that is totally alien, or even hostile to him. Art historians, students of art history and the educated general reader with an interest in painting will find this book a rewarding and stimulating read.
The New Image of Man
Author: Rut Björkman
Publisher:
Published: 1988
Total Pages: 128
ISBN-13: 9783591082037
DOWNLOAD EBOOKThe Science of Behavior and the Image of Man
Author: Isidor Chein
Publisher: Routledge
Published: 2017-07-05
Total Pages: 360
ISBN-13: 1351474618
DOWNLOAD EBOOKDoes a proper respect for science require psychologists to view man as an impotent reactor whose responses are completely determined by his physical constitution and the forces impinging upon him? In this wise and well-argued book, Isidor Chein invites his readers to lift their eyes from experimental research for a time to consider the relationship between science and the image of man.Few psychologists, even the most gifted and dedicated among them, pause to consider the philosophical underpinnings of their work. It is almost as though the humanist secretly lurking in each of them is fearful of the bad news he might finally be forced to accept--that man is essentially an exquisitely complicated robot. This fear is misplaced and harmful. It is largely responsible for the disturbing fact that scientific psychology has produced, in Chein's estimate, so little that is relevant to the humanities, so little, as he puts it, "that has lived up to psychology's promise to itself."What must be more widely understood is that it does not follow that behavioral law is reducible to physiological law, or that physiological law is reducible to physical law. With an uncompromising commitment to scientific method, Chein shows that, when closely analyzed, there is actually no need to assume an unbridgeable gap between scientific psychology and psychoanalytic, humanistic psychology. This is a lucid and powerful theoretical work of importance for scholars in all fields sharing the belief that the proper study of mankind is man."The Science of Behavior and the Image of Man is written by the most intellectually stimulating and respected representative of scientific humanistic psychology."--Robert B. Holt, Professor of Psychology, Graduate School of Arts and Sciences, New York University
The Science of Behavior and the Image of Man
Author: Carl von Clausewitz
Publisher: Routledge
Published: 2017-07-05
Total Pages: 361
ISBN-13: 135147460X
DOWNLOAD EBOOKDoes a proper respect for science require psychologists to view man as an impotent reactor whose responses are completely determined by his physical constitution and the forces impinging upon him? In this wise and well-argued book, Isidor Chein invites his readers to lift their eyes from experimental research for a time to consider the relationship between science and the image of man.Few psychologists, even the most gifted and dedicated among them, pause to consider the philosophical underpinnings of their work. It is almost as though the humanist secretly lurking in each of them is fearful of the bad news he might finally be forced to accept--that man is essentially an exquisitely complicated robot. This fear is misplaced and harmful. It is largely responsible for the disturbing fact that scientific psychology has produced, in Chein's estimate, so little that is relevant to the humanities, so little, as he puts it, "that has lived up to psychology's promise to itself."What must be more widely understood is that it does not follow that behavioral law is reducible to physiological law, or that physiological law is reducible to physical law. With an uncompromising commitment to scientific method, Chein shows that, when closely analyzed, there is actually no need to assume an unbridgeable gap between scientific psychology and psychoanalytic, humanistic psychology. This is a lucid and powerful theoretical work of importance for scholars in all fields sharing the belief that the proper study of mankind is man."The Science of Behavior and the Image of Man is written by the most intellectually stimulating and respected representative of scientific humanistic psychology."--Robert B. Holt, Professor of Psychology, Graduate School of Arts and Sciences, New York University
The Family of Man Revisited
Author: Gerd Hurm
Publisher: Routledge
Published: 2020-08-09
Total Pages: 318
ISBN-13: 100021169X
DOWNLOAD EBOOKThe Family of Man is the most widely seen exhibition in the history of photography. The book of the exhibition, still in print, is also the most commercially successful photobook ever published. First shown at the Museum of Modern Art in New York in 1955, the exhibition travelled throughout the United States and to forty-six countries, and was seen by over nine million people. Edward Steichen conceived, curated and designed the exhibition. He explained its subject as `the everydayness of life' and `the essential oneness of mankind throughout the world'. The exhibition was a statement against war and the conflicts and divisions that threatened a common future for humanity after 1945. The popular international response was overwhelmingly enthusiastic. Many critics, however, have dismissed the exhibition as a form of sentimental humanism unable to address the challenges of history, politics and cultural difference.This book revises the critical debate about The Family of Man, challenging in particular the legacy of Roland Barthes's influential account of the exhibition. The expert contributors explore new contexts for understanding Steichen's work and they undertake radically new analyses of the formal dynamics of the exhibition. Also presented are documents about the exhibition never before available in English. Commentaries by critical theorist Max Horkheimer and novelist Wolfgang Koeppen, letters from photographer August Sander, and a poetic sequence on the images by Polish poet Witold Wirpsza enable and encourage new critical reflections. A detailed survey of audience responses in Munich from 1955 allows a rare glimpse of what visitors thought about the exhibition. Today, when armed conflict, environmental catastrophe and economic inequality continue to threaten our future, it seems timely to revisit The Family of Man.
Imitation and the Image of Man
Author: James S. Hans
Publisher: John Benjamins Publishing
Published: 1987-01-01
Total Pages: 183
ISBN-13: 9027279039
DOWNLOAD EBOOKIn the Imitation and the Image of Man James S. Hans presents his conception of the mimetic. His primary goal to this study is to broaden several kinds of discourse: first, to redfine our conception of the literary; second, to expand our ideas of the kinds of things that can be treated together; third, to enrich our understanding of the possibilities of the form of the essay; and fourth, to articulate the need for these changes in terms of a non-linear theory of imitation.
