The New Grove Dictionary of Jazz

The New Grove Dictionary of Jazz

Author: Barry Kernfeld

Publisher: Groves Dictionaries Incorporated

Published: 2003-03-15

Total Pages: 1358

ISBN-13: 9780195169096

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The New Grove Dictionary of Jazz constitutes the most definitive volume on the music, history, performers, and venues of jazz. It contains the broadest coverage of the subject of jazz to appear in one work and seeks to give detailed attention to all periods and styles from many countries, making it the largest dictionary of jazz ever published. Besides traditional jazz topics, there are extensive entries on blues, brass bands, soul music, ragtime, and rock music, as well as profiles on musicians such as Eubie Blake, Bessie Smith, Ray Charles, and Jeff Beck. Among the numerous categories covered in the volume are: · Performers from Louis Armstrong to Joe Zawinul, as well as performing groups from the early New Orleans Excelsior Brass Band to the contemporary World Saxophone Quartet · Jazz terms and topics including pieces on arrangement, form, harmony, and improvisation, as well as articles on jazz in film and jazz singing · Styles are described from Chicago Jazz, Dixieland, and Boogie Woogie through Cool Jazz, Free Jazz, and Third Stream. Also included are Blues, Ragtime, and Latin music · Festivals, clubs, and record labels that have had a seminal place in jazz history, such as the Newport and Montreux festivals, and the clubs Birdland and The Five Spot. Clubs are listed internationally by city, including their histories and the musicians who performed there · Instruments like the saxophone and double bass are covered in detail as well as exotic instruments and special playing techniques such as brass mute effects


The New Grove Dictionary of Jazz

The New Grove Dictionary of Jazz

Author: Barry Kernfeld

Publisher:

Published: 2002

Total Pages: 0

ISBN-13:

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The New Grove Dictionary of Jazz, second edition will be the definitive resource for any serious lover & listener of jazz. This 3 volume hardcover second edition builds upon the impressive foundation laid by its predecessor in 1988 to become the most comprehensive jazz reference work ever published. Editor Barry Kernfeld, a well-known jazz authority & scholar, has brought together the world's leading experts in jazz, ensuring the accuracy, breadth, & depth expected from Grove's.


A Blues Bibliography

A Blues Bibliography

Author: Robert Ford

Publisher: Routledge

Published: 2008-03-31

Total Pages: 1401

ISBN-13: 1135865086

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This revised and updated definitive blues bibliography now includes 6,000-7,000 entries to cover the last decade’s writings and new figures to have emerged on the Country and modern blues to the R&B scene.


Music and Modern Art

Music and Modern Art

Author: James Leggio

Publisher: Routledge

Published: 2014-07-16

Total Pages: 274

ISBN-13: 1135669694

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Music and Modern Art adopts an interdisciplinary approach to the relationship between these two fields of creative endeavor.


Music/ideology

Music/ideology

Author: Jean-François Lyotard

Publisher: Psychology Press

Published: 1998

Total Pages: 336

ISBN-13: 9789057012419

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Music/Ideology is a response to the question: Must the practice of music analysis and music theory always reinscribe the ideology of aesthetic autonomy? And, if not, under what circumstances does it reinscribe that ideology? The responses to these questions should appeal not only to music and cultural theorists, but also to a larger audience engaged in critical theory. These essays serve as an introduction to the broad array of issues arising from approaches that represent the full spectrum, from music-theoretical to marxist and feminist issues. Such questions are of vital importance, and not only to those who are engaged in establishing a connection among music theory, music analysis, and aesthetic ideology. Music/Ideology presents today's most interesting critical thinkers in postmodern theory and music theory, introducing an interdisciplinary approach and covering a wide range of subjects - both by implication and explication.


Charlie Parker and Thematic Improvisation

Charlie Parker and Thematic Improvisation

Author: Henry Martin

Publisher: Rowman & Littlefield

Published: 1996

Total Pages: 170

ISBN-13: 081083121X

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Martin provides a new overall assessment of the importance of Charlie Parker through an analysis of his improvisations in a variety of genres. Earlier studies of Parker argue that his style is based on an extensive network of melodic formulas that are combined to create solos. Because the same formulas appear throughout his improvisations regardless of the theme, these studies concluded that the solos do not usually relate to the original melodies. Charlie Parker and Thematic Improvisation provides a much-needed reassessment by showing that Parker's solos are often related to the original themes in unexpected and sometimes ingenious ways. Numerous transcriptions are provided. This groundbreaking technical study will be of interest to musicologists and serious students of jazz.