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Author: Martin Revermann
Publisher: Cambridge University Press
Published: 2014-06-12
Total Pages: 523
ISBN-13: 0521760283
DOWNLOAD EBOOKThis book provides a unique panorama of this challenging area of Greek literature, combining literary perspectives with historical issues and material culture.
Author: Alan Hughes
Publisher: Cambridge University Press
Published: 2012
Total Pages: 329
ISBN-13: 1107009308
DOWNLOAD EBOOKA new account of Greek comedy performance from its sixth-century origins to New Comedy, drawing upon fresh visual evidence.
Author: Aristophanes
Publisher: Methuen Drama
Published: 1994-03-14
Total Pages: 276
ISBN-13:
DOWNLOAD EBOOKContains: Women in power; Wealth; The malcontent; The woman from Samos.
Author: Katherine Lever
Publisher: Taylor & Francis
Published: 2022-04-26
Total Pages: 227
ISBN-13: 1000579271
DOWNLOAD EBOOKOriginally published in 1956, this is a critical analysis of the comedies of Aristophanes and Menander studied in the context of the history of comedy, of the allied arts, and of contemporary life. Aristophanes and Menander are deservedly the most famous writers of Greek comedy. The extant comedies of Aristophanes are notable for wit, comical action, beautiful poetry, and the dramatization of such problems as health of mind and body, sex, money, government, law, religion, education, and drama, music and poetry. Menander portrays with delicate and sympathetic understanding a world in which the seeming evils of loss and discord eventually lead to the genuine goods of discovery and concord. The art of Aristophanes is critically examined in three chapters and that of Menander in one. For centuries Dionysos had been worshipped in a spirit of ecstasy which manifested itself in song, dance and the wearing of masks and costumes, pantomime, farce, and satire. The processes by which these diverse elements were developed and fused into the complex literary form of Old Comedy are the subject of the first three chapters. Aristophanes was not only pre-eminent as a writer of Old Comedy; he also participated in the transformation of Old Comedy into Middle Comedy, a curious and interesting dramatic form which is fully treated in the seventh chapter. In the last chapter the emergence of New Comedy is traced and the art of Menander criticized. The book ends with a brief indication of the various forms in which the spirit of Greek comedy had survived to the present day.
Author: Aristophanes
Publisher: Liveright Publishing
Published: 2021-02-16
Total Pages: 452
ISBN-13: 1631496336
DOWNLOAD EBOOKCapturing the antic outrageousness and lyrical brilliance of antiquity’s greatest comedies, Aaron Poochigian’s Aristophanes: Four Plays brings these classic dramas to vivid life for a twenty-first century audience. The citizens of ancient Athens enjoyed a freedom of speech as broad as our own. This freedom, parrhesia, the right to say what one pleased, how and when one pleased, and to whom, had no more fervent champion than the brilliant fifth-century comic playwright Aristophanes. His plays, immensely popular with the Athenian public, were frequently crude, even obscene. He ridiculed the great and the good of the city, showing up their hypocrisy and arrogance in ways that went far beyond the standards of good taste, securing the ire (and sometimes the retaliation) of his powerful targets. He showed his contemporaries, and he teaches us now, that when those in power act obscenely, patriotic obscenity is a fitting response. Aristophanes’s satirical masterpieces were also surpassingly virtuosic works of poetry. The metrical variety of his plays has always thrilled readers who can access the original Greek, but until now, English translations have failed to capture their lyrical genius. Aaron Poochigian, the first poet-classicist to tackle these plays in a generation, brings back to life four of Aristophanes’s most entertaining, wickedly crude, and frequently beautiful lyric comedies—the pinnacle of his comic art: · Clouds, a play famous for its caricature of antiquity’s greatest philosopher, Socrates; · Lysistrata, in which a woman convinces her female compatriots to withhold sex from their warmongering lovers unless they negotiate peace; · Birds, in which feathered creatures build a great city and become like gods; · and Women of the Assembly, Aristophones’s most revolutionary play, which inverts the norms of gender and power. Poochigian’s new rendering of these comic masterpieces finally gives contemporary readers a sense of the subversive pleasure Aristophones’s original audiences felt when they were first performed on the Athenian stage.
Author: Michael Fontaine
Publisher: Oxford University Press
Published: 2014-04
Total Pages: 913
ISBN-13: 0199743541
DOWNLOAD EBOOKThe Oxford Handbook of Greek and Roman Comedy marks the first comprehensive introduction to and reference work for the unified study of ancient comedy. From its birth in Greece to its end in Rome, from its Hellenistic to its Imperial receptions, no topic is neglected. The 41 essays offer cutting-edge guides through comedy's immense terrain.
Author: GILBERT. NORWOOD
Publisher: Routledge
Published: 2022-04-27
Total Pages: 420
ISBN-13: 9781032218045
DOWNLOAD EBOOKOriginally published in 1931, this book surveys the origin and development of Greek Comic Drama, with full discussion not only of Aristophanes and Menander but also of other important playwrights whose work had usually received scant notice because only fragments of it have survived. The important papyrus-finds of the previous forty years have been expounded and used. The final chapter is an introduction to comic metre and rhythm.
Author: David Konstan
Publisher: Oxford University Press
Published: 1995-04-06
Total Pages: 257
ISBN-13: 0195357698
DOWNLOAD EBOOKIn comedy, happy endings resolve real-world conflicts. These conflicts, in turn, leave their mark on the texts in the form of gaps in plot and inconsistencies of characterization. Greek Comedy and Ideology analyzes how the structure of ancient Greek comedy betrays and responds to cultural tensions in the society of the classical city-state. It explores the utopian vision of Aristophanes' comedies--for example, an all-powerful city inhabited by birds, or a world of limitless wealth presided over by the god of wealth himself--as interventions in the political issues of his time. David Konstan goes on to examine the more private world of Menandrean comedy (including two adaptations of Menander by the Roman playwright Terence), in which problems of social status, citizenship, and gender are negotiated by means of elaborately contrived plots. In conclusion, Konstan looks at an imitation of ancient comedy by Moliére, and the way in which the ideology of emerging capitalism transforms the premises of the classical genre.
Author: J Michael Walton
Publisher: Routledge
Published: 2015-05-22
Total Pages: 202
ISBN-13: 1317513967
DOWNLOAD EBOOKIn this updated and extended edition of The Greek Sense of Theatre, scholar and practitioner J.Michael Walton revises and expands his visual approach to the theatre of classical Athens. From the tragedies of Aeschylus, Sophocles and Euripides to the old and new comedies of Aristophanes and Menander, he argues that while Greek drama is seen now as a performance-based rather than a strictly literary medium, more attention should still be paid to the nature of stage image and masked acting as part of this conception.
Author: Craig Jendza
Publisher: Oxford University Press
Published: 2020-04-07
Total Pages: 240
ISBN-13: 0190090944
DOWNLOAD EBOOKParacomedy: Appropriations of Comedy in Greek Drama is the first book that examines how ancient Greek tragedy engages with the genre of comedy. While scholars frequently study paratragedy (how Greek comedians satirize tragedy), this book investigates the previously overlooked practice of paracomedy: how Greek tragedians regularly appropriate elements from comedy such as costumes, scenes, language, characters, or plots. Drawing upon a wide variety of complete and fragmentary tragedies and comedies (Aeschylus, Sophocles, Euripides, Aristophanes, Rhinthon), this monograph demonstrates that paracomedy was a prominent feature of Greek tragedy. Blending a variety of interdisciplinary approaches including traditional philology, literary criticism, genre theory, and performance studies, this book offers innovative close readings and incisive interpretations of individual plays. Jendza presents paracomedy as a multivalent authorial strategy: some instances impart a sense of ugliness or discomfort; others provide a sense of light-heartedness or humor. While this work traces the development of paracomedy over several hundred years, it focuses on a handful of Euripidean tragedies at the end of the fifth century BCE. Jendza argues that Euripides was participating in a rivalry with the comedian Aristophanes and often used paracomedy to demonstrate the poetic supremacy of tragedy; indeed, some of Euripides' most complex uses of paracomedy attempt to re-appropriate Aristophanes' mockery of his theatrical techniques. Paracomedy: Appropriations of Comedy in Greek Tragedy theorizes a new, ground-breaking relationship between Greek tragedy and comedy that not only redefines our understanding of the genre of tragedy, but also reveals a dynamic theatrical world filled with mutual cross-generic influence.
