The New Criterion Reader

The New Criterion Reader

Author: Hilton Kramer

Publisher: Simon and Schuster

Published: 1988

Total Pages: 456

ISBN-13: 0029176417

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Gathers essays about modernism, Marxist criticism art patronage, Wallace Stevens, Picasso, Aaron Copland, Michel Foucault, Barbara Pym, Richard Serra, and Cindy Sherman.


Against the Grain

Against the Grain

Author: Hilton Kramer

Publisher: Ivan R. Dee Publisher

Published: 1995

Total Pages: 488

ISBN-13:

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Challenging the radical orthodoxies that have disfigured contemporary intellectual debate, the essays in Against the Grain cover a wide range of controversial subjects, from the philosophy of Michel Foucault to the apocalyptic kitsch of Anselm Kiefer, from the scandals of political correctness and multiculturalism to the state of Latin American literature and politics. Samuel Lipman writes on the future of classical music; Hilton Kramer on the plight of the art museum today; Joseph Epstein on the poet C.


On Beyond Zebra

On Beyond Zebra

Author: Dr. Seuss

Publisher: Collins

Published: 2004

Total Pages: 0

ISBN-13: 9780007175185

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This tale of a young boy's delight in his alphabet starts where our alphabet ends. Carrying on beyond Z for zebra, it begins with the letter Yuzz, for Yuzz-a-ma-Tuzz, a huge hairy creature with big blue eyes.


The Critical Temper

The Critical Temper

Author: Roger Kimball

Publisher:

Published: 2021-09-14

Total Pages: 600

ISBN-13: 9781641772174

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On the occasion of its fortieth anniversary, The New Criterion has brought together a plump chrestomathy of essays demonstrating its range and acuity as America's foremost review of culture and the arts. With contributions by Bruce Bawer, Anthony Daniels, Denis Donoghue, Joseph Epstein, John Steele Gordon, Victor Davis Hanson, Charles Hill, Donald Kagan, Roger Kimball, Heather Mac Donald, Myron Magnet, Andrew C. McCarthy, David Pryce-Jones, Andrew Roberts, Alexander McCall Smith, Aleksandr Solzhenitsyn, Keith Windschuttle, and many others, this collection of fifty essays brings you the best of the best: incisive cultural criticism, scintillating historical analysis, and robust commentary about the way we live now. Edited by Roger Kimball, this spiritual Baedeker is a timely repository of timeless writing about the figures, controversies, and challenges that define our life in the 2020s.


American Republics: A Continental History of the United States, 1783-1850

American Republics: A Continental History of the United States, 1783-1850

Author: Alan Taylor

Publisher: W. W. Norton & Company

Published: 2021-05-18

Total Pages: 544

ISBN-13: 1324005807

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Winner of the 2022 New-York Historical Society Book Prize in American History A Washington Post and BookPage Best Nonfiction Book of the Year From a Pulitzer Prize–winning historian, the powerful story of a fragile nation as it expands across a contested continent. In this beautifully written history of America’s formative period, a preeminent historian upends the traditional story of a young nation confidently marching to its continent-spanning destiny. The newly constituted United States actually emerged as a fragile, internally divided union of states contending still with European empires and other independent republics on the North American continent. Native peoples sought to defend their homelands from the flood of American settlers through strategic alliances with the other continental powers. The system of American slavery grew increasingly powerful and expansive, its vigorous internal trade in Black Americans separating parents and children, husbands and wives. Bitter party divisions pitted elites favoring strong government against those, like Andrew Jackson, espousing a democratic populism for white men. Violence was both routine and organized: the United States invaded Canada, Florida, Texas, and much of Mexico, and forcibly removed most of the Native peoples living east of the Mississippi. At the end of the period the United States, its conquered territory reaching the Pacific, remained internally divided, with sectional animosities over slavery growing more intense. Taylor’s elegant history of this tumultuous period offers indelible miniatures of key characters from Frederick Douglass and Sojourner Truth to Elizabeth Cady Stanton and Margaret Fuller. It captures the high-stakes political drama as Jackson and Adams, Clay, Calhoun, and Webster contend over slavery, the economy, Indian removal, and national expansion. A ground-level account of American industrialization conveys the everyday lives of factory workers and immigrant families. And the immersive narrative puts us on the streets of Port-au-Prince, Mexico City, Quebec, and the Cherokee capital, New Echota. Absorbing and chilling, American Republics illuminates the continuities between our own social and political divisions and the events of this formative period.


The March in Memory

The March in Memory

Author: Peter Pettus

Publisher:

Published: 2015-07

Total Pages: 0

ISBN-13: 9780692328576

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These photographs were taken during the 1965 Civil Rights March from Selma to Montgomery, Alabama. Never before published, this is the work of an artist photographer who wanted to tell the story directly and simply, not as a photojournalist, but as a participant in this national and political demonstration. The camera looks deep into the faces of those who were there -- black, white, old, young, Northern, and Southern -- at the time when America approached one of its greatest times of crisis. The pictures unfold here as a narrative. As the March moves along, we see participants and bystanders depicted in dramatic shades of black and white. Passing through the towns, people gather to wave, not quite believing what they are seeing. The expressions on these faces reflect a vast range of emotions: hope, fear, doubt, and joy. We see, as the March approaches Montgomery, the hundreds who have spontaneously joined up. The final photographs of the huge crowd streaming into the Capitol express the power of those words: "I Have a Dream."


Albers and Morandi: Never Finished

Albers and Morandi: Never Finished

Author: Josef Albers

Publisher: David Zwirner Books

Published: 2021-11-16

Total Pages: 144

ISBN-13: 9781644230596

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An unprecedented catalogue exploring the formal and visual affinities and contrasts between Josef Albers and Giorgio Morandi—two of modern art’s greatest painters. Rarely seen together, the artworks of Josef Albers (1888–1976) and Giorgio Morandi (1890–1964) share many similarities. Although they never met, both artists worked in series as they explored difference and potential through their distinctive treatment of color, shape, form, and morphology. They were also both influenced by Cezanne. As master illusionists and experts in proportion, they tackled similar conceits from different perspectives. Albers focused on the effects of subtle or bold changes and interactions in color, while Morandi made still lifes that treat simple objects as a cast of characters on a stage, exploring their relationship in space. Published on the occasion of the critically acclaimed exhibition Albers and Morandi: Never Finished at David Zwirner New York in 2021, the book illuminates the visual conversation between these two artists. With the exhibition hailed by The New Yorker’s Peter Schjeldahl as “one of the best … I’ve ever seen,” this publication brings this unusual, thought-provoking pairing to your home. Gorgeous reproductions are accompanied by a roundtable about form and color between the exhibition’s curator, David Leiber; Heinz Liesbrock, the director of the Josef Albers Museum Quadrat Bottrop; and Nicholas Fox Weber, the executive director of The Josef and Anni Albers Foundation, as well as an essay by Laura Mattioli, the Morandi expert and founder of the Center for Italian Modern Art.


The Transparent Man

The Transparent Man

Author: Anthony Hecht

Publisher: Knopf Publishing Group

Published: 1990

Total Pages: 104

ISBN-13:

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Nominee for National Book Critics Circle Award, this volume contains many delights and some long poems. There is a European feel about Hecht's verse that is striking, partly due to the richness of the classical allusions, and partly due to the way Hecht handles autobiography. Poetry in the 20th century is very much shaped by the individualism of our times, but poetry that is in essence confessional, eccentric, and overly particularized quickly becomes tiresome. Hecht often avoids this pitfall by realizing his own insight through cultural rather than personal metaphor, and this allows his words and imagery to remain fresh and resonant. ISBN 0-394-58506-2: $18.95.