Encyclopedia of Recorded Sound

Encyclopedia of Recorded Sound

Author: Frank Hoffmann

Publisher: Routledge

Published: 2004-11-12

Total Pages: 2611

ISBN-13: 1135949492

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First Published in 2005. The Encyclopedia of Recorded Sound, 2nd edition, is an A to Z reference work covering the entire history of recorded sound from Edison discs to CDs and MP3. Entries range from technical terms (Acoustics; Back Tracking; Quadraphonic) to recording genres (blues, opera, spoken word) to histories of industry leaders and record labels to famed recording artists (focusing on their impact on recorded sound). Entries range in length from 25-word definitions of terms to 5000 word essays. Drawing on a panel of experts, the general editor has pulled together a wealth of information. The volume concludes with a complete reference bibliography and a deep index.


Electric Sounds

Electric Sounds

Author: Steve J. Wurtzler

Publisher: Columbia University Press

Published: 2007

Total Pages: 424

ISBN-13: 9780231136778

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The 1920s and 1930s marked some of the most important developments in the history of the American mass media: the film industry's conversion to synchronous sound, the rise of radio networks and advertising-supported broadcasting, the establishment of a federal regulatory framework, and the birth of a new acoustic commodity in which consumers accessed stories, songs, and other products through multiple media formats. The innovations of this period not only restructured and consolidated corporate mass media interests while shifting the conventions of media consumption. They renegotiated the social functions assigned to mass media forms. In this impeccably researched history, Steve J. Wurtzler grasps the full story of sounds media, proving that the ultimate form technology takes is never predetermined but shaped by conflicting visions of technological possibility in economic, cultural, and political realms.


Cal Stewart, Your Uncle Josh

Cal Stewart, Your Uncle Josh

Author: Randy McNutt

Publisher: iUniverse

Published: 2011-09-16

Total Pages: 277

ISBN-13: 146204347X

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An American recording icon of the early 1900s, Cal Stewart created the popular Uncle Josh Weathersby character; Joshs town, Punkin Center; and the many colorful characters who inhabited his fictional town from Way Down East. Stewarts recordings were among the bestselling of the period, and through his satire he showed life in a fast-changing world. The actor, singer, songwriter, and author performed across the nation with his Cal Stewart & Co. group, consisting of his wife, the Indiana violinist Hazel Gypsy Rossini Waugh, and her younger brother and sister. For millions, Cal Stewart was the king of rural comedy.


The Routledge Guide to Music Technology

The Routledge Guide to Music Technology

Author: Thom Holmes

Publisher: Routledge

Published: 2013-10-18

Total Pages: 384

ISBN-13: 1135477809

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First published in 2006. This guide is an A to Z trade reference aimed at music students, technophiles and audio-video computer users. The world of music technology has exploded over the last decades thanks to introductions of new digital formats. At the same time there has been a renaissance in analog high fidelity equipment and resurgent interest in turntables, long playing records and vintage stereo systems. Music students, collectors and consumers will appreciate the availability of a guide to all things musical in the technological universe.


Record Cultures

Record Cultures

Author: Kyle Barnett

Publisher: University of Michigan Press

Published: 2021-07-26

Total Pages: 333

ISBN-13: 047203877X

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Tracing the cultural, technological, and economic shifts that shaped the transformation of the recording industry


Lost Sounds

Lost Sounds

Author: Tim Brooks

Publisher: University of Illinois Press

Published: 2010-10-01

Total Pages: 656

ISBN-13: 0252090632

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A groundbreaking history of African Americans in the early recording industry, Lost Sounds examines the first three decades of sound recording in the United States, charting the surprising roles black artists played in the period leading up to the Jazz Age and the remarkably wide range of black music and culture they preserved. Drawing on more than thirty years of scholarship, Tim Brooks identifies key black recording artists and profiles forty audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, plus a host of lesser-known voices. Many of these pioneers struggled to be heard in an era of rampant discrimination. Their stories detail the forces––black and white––that gradually allowed African Americans to enter the mainstream entertainment industry. Lost Sounds includes Brooks's selected discography of CD reissues and an appendix by Dick Spottswood describing early recordings by black artists in the Caribbean and South America.


Whatnots!

Whatnots!

Author: Eileen Birin

Publisher: Eileen Birin

Published: 2003

Total Pages: 192

ISBN-13: 9780965533928

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A&R Pioneers

A&R Pioneers

Author: Brian Ward

Publisher: Vanderbilt University Press

Published: 2018-06-26

Total Pages: 481

ISBN-13: 0826521770

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Association for Recorded Sound Collections Certificate of Merit for the Best Historical Research in Recorded Roots or World Music, 2019 A&R Pioneers offers the first comprehensive account of the diverse group of men and women who pioneered artists-and-repertoire (A&R) work in the early US recording industry. In the process, they helped create much of what we now think of as American roots music. Resourceful, innovative, and, at times, shockingly unscrupulous, they scouted and signed many of the singers and musicians who came to define American roots music between the two world wars. They also shaped the repertoires and musical styles of their discoveries, supervised recording sessions, and then devised marketing campaigns to sell the resulting records. By World War II, they had helped redefine the canons of American popular music and established the basic structure and practices of the modern recording industry. Moreover, though their musical interests, talents, and sensibilities varied enormously, these A&R pioneers created the template for the job that would subsequently become known as "record producer." Without Ralph Peer, Art Satherley, Frank Walker, Polk C. Brockman, Eli Oberstein, Don Law, Lester Melrose, J. Mayo Williams, John Hammond, Helen Oakley Dance, and a whole army of lesser known but often hugely influential A&R representatives, the music of Bessie Smith and Bob Wills, of the Carter Family and Count Basie, of Robert Johnson and Jimmie Rodgers may never have found its way onto commercial records and into the heart of America's musical heritage. This is their story.