The Nature of Things weaves together a life full of happiness and sorrow. In these fourteen collected essays, Tommye McClure Scanlin reflects on her artistic journey and how crafting and life are interwoven, two threads that comprise a larger picture. Readers will find themselves lost in Scanlin's full-color tapestries and comforting writing style as they explore the natural fields and woods of southern Appalachia. A final part of the book gives an overview of tapestry weaving basics with diagrams and descriptions for setting up a simple pipe loom and weaving a small tapestry sampler. Glossary, simple pipe loom illustrations, and a resource list are included for reference.
A delightful collection of the popular Little Books series on nature. Young children can learn about the secret life of birds, the wonderful world of trees and flowers, and the wildlife living on the seashore and in your own garden. this collection is comprised of the following titles: tHE USBORNE LIttLE BOOK OF BIRDS, tHE USBORNE LIttLE BOOK OF tREES, tHE USBORNE LIttLE BOOK OF FLOWERS, tHE USBORNE LIttLE BOOK OF tHE SEASHORE, tHE USBORNE LIttLE BOOK OF GARDEN WILDLIFE. Ages 5+
A pair of professional artists offers valuable suggestions for realistic portrayals of flowers, animals, and other natural subjects. Detailed, step-by-step demonstrations use watercolors, oils, pencil, and other media. Over 400 illustrations.
Impossible Desire and the Limits of Knowledge in Renaissance Poetry examines the limits of embodiment, knowledge, and representation at a disregarded nexus: the erotic carpe diem poem in early modern England. These macabre seductions offer no compliments or promises, but instead focus on the lovers' anticipated decline, and—quite stunningly given the Reformation context—humanity's relegation not to a Christian afterlife but to a Marvellian 'desert of vast Eternity.' In this way, a poetic trope whose classical form was an expression of pragmatic Epicureanism became, during the religious upheaval of the Reformation, an unlikely but effective vehicle for articulating religious doubt. Its ambitions were thus largely philosophical, and came to incorporate investigations into the nature of matter, time, and poetic representation. Renaissance seduction poets invited their auditors to participate in a dangerous intellectual game, one whose primary interest was expanding the limits of knowledge. The book theorizes how Renaissance lyric's own fragile relationship to materiality and time, and its self-conscious relationship to making, positioned it to grapple with these 'impossible' metaphysical and representational problems. Although attentive to poetics, the book also challenges the commonplace view that the erotic invitation is exclusively a lyrical mode. Carpe diem's revival in post-Reformation Europe portends its radicalization, as debates between man and maid are dramatized in disputes between abstractions like chastity and material facts like death. Offered here is thus a theoretical reconsideration of the generic parameters and aspirations of the carpe diem trope, wherein questions about embodiment and knowledge are also investigations into the potentialities of literary form.
Unusually clear, accessible introduction to contemporary theories of solid-state physics. Nonmathematical treatment of heat, atomic motion, electrons in solids, many other topics. "Excellent." — Choice. 1965 edition.
