The innocence of the young Australian soldiers sent to Malaya during the Second World War to halt the territorial expansion of the Japanese was quickly shattered by defeat and surrender. Russell Braddon, who himself became a prisoner of war, graphically describes the ghastly suffering and wanton neglect of the Allied soldiers in some of the most infamous Japanese POW camps, from Pudu in Malaya to Changi in Singapore. For more than three years he watched as these men were ravaged by disease, tortured, and deprived of their most basic needs. Braddon recounts his horrifying story with barely suppressed rage, but also with enormous admiration for the amazing ingenuity, spirit and determination of the prisoners, who created a semblance of order out of nightmarish chaos. His remarkable book makes grim but compelling reading.
What do you do after you walk the Amazon? Ed Stafford—adventurer extraordinaire and Guinness World Record holder for walking the length of the Amazon River—likes a challenge. Casting about for an adventure that would top the extraordinary feat he recounts in Walking the Amazon, Stafford decides to maroon himself on an uninhabited island in the South Pacific. His mission: to survive for sixty days equipped with nothing—no food, water, or even clothing—except the video cameras he would use to document his time. Detailing Stafford’s jaw-dropping sojourn on the island of Olourua, Naked and Marooned is a tale of unparalleled adventure and of one man’s will to push himself to the outer limits—and survive.
Fiction. Translated from the Swedish by Laura Wideburg. Sudden murder and the resulting psychological tension are the hallmarks of Inger Frimansson's acclaimed thrillers. In ISLAND OF NAKED WOMEN, Tobias, an author of mystery novels, must return to the family farm after his father became incapacitated due to a fall from the hayloft. Tobias resents his father's judgmental attitude, but he finds the allure of his father's young wife Sabina hard to resist. Meanwhile, Hardy, the hired hand, scoffs at Tobias's city ways, while encouraging Sabina's mentally challenged son Adam to turn into an Elvis impersonator; and Ingelize, who runs a nearby riding school, finds Tobias irresistible. The rural life becomes increasingly claustrophobic for Tobias, but before he can return to the city, death strikes a hard blow and chaos ensues.
Aggravated women disciples, Jesus hugging rainbow sheep, a man praying WTF?: the cartoons of David Hayward, the artist behind @NakedPastor, are graffiti on the walls of the church. This collection includes best-loved and never-before-seen cartoons that will challenge and inspire those grappling with the realities of the church as we know it.
Until his death in 2012 at age 100, legendary filmmaker Kaneto Shindo was a living link to more than 70 years of Japanese cinema history. Screenwriter of more than 200 films and director of more than 40, Shindo earned international praise for his masterpieces Children of Hiroshima and The Naked Island, and for the fantastical proto-horror film, Onibaba. In this volume, Shindo narrates his career, from his beginnings as an art director and fledgling screenwriter in the 1930s and 1940s, to his collaborations with such luminaries as Kenji Mizoguchi, Kon Ichikawa and Kinji Fukasaku, to his breakout into independent filmmaking in the 1950s and beyond. This first-ever English language book on Shindo's work is a stunning introduction to one of film's great overlooked masters. It includes the full screenplay of The Naked Island and a foreword by Benicio del Toro.
Edogawa Ranpo (1894-1965) was a great admirer of Edgar Allan Poe and like Poe drew on his penchant for the grotesque and the bizarre to explore the boundaries of conventional thought. Best known as the founder of the modern Japanese detective novel, Ranpo wrote for a youthful audience, and a taste for playacting and theatre animates his stories. His writing is often associated with the era of ero guro nansense (erotic grotesque nonsense), which accompanied the rise of mass culture and mass media in urban Japan in the 1920s. Characterized by an almost lurid fascination with simulacra and illusion, the era’s sensibility permeates Ranpo's first major work and one of his finest achievements, Strange Tale of Panorama Island (Panoramato kidan), published in 1926. Ranpo’s panorama island is filled with cleverly designed optical illusions: a staircase rises into the sky; white feathered “birds” speak in women’s voices and offer to serve as vehicles; clusters of naked men and women romp on slopes carpeted with rainbow-colored flowers. His fantastical utopia is filled with entrancing music and strange sweet odors, and nothing is ordinary, predictable, or boring. The novella reflected the new culture of mechanically produced simulated realities (movies, photographs, advertisements, stereoscopic and panoramic images) and focused on themes of the doppelganger and appropriated identities: its main character steals the identity of an acquaintance. The novella’s utopian vision, argues translator Elaine Gerbert, mirrors the expansionist dreams that fed Japan's colonization of the Asian continent, its ending an eerie harbinger of the collapse of those dreams. Today just as a new generation of technologies is transforming the way we think—and becoming ever more invasive and pervasive—Ranpo's work is attracting a new generation of readers. In the past few decades his writing has inspired films, anime, plays, and manga, and many translations of his stories, essays, and novels have appeared, but to date no English-language translation of Panoramato kidan has been available. This volume, which includes a critical introduction and notes, fills that gap and uncovers for English-language readers an important new dimension of an ever stimulating, provocative talent.
This is a study of visuality in early modern and modern China. Its focus, however, is not so much on imagery per se but rather on how vision itself has been conceived, imagined, and deployed in a variety of discursive contexts. Of particular interest is how these discourses of vision have been used to articulate issues of gender and desire, and specifically processes of gendered subject formation. Through detailed readings of narrative works by eight authors of the nineteenth and twentieth centuries—ranging from the canonical to the popular to the esoteric—the study identifies three distinct constellations of visual concerns corresponding to the late imperial, mid-twentieth century, and contemporary periods, respectively. At the same time, however, it argues that those historical periodizations themselves do not reflect a smooth, unidirectional temporal movement; rather, they are the result of a complex process of retrospection and anticipatory projection. The goal of this volume is to use a focus on tropes of visuality and gender to reflect on shifting understandings of the significance of Chineseness, modernity, and Chinese modernity.
Back in print at last! ABC for Kids is delighted to announce the re-release of a range of best-selling, award-winning children's picture books. Including Children's Book Council winners and all-time favourites, no children's bookshelf is complete without these classic favourites. Twenty-four titles will be republished from 2010-11. Ages 3-5. Once there was a little penguin who was different from all the other penguins. All because he has no patch of white on his chest. Nobody will play with him and all the Arctic creatures are too busy to help him. But when the penguin decides to leave his home, he starts to notice that there are other animals who are different too. And the little penguin learns life's most important lesson ... Ages 3-5.
