SHAMAN AND SERPENT In the tradition of Jungian analysis, a psychiatrist and an anthropologist explore the meanings and manifestations of death through ritual, religion and myth. The knowledge that he must die is the force that drives man to create. The tribal initiation of the shaman, the archetype of the serpent, exists universally in man’s experience, exemplifying the death of the Self and a rebirth into a transcendent, “unknowable” life. In The Wisdom of the Serpent: The Myths of Death, Rebirth and Resurrection, first published in 1963, the authors trace the images and patterns of psychic liberation through personal encounter, the cycles of nature, spiritual teaching religious texts, myths of resurrection, poems and epics. They translate these elements of common human experience into a them for modern man: the reinterpretation of the individual freed from the mortal boundaries of the Self. First published in 1963, this classic work in analytical psychology includes notes on the illustrations, appendix and references.
The tribal initiation of the shaman, the archetype of the serpent, exemplifies the death of the self and a rebirth into transcendent life. This book traces the images of spiritual initiation in religious rituals and myths of resurrection, poems and epics, cycles of nature, and art and dreaming. It dramatizes the metamorphosis from a common experience of death's inevitability into a transcendent freedom beyond individual limitations. "This is a classic work in analytical psychology that offers crucial insights on the meaning of death symbolism (and its inevitably accompanying rebirth and resurrection symbolism) as part of the great theme of initiation, of which [Henderson] is the world's foremost psychological interpreter. This material is really the next step after the hero myth that Joseph Campbell has made so popular, and provides an understanding of how not to use the hero myth in an inflated way as a psychology of mastery, but as an attainment progressively to be died beyond. [Henderson] is helped by the presence of Maud Oakes, who is a trained anthropologist with exquisite taste in her choice of mythic materials and respect for their original contexts."--John Beebe
Because every single one of us will die, most of us would like to know what—if anything—awaits us afterward, not to mention the fate of lost loved ones. Given the nearly universal vested interest in deciding this question in favor of an afterlife, it is no surprise that the vast majority of books on the topic affirm the reality of life after death without a backward glance. But the evidence of our senses and the ever-gaining strength of scientific evidence strongly suggest otherwise. In The Myth of an Afterlife: The Case against Life after Death, Michael Martin and Keith Augustine collect a series of contributions that redress this imbalance in the literature by providing a strong, comprehensive, and up-to-date casebook of the chief arguments against an afterlife. Divided into four separate sections, this collection opens with a broad overview of the issues, as contributors consider the strongest evidence of whether or not we survive death—in particular the biological basis of all mental states and their grounding in brain activity that ceases to function at death. Next, contributors consider a host of conceptual and empirical difficulties that confront the various ways of “surviving” death—from bodiless minds to bodily resurrection to any form of posthumous survival. Then essayists turn to internal inconsistencies between traditional theological conceptions of an afterlife—heaven, hell, karmic rebirth—and widely held ethical principles central to the belief systems supporting those notions. In the final section, authors offer critical evaluations of the main types of evidence for an afterlife. Fully interdisciplinary, The Myth of an Afterlife: The Case against Life after Death brings together a variety of fields of research to make that case, including cognitiveneuroscience, philosophy of mind, personal identity, philosophy of religion, moralphilosophy, psychical research, and anomalistic psychology. As the definitive casebookof arguments against life after death, this collection is required reading for anyinstructor, researcher, and student of philosophy, religious studies, or theology. It issure to raise provocative issues new to readers, regardless of background, from thosewho believe fervently in the reality of an afterlife to those who do not or are undecidedon the matter.
The primal role of art in awakening and liberating the soul of humanity • Presents a seven-stage journey of transformation moving from the darkened soul to the light of spiritual illumination • Provides a meditation practice to experience the spiritual energy embedded within art • Includes artists Alex Grey, Jackson Pollock, Mark Rothko, Walter Gaudnek, and others Art and Spiritual Transformation presents a seven-stage journey from the darkened soul to the light of spiritual illumination that is possible through the world of art. Finley Eversole introduces a meditation practice that moves beyond the visual content of an art form in order to connect with its embedded spiritual energy, allowing the viewer to tap in to the deeper consciousness inherent in the artwork and awaken dormant powers in the depths of the viewer’s soul. Examining modern and postmodern artwork from 1945 onward, Eversole reveals the influences of ancient Egypt, India, China, and alchemy on this art. He draws extensively on philosophy, myth and symbolism, literature, and metaphysics to explain the seven stages of spiritual death and rebirth of the soul possible through art: the experience of self-loss, the journey into the underworld, the experience of the dark night of the soul, the conflict with and triumph over evil, the awakening of new life in the depths of being, and the return and reintegration of consciousness on a higher plane of being, resulting finally in ecstasy, transfiguration, illumination, and liberation. To illustrate these stages, Eversole includes works by abstract expressionists Jackson Pollock, Willem de Kooning, and Mark Rothko and modern visionary artists Alex Grey and Ernst Fuchs, among others, to reveal the powerful and liberating forces art contributes to the transformation and evolution of human consciousness.
The portrayal of the hero in classical myths and modern films continues to exert a compelling influence on the collective imagination, entertaining and inspiring audiences the world over. On a deeper level, the myth of the hero's adventure is recognized as a fundamental pattern of human experience itself, a symbolic expression of the individual's struggle for greater consciousness, psychological wholeness, and spiritual realization.In The Rebirth of the Hero, Keiron Le Grice draws on the ideas and life experiences of C. G. Jung, Joseph Campbell, and Friedrich Nietzsche to explore the spiritual journey of the modern self, from existential crisis and the "awakening of the self" to the dramatic encounter with the underworld of the psyche and the arduous labor of spiritual transformation. In a work of wide-ranging scope and insight, Le Grice analyzes scenes from a number of popular films-Jason and the Argonauts, Star Wars, The Lord of the Rings, Pan's Labyrinth, and more-to illuminate the themes and stages of psychospiritual rebirth and individuation, helping to make the deepest of transformative experiences more readily intelligible to us all. Drawing interchangeably on classical Greek myths, Christianity, alchemy, Romanticism, and depth psychology, the author also relates the individual's personal journey of transformation to the relationship in Western civilization between spirit and nature, reason and instinct, and masculine and feminine. In so doing, The Rebirth of the Hero demonstrates the critical significance of the archetypal pattern of the hero not only for the individual, but also for cultural renewal and the wider spiritual transformation of our time.
The renowned master of mythology is at his warm, accessible, and brilliant best in this illustrated collection of thirteen lectures covering mythological development around the world.
When Jesus died on the cross, it seemed that all had been lost. Death had won. But after three days in a rich man's tomb, Jesus appeared...alive! The news was so shocking that his followers refused to believe it until they saw him with their own eyes and touched his wounds with their own hands. Then Jesus made an amazing claim: In the future, they too would have resurrected bodies like his, bodies that would never deteriorate, age, or perish. They would have new life without death or pain in the presence of a loving God forever. But can we really believe His promise? For that matter, can we really believe that the promise was made by a man who rose from the dead? In this fascinating look at the claims of the Gospel writers and 2,000 years of believing Christians, bestselling author Josh McDowell and his son Sean examine the compelling evidence and conclude that Jesus Christ conquered death and the grave. In clear, concise, and accessible chapters, Josh and Sean present the facts about the resurrection and what it means for readers today.
