Interviews and primary materials form the basis for a study of racial, political, and nationalistic ideas disseminated by the Nazis and the changing nature of the propaganda during the course of World War II
The sheer magnitude of the Holocaust has commanded our attention for the past sixty years. The extent of atrocities, however, has overshadowed the calculus Nazis used to justify their deeds. According to German wartime media, it was German citizens who were targeted for extinction by a vast international conspiracy. Leading the assault was an insidious, belligerent Jewish clique, so crafty and powerful that it managed to manipulate the actions of Roosevelt, Churchill, and Stalin. Hitler portrayed the Holocaust as a defensive act, a necessary move to destroy the Jews before they destroyed Germany. Joseph Goebbels, Minister of Propaganda, and Otto Dietrich’s Press Office translated this fanatical vision into a coherent cautionary narrative, which the Nazi propaganda machine disseminated into the recesses of everyday life. Calling on impressive archival research, Jeffrey Herf recreates the wall posters that Germans saw while waiting for the streetcar, the radio speeches they heard at home or on the street, the headlines that blared from newsstands. The Jewish Enemy is the first extensive study of how anti-Semitism pervaded and shaped Nazi propaganda during World War II and the Holocaust, and how it pulled together the diverse elements of a delusionary Nazi worldview. Here we find an original and haunting exposition of the ways in which Hitler legitimized war and genocide to his own people, as necessary to destroy an allegedly omnipotent Jewish foe. In an era when both anti-Semitism and conspiracy theories continue to influence world politics, Herf offers a timely reminder of their dangers along with a fresh interpretation of the paranoia underlying the ideology of the Third Reich.
The four volumes of Film Study include a fresh approach to each of the basic categories in the original edition. Volume one examines the film as film; volume two focuses on the thematic approach to film; volume three draws on the history of film; and volume four contains extensive appendices listing film distributors, sources, and historical information as well as an index of authors, titles, and film personalities.
This groundbreaking history connects Nazi Germany’s Arabic-language propaganda during World War II to anti-Semitism in the Middle East in the decades since. Jeffrey Herf, a leading scholar in the field, offers the most extensive examination to date of Nazi propaganda activities targeting Arabs and Muslims in the Middle East during World War II and the Holocaust. He draws extensively on previously unused and little-known archival resources, including the shocking transcriptions of the “Axis Broadcasts in Arabic” radio programs, which convey a strongly anti-Semitic message. Herf explores the intellectual, political, and cultural context in which German and European radical anti-Semitism was found to resonate with similar views rooted in a selective appropriation of the traditions of Islam. Pro-Nazi Arab exiles in wartime Berlin, including Haj el-Husseini and Rashid el-Kilani, collaborated with the Nazis in constructing their Middle East propaganda campaign. By integrating the political and military history of the war in the Middle East with the intellectual and cultural dimensions of the propagandistic diffusion of Nazi ideology, Herf offers the most thorough examination to date of this important chapter in the history of World War II. Importantly, he also shows how the anti-Semitism promoted by the Nazi propaganda effort contributed to the anti-Semitism exhibited by adherents of radical forms of Islam in the Middle East today.
This book analyzes the factors that determined the organization, conduct and output of Nazi propaganda during World War II, in an attempt to re-assess previously inflated perceptions about the influence of Nazi propaganda and the role of the regime's propagandists in the outcome of the 1939-45 military conflict.
The Encyclopedia of Propaganda examines all aspects of propaganda through history, and is organized in an A to Z format. The set defines the arenas in which propaganda is used such as politics, war, advertising and media; pinpoints the political systems in which it is used, such as Nazism, Communism and McCarthyism; and describes notable progenitors of propaganda and their works, including Hitler and "Mein Kampf", Machiavelli and "The Prince", Sun Tzu and "The Art of War", and Plato and "The Republic". "The Encyclopedia of Propaganda" also examines noteworthy individuals who have employed propaganda to further their own agenda, including Walt Disney, Fidel Castro, Jane Fonda, the Rev. Jerry Falwell, Saddam Hussein, Rush Limbaugh and Eleanor Roosevelt. Organizations which have utilized propaganda in a systematic fashion are also included, among them the Black Panther Party, the Sandinista National Liberation Front, and the People for Ethical Treatment of Animals. This well organized, easy-to-use reference should be a valuable research tool for students of world history, politics and literature.
"A fascinating story....Essential to an understanding of America's use of propaganda". -- Warren F. Kimball, author of The Juggler: Franklin Roosevelt as Wartime Statesman. "Lively and revealing. There is much that is new and important in this book. All students of the war, as well as of intelligence, will benefit from it". -- Robin W. Winks, author of Cloak and Gown. "A 'must' acquisition for anyone with any interest in espionage, intelligence, and propaganda". -- Dennis Showalter, author of Tannenburg: Clash of Empires.
The Virtuous Wehrmacht explores the myth of the German armed forces' innocence during World War II by reconstructing the moral world of German soldiers on the Eastern Front. How did they avoid feelings of guilt about the many atrocities their side committed? David A. Harrisville compellingly demonstrates that this myth of innocence was created during the course of the war itself—and did not arise as a postwar whitewashing of events. In 1941 three million Wehrmacht troops overran the border between German- and Soviet-occupied Poland, racing toward the USSR in the largest military operation in modern history. Over the next four years, they embarked on a campaign of wanton brutality, murdering countless civilians, systemically starving millions of Soviet prisoners of war, and actively participating in the genocide of Eastern European Jews. After the war, however, German servicemen insisted that they had fought honorably and that their institution had never involved itself in Nazi crimes. Drawing on more than two thousand letters from German soldiers, contextualized by operational and home front documents, Harrisville shows that this myth was the culmination of long-running efforts by the army to preserve an illusion of respectability in the midst of a criminal operation. The primary authors of this fabrication were ordinary soldiers cultivating a decent self-image and developing moral arguments to explain their behavior by drawing on a constellation of values that long preceded Nazism. The Virtuous Wehrmacht explains how the army encouraged troops to view themselves as honorable representatives of a civilized nation, not only racially but morally superior to others.