This is a mystery novel that revolves around the haunted glen. Ellis Rhea, whose last seven years had been spent behind prison bars, is now a guest of Mr. Hoey Borrn's home. Mrs. Borrn is not in favor of his visit. She looks at him with something of suspicion, even distrust, in her dark eyes. Mr. Hoey tells Rhea about the haunted glen at Murrawang, and why it's named so. Rory, Mr. Hoey's son, and Rhea decide to investigate the haunted glen. Will they unravel the story of the ghost that surrounds the glen?
"No man knows the secrets of the bush better than the Australian author E. S. Sorensen. In his day he has been a bush carpenter, a publican, a drover, a shearer and a station hand. He was born on the Northern Rivers, and educated by the Sisters of St. Joseph. He has travelled from one end of Australia to the other. In "A Backblocker's Pleasure Trip" he relates the experiences and adventures of a party of backblock excursionists at the time of the visit of the Duke of York, the itinerary being from the interior to Sydney, via Mount Browne, Menindie, Broken Hill, Adelaide and Melbourne. The narrative is interspersed with bush and town sketches, humorous incidents and yarns by the way. It forms a sequel to "The Swagman's Diary," earlier published in the "Catholic Press" magazine.
This book showcases current research into Indigenous and minority placenames in Australia and internationally. Many of the chapters in this volume originated as papers at a Trends in Toponymy conference hosted by the University of Ballarat in 2007 that featured Australian and international speakers. The chapters in this volume provide insight into the quality of toponymic research that is being undertaken in Australia and in countries such as Canada, Finland, South Africa, New Zealand, and Norway. The research presented here draws on the disciplines of linguistics, geography, history, and anthropology. The book includes meticulous studies of placenames in central NSW and the Upper Hunter region; Gundungurra cave names; western Arnhem Land; Northern Cape York Peninsula and Mount Wheeler in Queensland; saltwater placenames around Mer in the Torres Strait; and the Kaurna in South Australia.
Inspector Alan Grant of Scotland Yard, recuperating from a broken leg, becomes fascinated with a contemporary portrait of Richard III that bears no resemblance to the Wicked Uncle of history. Could such a sensitive, noble face actually belong to one of the world's most heinous villains, a venomous hunchback who may have killed his brother's children to make his crown secure? Or could Richard have been the victim, turned into a monster by the usurpers of England's throne? Grant determines to find out once and for all, with the help of the British Museum and an American scholar, what kind of man Richard Plantagenet really was and who killed the Princes in the Tower.
This extraordinary story of courage and faith is based on the actual experiences of three girls who fled from the repressive life of Moore River Native Settlement, following along the rabbit-proof fence back to their homelands. Assimilationist policy dictated that these girls be taken from their kin and their homes in order to be made white. Settlement life was unbearable with its chains and padlocks, barred windows, hard cold beds, and horrible food. Solitary confinement was doled out as regular punishment. The girls were not even allowed to speak their language. Of all the journeys made since white people set foot on Australian soil, the journey made by these girls born of Aboriginal mothers and white fathers speaks something to everyone.
Tracks We Share: Contemporary Art of the Pilbara celebrates the Aboriginal artists and artwork of Western Australia's Pilbara region in a landmark exhibition opening 11 March 2022 at The Art Gallery of Western Australia.A collaboration between FORM; The Art Gallery of Western Australia; Aboriginal art centres Cheeditha Art Group, Juluwarlu Art Group, Martumili Artists, Spinifex Hill Studio, and Yinjaa-Barni Art; and independent artists Katie West, Curtis Taylor, and Jill Churnside; Tracks We Share brings together more than 70 artists and over 200 artworks.This extraordinary body of work features the most exciting contemporary art coming out of the region while paying homage to the legacy that has informed it, offering a rare and broad-reaching insight into the region's artistic output over the years. The exhibition is one of the final stages in a multi-year project that maps the breadth of the region's diverse creative practice and honours the unique space the Pilbara's Aboriginal artists have carved out amongst contemporary Australian art.The title of the show was devised by a group of the exhibiting artists and references the many language groups and diverse Country of the Pilbara, while acknowledging the physical, cultural and artistic tracks that connect them all.Tracks We Share: Contemporary Art of the Pilbara will be accompanied by a publication, a public program of events and an education kit, details of which will be released in the coming months. Sign up for updates at www.tracksweshare.com.au.
