Nancy sets out to locate a kidnapped actress and to clear one of her father's clients, a renowned photographer, accused of stealing ideas for his images.
Objects can carry romantic myths, embody dangerous curses, or provide links to our past. Some mysterious items, like the Hope Diamond, can still be found today, while others, like the Philosophers' Stone, have vanished into the mists of time. Gifted and sensitive psychometrists can apparently pick up an object and learn many things about its past and its previous owners. The World's Most Mysterious Objects provides a glimpse into these enigmas, exploring everything from psychic weapons and spiritual icons to alchemical experiments and strange devices. With this intriguing book, find out what secrets the world could be hiding.
The Mysterious Plus opens with a situation recently in the news: the murder of an American embassy official in a North African country. The aim of the novel, however, is broader than an individual act of violence. Its murder becomes a symbol of the fanatic-inflamed divisions between Muslim Middle East and Judeo-Christian West, which are fraying the ties that bond humanity. The hero of The Mysterious Plus straddles both worlds. To save his sister, Omar Naaman, nineteen, betrayed comrades and country during Algeria’s fight for independence from colonial rule. At the war’s end, the defeated French, grateful for his double-dealing service, whisked him to France, bestowing a new identity, Remy Montpellier. Years later, Remy is coerced by the French DGSE (their intelligence service) to return incognito to Algeria, where as Omar he is still branded as a traitor, in fact, as the last of the “Seven Devils,” the first six “great collaborators” having been tracked down and killed by Algerian agents. Sent to investigate the gay-bashing murder of an American embassy attaché, who (DGSE suspected) was trafficking classified documents, Remy gradually moves from pursuer to pursued. Will he fulfill the true purpose of his returning to Algiers, or will his treasonous past overtake him? How does the “Mysterious Plus” control the answers to these two questions and hence the resolution to the novel? In his previous book, The Saint of Sodomy (GLB, 1999), William Tarvin, who lived in the Middle East for two decades, satirized Muslim sexual hypocrisies. Though the same barbed wit infuses The Mysterious Plus, it is counterpoised by a darker strain, that materialistic/spiritual differences between West and Middle East threaten to sever the cords bonding humanity. Addendum: Since the novel incorporates ideas from around one thousand philosophical, religious, literary, social, psychological, historical, and political works, Tarvin has provided some commentary and definitions in end-of-chapter footnotes.
In previous life, in order to save his sister, Su Ye volunteered to sacrifice for the gods of nine heavens. He did not expect that all this is the man's trick to let him die in vain. Su Ye had learned the truth, was unacceptable for a moment, and died with hatred.At the moment Su Ye in the previous life died , another young boy named Su Ye crossed over him. At a dangerous time between life and death, He replaced the previous Su Ye to start a new life.He inadvertently obtained a book of martial arts, gained a spcial power, and used this power to escape out of chaos. Since then, he has relied on this cheat book to improve his ability through cultivation, to avenge Su Ye of the previous life.As a soul that from another world came through, he eventually dominated the world!☆About the Author☆Wu Yue Chu Ba, a well-known online novelist. He has a wealth of creative experience and has authored many novels, most of them are fantasy types. His novels have deeply attracted most readers.一句话
This volume is primarily concerned with the re-analysis of the wall paintings from the Jordanian Chalcolithic period (ca. 4700-3700 BC) settlement site of Teleilat Ghassul, first excavated in 1929 by scholars from the Pontifical Biblical Institute Rome and latterly by Australians from the University of Sydney.
Fascination with quotidian experience in modern art, literature, and philosophy promotes ecstatic forms of reflection on the very structure of the everyday world. Gosetti-Ferencei examines the ways in which modern art and literature enable a study of how we experience quotidian life. She shows that modernism, while exhibiting many strands of development, can be understood by investigating how its attentions to perception and expectation, to the common quality of things, or to childhood play gives way to experiences of ecstasis&—the stepping outside of the ordinary familiarity of the world. While phenomenology grounds this study (through Husserl, Heidegger, Merleau-Ponty, and Bachelard), what makes this book more than a treatise on phenomenological aesthetics is the way in which modernity itself is examined in its relation to the quotidian. Through the works of artists and writers such as Benjamin, C&ézanne, Frost, Klee, Newman, Pollock, Ponge, Proust, Rilke, Robbe-Grillet, Rothko, Sartre, and Twombly, the world of quotidian life can be seen to harbor a latent ecstasis. The breakdown of the quotidian through and after modernism then becomes an urgent question for understanding art and literature in its capacity to further human experience, and it points to the limits of phenomenological explications of the everyday.