The Musical Gift for 1850
Author:
Publisher:
Published: 1849
Total Pages: 40
ISBN-13:
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The Musical Gift
Author: Jim Sykes
Publisher: Oxford University Press
Published: 2018-08-31
Total Pages: 320
ISBN-13: 0190912049
DOWNLOAD EBOOKThe Musical Gift tells Sri Lanka's music history as a story of giving between humans and nonhumans, and between populations defined by difference. Author Jim Sykes argues that in the recent past, the genres we recognize today as Sri Lanka's esteemed traditional musics were not originally about ethnic or religious identity, but were gifts to gods and people intended to foster protection and/or healing. Noting that the currently assumed link between music and identity helped produce the narratives of ethnic difference that drove Sri Lanka's civil war (1983-2009), Sykes argues that the promotion of connected music histories has a role to play in post-war reconciliation. The Musical Gift includes a study of how NGOs used music to promote reconciliation in Sri Lanka, and it contains a theorization of the relations between musical gifts and commodities. Eschewing a binary between the gift and identity, Sykes claims the world's music history is largely a story of entanglement between both paradigms. Drawing on fieldwork conducted widely across Sri Lanka over a span of eleven years--including the first study of Sinhala Buddhist drumming in English and the first ethnography of music-making in the former warzones of the north and east--this book brings anthropology's canonic literature on "the gift" into music studies, while drawing on anthropology's recent "ontological turn" and "the new materialism" in religious studies.
The English Musical Renaissance and the Press 1850-1914: Watchmen of Music
Author: Meirion Hughes
Publisher: Routledge
Published: 2017-07-05
Total Pages: 261
ISBN-13: 1351544845
DOWNLOAD EBOOKThe importance of nineteenth-century writing about culture has long been accepted by scholars, yet so far as music criticism is concerned, Victorian England has been an area of scholarly neglect. This state of affairs is all the more surprising given that the quantity of such criticism in the Victorian and Edwardian press was vast, much of it displaying a richness and diversity of critical perspectives. Through the study of music criticism from several key newspapers and journals (specifically The Times, Daily Telegraph, Athenaeum and The Musical Times), this book examines the reception history of new English music in the period surveyed and assesses its cultural, social and political, importance. Music critics projected and promoted English composers to create a national music of which England could be proud. J A Fuller Maitland, critic on The Times, described music journalists as 'watchmen on the walls of music', and Meirion Hughes extends this metaphor to explore their crucial role in building and safeguarding what came to be known as the English Musical Renaissance. Part One of the book looks at the critics in the context of the publications for which they worked, while Part Two focuses on the relationship between the watchmen-critics and three composers: Arthur Sullivan, Hubert Parry and Edward Elgar. Hughes argues that the English Musical Renaissance was ultimately a success thanks largely to the work of the critics. In so doing, he provides a major re-evaluation of the impact of journalism on British music history.
Historic Photos of Broadway
Author: Leonard Jacobs
Publisher: Turner
Published: 2008
Total Pages: 0
ISBN-13: 9781596523623
DOWNLOAD EBOOKThe history of theater in New York is captured in the images of the Billy Rose Theatre Division of the New York Public Library for the Performing Arts. From this valuable archive, author Leonard Jacobs spotlights the evolution of the world's most storied dramatic community. Reaching from the 1850s to the recent past, these images give insight into the passion and character of the theaters, the performers, and the performances that have made Broadway the iconic cultural capital of theater. With hundreds of images, many never before published, Historic Photos of Broadway provides an intriguing look behind the scenes at the Booths and the Barrymores and every subject from the Alvin Theatre to the Ziegfeld Follies, giving those passionate about theater an irreplaceable glimpse into its humble beginnings and rise to greatness over the last two centuries.
Dedicating Music, 1785-1850
Author: Emily Green
Publisher:
Published: 2019
Total Pages: 262
ISBN-13: 1580469493
DOWNLOAD EBOOKWhy dedicate music? What did dedications mean to their readers and writers, especially after 1785, when more works were offered to fellow composers as well as to patrons? Borrowing from book history and sociological theory, Dedicating Music, 1785-1850 is a large-scale study of patterns of dedications. Emily H. Green argues that the kinds of offerings printed in the late eighteenth through mid-nineteenth centuries reflect a changing financial and aesthetic landscape in which patronage was waning and independent artistry surging. Dedications labeled written music as a gift while presenting composers with an opportunity for self-promotion. They also contributed to a new kind of branding of music by communicating composers' friendships and artistic allegiances.. Dedicating Music considers dedications issued in print between 1785 and 1850 in sets of overlapping corpuses: offerings to peers (as in Mozart's string quartets dedicated to Haydn); to patrons (as in Ignaz Pleyel's string quartets for Count Erd dy); to friends (as in Ferdinand Ries's offerings for Beethoven); and dedications issued by publishers (as in Beethoven's song "In questa tomba oscura," included in publisher Tranquillo Mollo's collection offered to Prince Lobkowitz). The result is a synchronic study that highlights the importance of printed packaging, rather than notes on the page, to the complex relationship between composers, publishers, and consumers of music. EMILY H. GREEN is Assistant Professor of Music at George Mason University. The University of Rochester Press gratefully acknowledges generous support from the Claire and Barry Brook Endowment of the American Musicological Society and the AMS 75 PAYS Endowment of the American Musicological Society, both funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation.
Yellowface
Author: Krystyn R. Moon
Publisher: Rutgers University Press
Published: 2005
Total Pages: 244
ISBN-13: 9780813535074
DOWNLOAD EBOOKImagining China: early nineteenth-century writings and musical productions -- Towards exclusion: American popular songs on Chinese immigration, 1850-1882 -- Chinese and Chinese immigrant performers on the American stage, 1830s-1920s -- The sounds of Chinese otherness and American popular music, 1880s-1920s -- From aversion to fascination: new lyrics and voices, 1880s-1920s -- The rise of Chinese and Chinese American vaudevillians, 1900s-1920s
Scotland and the Music Hall, 1850-1914
Author: Paul Maloney
Publisher: Manchester University Press
Published: 2003-09-13
Total Pages: 258
ISBN-13: 9780719061479
DOWNLOAD EBOOKWhile London dominated the wider British music hall in the 19th century, Glasgow, the Second City of the Empire, was the center of a vigorous Scottish performing culture, one developed in a Presbyterian society with a very different experience of industrial urbanization. It drew heavily on older fairground and traditional forms in developing its own brand of this new urban entertainment. The book explores all aspects of the Scottish music hall industry, from the lives and professional culture of performers and impresarios to the place of music hall in Scottish life. It also explores issues of national identity, both in terms of Scottish audiences' responses to the promotion of imperial themes in songs and performing material, and in the version of Scottish identity projected by Lauder and other kilted acts at home and abroad in America, Canada, Australia and throughout the English-speaking world.
Unsung Voices
Author: Carolyn Abbate
Publisher: Princeton University Press
Published: 1996-04-21
Total Pages: 308
ISBN-13: 9780691026084
DOWNLOAD EBOOKThis work looks at the "voices" that speak to us through 19th-century classical music and opera. It proposes interpretive strategies that seek the polyphony and dialogism of music, celebrating musical gestures often marginalized by conventional musical analysis.
