Creative Sources for the Music of Tōru Takemitsu

Creative Sources for the Music of Tōru Takemitsu

Author: Noriko Ohtake

Publisher:

Published: 1993

Total Pages: 144

ISBN-13:

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This dissertation comprises a study of the composer Toru Takemitsu, vis-a-vis his creative sources, for example, those extra-musical influences that inspire his compositions. The work is organized into the following categories: (1) his early years, (2) influences from composers, (3) nature, (4) his theory of dream, number and water, (5) words and music, (6) East and West, and (7) relationships with other artists including performers. The final chapter is devoted to the piano compositions by Takemitsu, including a comparative and idiomatic analysis that incorporates discussion of the specific creative influences on each work. Aspects of Takemitsu's individuality and the manifestations of his beliefs - both musical and philosophical - are discussed to discover his complex aesthetic heritage. As his own words reveal: When I decided to be a compser, I did not even know how to notate on scores. In this regard, no one has taught me. These can be learned through reading theory books. But more importantly, things that have established me as a composer are, though those [theory books] do have a little to do with it, things like a book I read, a friend I got to know, or a picture ...


Confronting Silence

Confronting Silence

Author: Toru Takemitsu

Publisher: Scarecrow Press

Published: 1995-01-01

Total Pages: 180

ISBN-13: 1461664845

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In these writings, available here in English for the first time, the distinguished Japanese composer Toru Takemitsu reflects on his contemporaries, including John Cage, Olivier Messiaen, and Merce Cunningham; on nature, which has profoundly influenced his composition; on film and painting; on relationships between East and West; on traditional Japanese music; and on his own compositions.


Toru Takemitsu

Toru Takemitsu

Author: James Siddons

Publisher: Greenwood

Published: 2001-05-30

Total Pages: 0

ISBN-13: 0313272379

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Though often misunderstood in the West, the works of Toru Takemitsu (1930-1996) deserve attention beyond their native land. Although he wrote most of his music for Western instruments in international contemporary concert style, to be played by performers trained in the European musical tradition, lists and scores of his music have been difficult to obtain. Designed for use by musicians, scholars, and program directors who need compact, understandable information on Takemitsu, but who are unfamiliar with Japanese language and music, this bio-bibliography--including sections on his works, performances, films scores, recordings, and writings--will be invaluable to musicians, scholars, journalists, and music directors alike. The annotations of the entries are especially useful in determining answers to such questions as what instruments are needed to perform a piece, what should be said about a film or composition in a program note, what analysis or interpretation of a work is appropriate or has been done before, and what Takemitsu himself has said or written about each work. Siddon's fully cross-referenced volume offers information on approximately 150 compositions, 100 film scores, 250 audio recordings, and 500 bibliographical items, while the biography places the composer's life in the milieu of post-Pacific War Japan and contemporary music in Japan, Europe, and the United States.


A Memoir of Tōru Takemitsu

A Memoir of Tōru Takemitsu

Author: Asaka Takemitsu

Publisher:

Published: 2010

Total Pages: 0

ISBN-13: 9781450271110

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Toru Takemitsu (1930-1996) was the first Japanese composer to receive international recognition in the field of classical music, and is now widely regarded as one of the greatest composers of the late twentieth century. Largely self-taught, Takemitsu created his own unique sound world one that was not bound by convention. In A Memoir of Toru Takemitsu, his wife of forty-two years reveals a candid, behind-the-scenes glimpse into his fascinating life, his legendary music, and his final days. After rising to prominence in 1957 when Igor Stravinsky praised his Requiem for Strings, Takemitsu became best known in the West for his concert music, but was also a master composer of music for film, television, theater, and radio drama. Through six extensive interviews, Asaka Takemitsu reveals previously unknown information regarding the composer's compositional processes and his private life including the difficult period after the war and the subsequent post-war art movement in Japan, his bond with his friends, love of movies, and daily routine. This inspiring memoir shares an unforgettable story of how a young boy without any musical training or affluence used the power of positive thinking to make his dream of becoming a composer come true.


The Cambridge Companion to Film Music

The Cambridge Companion to Film Music

Author: Mervyn Cooke

Publisher: Cambridge University Press

Published: 2016-12-08

Total Pages: 439

ISBN-13: 1107094518

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A stimulating and unusually wide-ranging collection of essays overviewing ways in which music functions in film soundtracks.