The Music of Africa

The Music of Africa

Author: J. H. Kwabena Nketia

Publisher:

Published: 1974

Total Pages: 292

ISBN-13:

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The study of African music is a study at once of unity and diversity. The range of indigenous musical resources and practices found on this vast continent is as wide and varies as its topography. In this informative and highly readable book, Professor Nketia provides an overview of the musical traditions of Africa with respect to their historical, cultural, and social background, their organization and practice, and delineates the most significant aspects of musical style.


Hip Hop Africa

Hip Hop Africa

Author: Eric Charry

Publisher: Indiana University Press

Published: 2012-10-23

Total Pages: 405

ISBN-13: 0253005825

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Hip Hop Africa explores a new generation of Africans who are not only consumers of global musical currents, but also active and creative participants. Eric Charry and an international group of contributors look carefully at youth culture and the explosion of hip hop in Africa, the embrace of other contemporary genres, including reggae, ragga, and gospel music, and the continued vitality of drumming. Covering Senegal, Mali, Côte d'Ivoire, Ghana, Nigeria, Kenya, Tanzania, Malawi, and South Africa, this volume offers unique perspectives on the presence and development of hip hop and other music in Africa and their place in global music culture.


Sound of Africa!

Sound of Africa!

Author: Louise Meintjes

Publisher: Duke University Press

Published: 2003-02-05

Total Pages: 364

ISBN-13: 9780822330141

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DIVAn ethnography of the recording of Mbaqanga music, that examines its relation to issues of identity, South African politics, and global political economy./div


Composing the Music of Africa

Composing the Music of Africa

Author: Malcolm Floyd

Publisher: Routledge

Published: 2018-12-17

Total Pages: 398

ISBN-13: 0429864299

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First published in 1999, this volume explores the great diversity of music created by African communities is reflected in this book, which discusses the ways in which a wide range of musical forms are composed and performed from Egypt to South Africa and from Ghana to Kenya. As two composers explain here, this diversity provides much inspiration for western contemporary composition. Particular attention is paid to the contexts generate musical creativity. Ceremonies and festivals celebrating birth, death, marriage or rites of passage provide the impetus for much composition and performance, enabling young people to pick up, early on, some of the techniques and styles of which they then become the new exponents. The book also looks at the role played by formal music education programmes and bodies such as the South African Music Rights Organization and the South African Broadcasting Corporation in fostering musical activity, as well as the contribution of composers to the social and political changes that have dominated South African life in recent years.


Music in East Africa

Music in East Africa

Author: Gregory F. Barz

Publisher: Oxford University Press, USA

Published: 2004

Total Pages: 166

ISBN-13:

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Music in East Africa is one of several case-study volumes that can be used along with Thinking Musically, the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world. It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present.


Music in West Africa

Music in West Africa

Author: Ruth M. Stone

Publisher: Oxford University Press, USA

Published: 2005

Total Pages: 134

ISBN-13:

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This book introduces the musical traditions of West Africa and discusses the diversity, motifs, and structure of West African music within the larger patterns of the region's culture.


Africa

Africa

Author: Banning Eyre

Publisher: Alfred Music Publishing

Published: 2002

Total Pages: 52

ISBN-13: 9780739024744

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Banning Eyre, a recognized expert in African guitar music, guides you through a variety of important styles, including congolese, mbira, Malian blues, and juju. Learn about the history of this music, the pioneering musicians that developed each style, and the dominant characteristics and techniques necessary to play this remarkable music. All material is presented in standard notation and TAB. A CD demonstrating examples and compositions in the book makes learning easy and trouble-free for all players.


Africa in Stereo

Africa in Stereo

Author: Tsitsi Ella Jaji

Publisher: Oxford University Press

Published: 2014

Total Pages: 289

ISBN-13: 0199936374

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Stereomodernism and amplifying the Black Atlantic -- Sight reading: early Black South African transcriptions of freedom -- Négritude musicology: poetry, performance and statecraft in Senegal -- What women want: selling hi-fi in consumer magazines and film -- 'Soul to soul': echo-locating histories of slavery and freedom from Ghana -- Pirate's choice: hacking into (post- )pan-African futures -- Epilogue: Singing songs.


Focus

Focus

Author: Carol Ann Muller

Publisher: Taylor & Francis

Published: 2008

Total Pages: 359

ISBN-13: 041596069X

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First Published in 2008. Routledge is an imprint of Taylor & Francis, an informa company.


Theory of African Music, Volume I

Theory of African Music, Volume I

Author: Gerhard Kubik

Publisher: University of Chicago Press

Published: 2010-08-27

Total Pages: 465

ISBN-13: 0226456927

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Taken together, these comprehensive volumes offer an authoritative account of the music of Africa. One of the most prominent experts on the subject, Gerhard Kubik draws on his extensive travels and three decades of study in many parts of the continent to compare and contrast a wealth of musical traditions from a range of cultures. In the first volume, Kubik describes and examines xylophone playing in southern Uganda and harp music from the Central African Republic; compares multi-part singing from across the continent; and explores movement and sound in eastern Angola. And in the second volume, he turns to the cognitive study of African rhythm, Yoruba chantefables, the musical Kachamba family of Malaŵi, and African conceptions of space and time. Each volume features an extensive number of photographs and is accompanied by a compact disc of Kubik’s own recordings. Erudite and exhaustive, Theory of African Music will be an invaluable reference for years to come.