Daily Planet reporters Clark Kent and Lois Lane are covering the opening of the new Metropolis Museum when, suddenly, a gigantic skeleton of a blue whale comes to life.
Come in--if you dare--and meet the werewolf, Count Dracula, the mummy, and some of their slimy, screaming, slithering friends. They're just dying to show you a good time!
DAILY PLANET reporters CLARK KENT and LOIS LANE are covering the opening of the new METROPOLIS MUSEUM when, suddenly, a gigantic skeleton of a blue whale comes to life. With lightning-speed, SUPERMAN catches the colossal creature, but the magical mischief is far from over. The impish MR. MXYZPTLK has returned from the Fifth Dimension with dozens of troublesome tricks. Even the MAN OF STEEL is helpless against the power of magic!
Rich with archival detail and compelling characters, Life on Display uses the history of biological exhibitions to analyze museums’ shifting roles in twentieth-century American science and society. Karen A. Rader and Victoria E. M. Cain chronicle profound changes in these exhibitions—and the institutions that housed them—between 1910 and 1990, ultimately offering new perspectives on the history of museums, science, and science education. Rader and Cain explain why science and natural history museums began to welcome new audiences between the 1900s and the 1920s and chronicle the turmoil that resulted from the introduction of new kinds of biological displays. They describe how these displays of life changed dramatically once again in the 1930s and 1940s, as museums negotiated changing, often conflicting interests of scientists, educators, and visitors. The authors then reveal how museum staffs, facing intense public and scientific scrutiny, experimented with wildly different definitions of life science and life science education from the 1950s through the 1980s. The book concludes with a discussion of the influence that corporate sponsorship and blockbuster economics wielded over science and natural history museums in the century’s last decades. A vivid, entertaining study of the ways science and natural history museums shaped and were shaped by understandings of science and public education in the twentieth-century United States, Life on Display will appeal to historians, sociologists, and ethnographers of American science and culture, as well as museum practitioners and general readers.
Dragons, unicorns, mermaids ... all the famous creatures of myth and legend are to be found in the Torah, Talmud and Midrash. But what are we to make of them? Do they really exist? Did the Torah scholars of old believe in their existence? And if not, why did they describe these creatures? Sacred Monsters is a thoroughly revised and vastly expanded edition of the bestselling book Mysterious Creatures. Rabbi Natan Slifkin, the famous "Zoo Rabbi," revisits all the creatures of that work as well as a host of new ones, including werewolves, giants, dwarfs, two-headed mutants, and the enigmatic shamir-worm. Sacred Monsters explores these cases in detail and discusses a range of different approaches for understanding them. Aside from the fascinating insights into these cryptic creatures, Sacred Monsters also presents a framework within which to approach any conflict between classical Jewish texts and the modern scientific worldview. Complete with extraordinary photographs and fascinating ancient illustrations, Sacred Monsters is a scholarly yet stimulating work that will be a treasured addition to your bookshelf
The perfect companion piece to an enthralling new exhibition on the visionary work and fervent imagination of director Guillermo del Toro. In 2016, a new exhibit on the work of visionary director Guillermo del Toro will begin at the Los Angeles County Museum of Art (LACMA), before moving on to the Art Gallery of Ontario (AGO) and the Minneapolis Museum of Art (MIA). This book will be the perfect accompaniment to the exhibition, which focuses on del Toro’s creative process, including the well-defined themes that he obsessively returns to in all his films, the journals in which he logs his ideas, and the vast and inspiring collection of art and pop culture ephemera that he has amassed at his private “man cave,” Bleak House. Filled with imagery from the exhibit, including favorite pieces of art that del Toro has chosen for the exhibit, and pertinent journal pages, the book will further delve further into the director’s world through exclusive in-depth interviews and commentary from notable figures in the art world. Forming a perfect companion to the exhibition, this book will deliver an engrossing look into the mind of one of the great creative visionaries of our time.
This horror story has a man unable to distinguish between what is real and not real in a museum and finding out in a very horrific way. Stephen King said "H. P. Lovecraft has yet to be surpassed as the twentieth century's greatest practitioner of the classic horror tale."
One night, when Ethan reaches under his bed for a toy truck, he finds this note instead: "Monsters! Meet here for final test." Ethan is sure his parents are trying to trick him into staying under the covers, until he sees five colorful sets of eyes blinking at him from beneath the bed. Soon, a colorful parade of quirky, squeaky little monsters compete to become Ethan's monster. But only the little green monster, Gabe, has the perfect blend of stomach-rumbling and snorting needed to get Ethan into bed and keep him there so he falls asleep—which as everyone knows, is the real reason for monsters under beds. With its perfect balance of giggles and shivers, this silly-spooky prequel to the award-winning I Need My Monster and Hey, That's MY Monster! will keep young readers entertained.