Characters

Characters

Author: Sir Thomas Overbury

Publisher: Editorial Edinumen

Published: 2003

Total Pages: 408

ISBN-13: 9781895537659

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A collection of Theophrastan characters and news games and a poem about wives.


Unnatural Murder

Unnatural Murder

Author: Anne Somerset

Publisher: George Weidenfeld & Nicholson

Published: 1997-01-01

Total Pages: 434

ISBN-13: 9780297813101

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In the autumn of 1615 the Earl and Countess of Somerset were detained on suspicion of having murdered Sir Thomas Overbury. The arrest of these leading court figures created a sensation. The Countess was both young and beautiful: the Earl was one of the richest and most powerful men in the kingdom, having risen to prominence as the male 'favourite' of the monarch James I. In a vivid narrative, Anne Somerset unravels these extraordinary events, which were widely regarded as an extreme manifestation of the corruption and vice which disfigured the court during this period. It is at once a story rich in passion and intrigue and a murder mystery, for, despite the guilty verdicts, there is much about Overbury's death that remains enigmatic. The Overbury murder case profoundly damaged the monarchy, and constituted the greatest court scandal in English history.


The Elements of Murder

The Elements of Murder

Author: John Emsley

Publisher: Oxford University Press, USA

Published: 2006-07-13

Total Pages: 433

ISBN-13: 0192806009

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This book is about elements that kill. Mercury, arsenic, antimony, lead, and thallium can be lethal, as many a poisoner knew too well. Emsley explores the gruesome history of these elements and those who have succumbed to them in a fascinating narrative that weaves together stories of true crime, enduring historical mysteries, tragic accidents, and the science behind it all. The colourful cast includes ancient alchemists, kings, leaders, a pope, several great musicians, and amotley crew of murderers. Among the intriguing accounts is that of the 17th century poet Sir Thomas Overbury, who survived four attempts to poison him with mercury but died when given the poison in enema form - under whose direction remains uncertain. Here, too, is detailed the celebrated case of FlorenceMaybrick, convicted of poisoning her violent husband James with arsenic, but widely believed at the time to be innocent. The question of her guilt is still disputed.Threaded through the book alongside the history is the growing understanding of chemistry, and the effects of different chemical substances on the human body. Thousands suffered the ill effects of poisonous vapours from mercury, lead, and arsenic before the dangers were realized. Hatters went mad because of mercury poisoning, and hundreds of young girls working in factories manufacturing wallpaper in the 19th century were poisoned by the arsenic-based green pigments used for the leaves of thepopular floral designs. Even in the middle of the 20th century, accidental mercury poisoning caused many deaths in Minamata Bay, while leaded petrol poisoned the whole planet, and arsenic still continues to poison millions is Asia.Through vividly told stories of innocent blunders, industrial accidents, poisoners of various hues - cold, cunning, desperate - and deaths that remain a mystery, Emsley here uncovers the dark side of the Periodic Table.


Poison's Dark Works in Renaissance England

Poison's Dark Works in Renaissance England

Author: Miranda Wilson

Publisher: Bucknell University Press

Published: 2013-12-24

Total Pages: 259

ISBN-13: 1611485398

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Poison's Dark Works in Renaissance England considers the ways sixteenth- and seventeenth-century fears of poisoning prompt new models for understanding the world even as the fictive qualities of poisoning frustrate attempts at certainty. Whether English writers invoke literal poisons, as they do in so many revenge dramas, homicide cases, and medical documents, or whether poisoning appears more metaphorically, as it does in a host of theological, legal, philosophical, popular, and literary works, this particular, “invisible” weapon easily comes to embody the darkest elements of a more general English appetite for imagining the hidden correlations between the seen and the unseen. This book is an inherently interdisciplinary project. This book works from the premise that accounts of poisons and their operations in Renaissance texts are neither incidental nor purely sensational; rather, they do moral, political, and religious work which can best be assessed when we consider poisoning as part of the texture of Renaissance culture. Placing little known or less-studied texts (medical reports, legal accounts, or anonymous pamphlets) alongside those most familiar to scholars and the larger public (such as poetry by Edmund Spenser and plays by William Shakespeare and Thomas Middleton) allows us to appreciate the almost gravitational pull exerted by the notion of poison in the Renaissance. Considering a variety of texts, written for disparate audiences, and with diverse purposes, makes apparent the ways this crime functions as both a local problem to be solved and as an apt metaphor for the complications of epistemology.


The Murder of Sir Thomas Overbury

The Murder of Sir Thomas Overbury

Author: William McElwee

Publisher:

Published: 1952

Total Pages: 302

ISBN-13:

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An attempt to tell as nearly as possible how the events took place. There is contemporary evidence for every fact and all the dialogue quoted.


The Invisible Exchange

The Invisible Exchange

Author: Brian Woolland

Publisher: Troubador Publishing Ltd

Published: 2022-07-28

Total Pages: 416

ISBN-13: 1803139080

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Matthew Edgworth is a man on the margins, a trickster on the inside and the outside of society. But this hardened rogue is shaken by his encounters with the occult and challenged by his dealings with four powerful women, each of whom in very different ways forces him into a journey of radical self-discovery.


The Trials of Frances Howard

The Trials of Frances Howard

Author: David Lindley

Publisher: Psychology Press

Published: 1993

Total Pages: 227

ISBN-13: 9780415052061

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David Lindley re-examines the murder trials of Frances Howard and the historical representations of her as `wife, a witch, a murderess and a whore', challenging the assumptions that have constructed her as a model of female villainy.