With Tolstoyan sweep and Dickensian vitality, this epically involving historical novel relates England’s tragic adventure in Afghanistan, which began with the triumphant arrival of the Army of the Indus in 1839 and ended three years later in rout and massacre. At the center of The Mulberry Empire is Alexander Burnes, a Scots explorer who travels to the unfathomably remote kingdom of Afghanistan and first befriends and then reluctantly betrays its wise and impeccably courteous Amir. But he is only one character in a cast that includes ladies and generals, princes and deserters, all brilliantly and sympathetically realized. At once stirring and harrowing, exotic and cautionary, and as vividly colored as a Persian miniature, the result is a tour de force of re-creation and invention.
With Tolstoyan sweep and Dickensian vitality, this epically involving historical novel relates England’s tragic adventure in Afghanistan, which began with the triumphant arrival of the Army of the Indus in 1839 and ended three years later in rout and massacre. At the center of The Mulberry Empire is Alexander Burnes, a Scots explorer who travels to the unfathomably remote kingdom of Afghanistan and first befriends and then reluctantly betrays its wise and impeccably courteous Amir. But he is only one character in a cast that includes ladies and generals, princes and deserters, all brilliantly and sympathetically realized. At once stirring and harrowing, exotic and cautionary, and as vividly colored as a Persian miniature, the result is a tour de force of re-creation and invention.
In 1974, the Sellers family is transplanted from London to Sheffield in northern England. On the day they move in, the Glover household across the street is in upheaval: convinced that his wife is having an affair, Malcolm Glover has suddenly disappeared. The reverberations of this rupture will echo through the years to come as the connection between the families deepens. But it will be the particular crises of ten-year-old Tim Glover—set off by two seemingly inconsequential but ultimately indelible acts of cruelty—that will erupt, full-blown, two decades later in a shocking conclusion. Expansive and deeply felt, The Northern Clemency shows Philip Hensher to be one of our most masterly chroniclers of modern life, and a storyteller of virtuosic gifts.
A collection of stories features a pair of centuries-old vampires whose relationship is tested by a sudden fear of flying, a dejected teen who communicates with the universe, and a massage therapist who heals a tattooed veteran by manipulating the imageson his body.
A novel of international espionage and personal vengeance from the author Lee Child called “better than John Le Carré.” Many years ago, a young American spy crossed the wrong people and found himself on the wrong side of Headquarters. He soon fell into a slow, shameful decline of poverty and self-destruction. But Headquarters didn’t count on him having a son. Now, years later, the boy is an American spy himself, serving two masters: Headquarters and his own insatiable need for revenge. Sent to Argentina to infiltrate a revolutionary group with deep ties to Russia, the young man finds himself dangerously drawn to his target’s daughter. Yet, despite the passion between them, he refuses to lose sight of his ultimate goal: destroying the institution that ruined his father all those years ago. “Set in a post–9/11 world, [but] satisfyingly steeped in undercover tales of a particular vintage” (The Washington Post), Mulberry Bush is an intricate and sexy espionage thriller from one of the most acclaimed writers in the game. “McCarry spins his riveting story in unexpected ways; the writing is always subdued but brilliant, leading unsuspecting readers to collide straight into the unforgiving wall of a stunning ending.” —Publishers Weekly, starred review
A sweeping, richly detailed history that tells the fascinating story of how paper—the simple Chinese invention of two thousand years ago—wrapped itself around our world, humankind’s most momentous ideas imprinted on its surface. The emergence of paper in the imperial court of Han China brought about a revolution in the transmission of knowledge and ideas, allowing religions, philosophies and propaganda to spread with ever greater ease. The first writing surface sufficiently cheap, portable and printable for books, pamphlets and journals to be mass-produced and distributed widely, paper opened the way for an unprecedented, ongoing dialogue between individuals and between communities across continents, oceans and time. The Paper Trail explores how the new substance was used to solidify social and political systems that influenced China even into our own time. We see how paper made possible the spread of the then new religions of Buddhism and Manichaeism into Japan, Korea and Vietnam . . . how it enabled theologians, scientists and artists to build the vast and signally intellectual empire of the Abbasid Caliphate and embed the Koran in popular culture . . . how paper was carried along the Silk Road by merchants and missionaries, finally reaching Europe in the late thirteenth century . . . and how, once established in Europe, along with the printing press, paper played an essential role in the three great foundations of Western modernity: the Renaissance, the Reformation and the Scientific Revolution. Here is a dramatic, comprehensively researched, vividly written story populated by holy men and scholars, warriors and poets, rulers and ordinary men and women—an essential story brilliantly told in this luminous work of history.
Available in paperback for the first time, this first book-length study explores the history of postwar England during the end of empire through a reading of novels which appeared at the time, moving from George Orwell and William Golding to Penelope Lively, Alan Hollinghurst and Ian McEwan. Particular genres are also discussed, including the family saga, travel writing, detective fiction and popular romances. All included reflect on the predicament of an England which no longer lies at the centre of imperial power, arriving at a fascinating diversity of conclusions about the meaning and consequences of the end of empire and the privileged location of the novel for discussing what decolonization meant for the domestic English population of the metropole. The book is written in an easy style, unburdened by large sections of abstract reflection. It endeavours to bring alive in a new way the traditions of the English novel.
