In 1898, on their way to the home of their aunt and uncle in Canada, spirit hunters Buck and Agate are called upon to face the Mosquito King, his growing army of vampire mosquitos, and their old nemesis, Coyote.
In 1898, on their way to the home of their aunt and uncle in Canada, spirit hunters Buck and Agate are called upon to face the Mosquito King, his growing army of vampire mosquitos, and their old nemesis, Coyote.
**The instant New York Times bestseller.** *An international bestseller.* Finalist for the Lane Anderson Award Finalist for the RBC Taylor Award “Hugely impressive, a major work.”—NPR A pioneering and groundbreaking work of narrative nonfiction that offers a dramatic new perspective on the history of humankind, showing how through millennia, the mosquito has been the single most powerful force in determining humanity’s fate Why was gin and tonic the cocktail of choice for British colonists in India and Africa? What does Starbucks have to thank for its global domination? What has protected the lives of popes for millennia? Why did Scotland surrender its sovereignty to England? What was George Washington's secret weapon during the American Revolution? The answer to all these questions, and many more, is the mosquito. Across our planet since the dawn of humankind, this nefarious pest, roughly the size and weight of a grape seed, has been at the frontlines of history as the grim reaper, the harvester of human populations, and the ultimate agent of historical change. As the mosquito transformed the landscapes of civilization, humans were unwittingly required to respond to its piercing impact and universal projection of power. The mosquito has determined the fates of empires and nations, razed and crippled economies, and decided the outcome of pivotal wars, killing nearly half of humanity along the way. She (only females bite) has dispatched an estimated 52 billion people from a total of 108 billion throughout our relatively brief existence. As the greatest purveyor of extermination we have ever known, she has played a greater role in shaping our human story than any other living thing with which we share our global village. Imagine for a moment a world without deadly mosquitoes, or any mosquitoes, for that matter? Our history and the world we know, or think we know, would be completely unrecognizable. Driven by surprising insights and fast-paced storytelling, The Mosquito is the extraordinary untold story of the mosquito’s reign through human history and her indelible impact on our modern world order.
"In this Caldecott Medal winner, Mosquito tells a story that causes a jungle disaster. "Elegance has become the Dillons' hallmark. . . . Matching the art is Aardema's uniquely onomatopoeic text . . . An impressive showpiece." -Booklist, starred review. Winner of Caldecott Medal in 1976 and the Brooklyn Art Books for Children Award in 1977.
In 1898, on their way to the home of their aunt and uncle in Canada, spirit hunters Buck and Agate are called upon to face the Mosquito King, his growing army of vampire mosquitos, and their old nemesis, Coyote.
Accompanied by quirky line drawings by Spanish illustrator Erica Salcedo, this is a gently humorous and remarkably informative nature-adventure story about an unlikely pointy-nosed hero with big dreams and an even bigger heart. After he nearly drowns in a parking-lot puddle, Dinnn Needles is fearful of many things, including flying. When his four hundred siblings swarm off without him, he finds time to dream —about family stories, a lost brother, adventure in The Wild and, above all, how to be cool. At school in an abandoned air-conditioner, Dinnn learns about the deadly Pondhawk dragonfly and other dangers that lie beyond his home under a drive-in theater screen. But Dinnn never really takes to city life. Lonely and left out, he is filled with an unexplained longing. He sips spilled cola from abandoned pop cans, but it is not as tasty as flower nectar. He tries to make friends with the local street mosquitoes, but that just lands him in a sewer filled with spiders and water snakes. He hears about the red mini-van that brought his parents together and wonders about his extended family in the country. He even finds a great black jacket in a roadside ditch, but it doesn’t make him cool. And then one day, as fate would have it, the red mini-van reappears, giving Dinnn a chance to visit to his relatives in The Wild, where new perils await an inexperienced city mosquito — being struck by a raindrop, zapped by a porch light or snapped up by a hungry fish at dusk. But in the end Dinnn discovers that being cool is a matter of what you do, especially for one’s friends and family, including two new brothers. Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.3.3 Describe characters in a story (e.g., their traits, motivations, or feelings) and explain how their actions contribute to the sequence of events
From the highly acclaimed author of Corregidora and The Healing—a rare and unforgettable journey set along the US–Mexico border about identity, immigration, and “the new underground railroad.” “Jones’s great achievement is to reckon with both history and interiority, and to collapse the boundary between them.”—Anna Wiener, The New Yorker First discovered and edited by Toni Morrison, Gayl Jones has been described as one of the great literary writers of the 20th century. In Mosquito, she examines the US–Mexico border crisis through the eyes of Sojourner Nadine Jane Johnson, an African American truck driver known as Mosquito. Her journey beings after discovering a stowaway who nearly gives birth in the back of her truck, sparking her accidental and yet growing involvement in “the new underground railroad,” a sanctuary movement for Mexican immigrants. As Mosquito’s understanding of the immigrants’s need to forge new lives and identities deepens, so too does Mosquito’s romance with Ray, a gentle revolutionary, philosopher, and, perhaps, a priest. Along the road, Mosquito introduces us to Delgadina, a Chicana bartender who fries cactus, writes haunting stories, and studies to become a detective; Monkey Bread, a childhood pal who is, improbably, assistant to a blonde star in Hollywood; Maria, the stowaway who names her baby Journal, a misspelled tribute to her unwitting benefactor Sojourner; and many more.
This book explores the links among ecology, disease, and international politics in the context of the Greater Caribbean - the landscapes lying between Surinam and the Chesapeake - in the seventeenth through early twentieth centuries. Ecological changes made these landscapes especially suitable for the vector mosquitoes of yellow fever and malaria, and these diseases wrought systematic havoc among armies and would-be settlers. Because yellow fever confers immunity on survivors of the disease, and because malaria confers resistance, these diseases played partisan roles in the struggles for empire and revolution, attacking some populations more severely than others. In particular, yellow fever and malaria attacked newcomers to the region, which helped keep the Spanish Empire Spanish in the face of predatory rivals in the seventeenth and early eighteenth centuries. In the late eighteenth and through the nineteenth century, these diseases helped revolutions to succeed by decimating forces sent out from Europe to prevent them.