John W. Campbell was the man who made modern science fiction what it is today. As editor of Astounding Stories (later Analog), Campbell brought into the field such all-time greats as Asimov, Heinlein, Sturgeon and many others, while his own writing blazed new trails in science fiction reading pleasure. The Moon is Hell is this great writer-editor's vision of the first men on the moon - written 18 years before Neil Armstrong made history. This is the story of the American space programme - not as it happened, but as it might have been.
“A planet-stomping space opera that bursts off the page like a tactical nuke.”—John Birmingham, author of Weapons of Choice The Hammer Worlds—the most brutal and oppressive interstellar government in the universe—have hijacked the Federated Worlds cruise ship Mumtaz, seizing its valuable terraforming cargo and damning its passengers to mining the moons of the prison planet known as Hell. For Junior Lieutenant Michael Helfort and the crew aboard deep space scout vessel 387, the mission is clear: infiltrate enemy territory, locate the Mumtaz, and rescue the prisoners. The odds are appalling, and the damage will probably be fatal, but victory is nonnegotiable–especially for Helfort, whose mother and sister were on the Mumtaz. And Michael Helfort will be damned if he’ll let his family rot on the moons of Hell.
FROZEN HELL is the original version of John W. Campbell's classic novella, Who Goes There? (filmed as The Thing). Recently discovered among Campbell's papers, this version adds another 45 pages to the story. Includes a Preface by Alec Nevala-Lee and an Introduction by Robert Silverberg.
In this eagerly awaited addition to the dystopian series begun with New York Times best-seller Life As We Knew It, Jon Evans is one of the lucky ones--until he realizes that escaping his safe haven may be the only way to truly survive.
In the middle of the journey of our life Dante finds himself lost in a dark wood but then he founds a whole lot of literary movements and arguably modernity itself with his Divine Comedy that, nonetheless, inexplicably, didn't make God laugh. This serious absence caused God's non-divine counterparts, humans, to wonder: "Why are we in hell?" "Why is it so funny?" "And why can't I laugh?"
C.E. Pullen's father, was Charles Eugene (Gene) Pullen, Sr., a sculptor whose works are on display at Pebble Hill Plantation in Thomasville, Georgia and The Little White House in Warm Springs. His mother, Lula Moncrief Reichert, a gifted musician, played the piano, guitar, banjo, and mandolin. Inheriting the talents of both parents, each encouraged the development of C.E.'s abilities. Some of his early years were spent in a community on the Georgia-Florida state line, known as "Hell's Half Acre." As a teenager, he lost his right eye to a failed prank. The accident left him unable to complete high school or enter the service in World War II. C.E. joined the Civil Service instead and entered a tool and die-maker apprenticeship at the Naval Air Station in Pensacola, Florida. Pullen never regarded himself as handicapped by the loss of his eye. In the 50s and 60s, he worked for Perkin Elmer Corporation. Named the company's number one Senior Model Maker, Pullen was the builder for projects in collaboration with MIT and NASA. Such specialized projects included a spectrometer launched in space for stellar analysis and prototypes for lunar LASER retroreflectors used for measuring distance precisely. Apollo astronauts permanently positioned the equipment on the Moon's surface to refine the scientific measurement from earth to the surface to an accuracy of +/- 3 inches.His musical career began as a child regularly playing banjo on the radio. Pullen's musical abilities allowed him to perform with many of the Grand Ole Opry greats. He became friends with numerous professional musicians, and for some was their preferred choice when repairs were required on their instruments. Pullen designed and built his one-of-a-kind banjo. He was a featured Georgian in Oglethorpe's Dream, published by the Georgia Department of Industry, Trade, and Tourism in 2001. The Georgia Country Music Hall of Fame inducted C.E. Pullen in 2017.
Vast legions of gods, mages, humans, dragons and all manner of creatures play out the fate of the Malazan Empire in this first book in a major epic fantasy series from Steven Erikson. The Malazan Empire simmers with discontent, bled dry by interminable warfare, bitter infighting and bloody confrontations with the formidable Anomander Rake and his Tiste Andii, ancient and implacable sorcerers. Even the imperial legions, long inured to the bloodshed, yearn for some respite. Yet Empress Laseen's rule remains absolute, enforced by her dread Claw assassins. For Sergeant Whiskeyjack and his squad of Bridgeburners, and for Tattersail, surviving cadre mage of the Second Legion, the aftermath of the siege of Pale should have been a time to mourn the many dead. But Darujhistan, last of the Free Cities of Genabackis, yet holds out. It is to this ancient citadel that Laseen turns her predatory gaze. However, it would appear that the Empire is not alone in this great game. Sinister, shadowbound forces are gathering as the gods themselves prepare to play their hand... Conceived and written on a panoramic scale, Gardens of the Moon is epic fantasy of the highest order--an enthralling adventure by an outstanding new voice. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Hugo and Locus Award Finalist An Economist Best Book of the Year A Milwaukee Journal Sentinel Best Book of 2018 “An amazing and engrossing history...Insightful, entertaining, and compulsively readable.” — George R. R. Martin Astounding is the landmark account of the extraordinary partnership between four controversial writers—John W. Campbell, Isaac Asimov, Robert A. Heinlein, and L. Ron Hubbard—who set off a revolution in science fiction and forever changed our world. This remarkable cultural narrative centers on the figure of John W. Campbell, Jr., whom Asimov called “the most powerful force in science fiction ever.” Campbell, who has never been the subject of a biography until now, was both a visionary author—he wrote the story that was later filmed as The Thing—and the editor of the groundbreaking magazine best known as Astounding Science Fiction, in which he discovered countless legendary writers and published classic works ranging from the I, Robot series to Dune. Over a period of more than thirty years, from the rise of the pulps to the debut of Star Trek, he dominated the genre, and his three closest collaborators reached unimaginable heights. Asimov became the most prolific author in American history; Heinlein emerged as the leading science fiction writer of his generation with the novels Starship Troopers and Stranger in a Strange Land; and Hubbard achieved lasting fame—and infamy—as the founder of the Church of Scientology. Drawing on unexplored archives, thousands of unpublished letters, and dozens of interviews, Alec Nevala-Lee offers a riveting portrait of this circle of authors, their work, and their tumultuous private lives. With unprecedented scope, drama, and detail, Astounding describes how fan culture was born in the depths of the Great Depression; follows these four friends and rivals through World War II and the dawn of the atomic era; and honors such exceptional women as Doña Campbell and Leslyn Heinlein, whose pivotal roles in the history of the genre have gone largely unacknowledged. For the first time, it reveals the startling extent of Campbell’s influence on the ideas that evolved into Scientology, which prompted Asimov to observe: “I knew Campbell and I knew Hubbard, and no movement can have two Messiahs.” It looks unsparingly at the tragic final act that estranged the others from Campbell, bringing the golden age of science fiction to a close, and it illuminates how their complicated legacy continues to shape the imaginations of millions and our vision of the future itself. "Enthralling…A clarion call to enlarge American literary history.” — Washington Post “Engrossing, well-researched… This sure-footed history addresses important issues, such as the lack of racial diversity and gender parity for much of the genre’s history.” — Wall Street Journal “A gift to science fiction fans everywhere.” — Sylvia Nasar, New York Times bestselling author of A Beautiful Mind
