While visiting the art museum, Katie has an adventure stepping in and out of five paintings by van Gogh, Gauguin, and Cezanne. Includes information about postimpressionism and the particular paintings and artists in the story.
A light-hearted interactive guide to comics and cartoon-making that uses an activity book format and creatively stimulating prompts to teach the fundamentals of cartooning in a fun and easy-to-follow fashion. From a working cartoonist and comic book making instructor, this all-ages activity book uses humorous and informative one-page comics and exercise prompts to guide young readers (and readers who are young at heart) through easy-to-master lessons on the skills needed to make comics. The activities cover a range of essential comics-making tasks from creating expressions for characters to filling in blank panels to creating original characters and placing them in adventures of their own. Each exercise can stand on its own or work together with others in the book to stimulate creativity via the comics medium. In the end, readers who complete the activities inside the book itself will have created several comics of their own, and will have generated many ideas for more sequential art creations. Praise for Let’s Make Comics! “At once playful and complex, this book is a perfect introduction to cartooning, as well as a lovely (and lovingly crafted) tribute to the comics form and a timely reminder that artmaking can be fun.”—Roman Muradov, creator of Vanishing Act and On Doing Nothing “Let’s Make Comics is a book I wish I had when I was 9, but 29 works too! It’s so fun and brilliant and packed with oodles of awesome activities. Great book for learning to make comics or for a seasoned cartoonist to find some new inspiration.”—Ben Clanton, creator of the Narwhal and Jelly books “It’s fantastic! This book will make you a better writer and a better artist and show you how to think like a comic star.”—Charise Harper, creator of the Fashion Kitty and Crafty Cat books “Warning! This book will make you make comics, and it will be fun!”—Greg Pizzoli, creator of The Watermelon Seed, Number One Sam, and The Book Hog “If only we'd had this book! Our comics would be much better.”—Elizabeth Pich and Jonathan Kunz, creators of War and Peas
The famous painting, Mona Lisa, describes how she was painted by Leonardo da Vinci, taken to France, hung in the Louvre Museum, was stolen and then recovered. Suggested level: junior, primary.
'Love does not need any comforting. It does not even need requiting. All it needs is itself.' Florence, 1502. Marshal Louis de La Trémouille's small army has stopped off en route to Naples, to buy objects d'art for King Louis XII of France. Naturally, Leonardo da Vinci's workshop is on the shopping list; and during their visit to his house, the young nobleman de Bougainville chances upon the not-quite-finished Mona Lisa. He promptly, utterly and hopelessly falls in love with the woman in the painting, and is determined to find her - despite rumours that she has long ago died. A visit to an empty tomb, assault upon an Italian nobleman's mansion, duel and execution later, the secret of la Gioconda's smile is (possibly) revealed. An entertaining story, told with style - about love, life, art, and the Quixotic things that a man will do to realise his dream.
William Gibson, author of the extraordinary multiaward-winning novel Neuromancer, has written his most brilliant and thrilling work to date . . .The Mona Lisa Overdrive. Enter Gibson's unique world—lyric and mechanical, sensual and violent, sobering and exciting—where multinational corporations and high tech outlaws vie for power, traveling into the computer-generated universe known as cyberspace. Into this world comes Mona, a young girl with a murky past and an uncertain future whose life is on a collision course with internationally famous Sense/Net star Angie Mitchell. Since childhood, Angie has been able to tap into cyberspace without a computer. Now, from inside cyberspace, a kidnapping plot is masterminded by a phantom entity who has plans for Mona, Angie, and all humanity, plans that cannot be controlled . . . or even known. And behind the intrigue lurks the shadowy Yazuka, the powerful Japanese underworld, whose leaders ruthlessly manipulate people and events to suit their own purposes . . . or so they think.
An oil painting demonstration on portrait painting with sfumato like the old masters. This in depth painting demonstration explores a tailored approach in achieving sfumato effects when painting Leonardo da Vinci’s the Mona Lisa in oils. Taken from my other book, Skin Tones in Oil: 10 Step by Step Guides from Old Masters, this painting project has proved to be sufficiently lengthy to warrant a book in its own right. The chief section of this book comprises step by step images with accompanying text that gives full instructions on how the Mona Lisa was completed via 5 stages. Find also extra features, such as managing tonal balances, attaining soft shadowy effects, working in glazes, dry brushing, troubleshooting and making the most of simple art materials. Learn how such a momentous project can be broken down into manageable pieces. Painting the Mona Lisa with sfumato could prove an invaluable experience for any portraitist. Note: this book does not explain the painting processes of the Renaissance period such as grinding pigments or the old masters’ method of underpainting. Such practices may exclude artists who do not have the room or the resources to prepare in such a way. This book’s aim is to make painting the Mona Lisa more inclusive. This means getting on with the painting with minimal fuss. Contemporary art materials and modified art techniques have therefore been used. However, this book offers a way of achieving great sfumato effects in the style of Leonardo. Preparatory sections, a troubleshooting guide and glossary are included. Book’s dimensions: 10x8in and 48 pages.
The book rests on the premise that the woman in the painting "Mona Lisa" is indeed the person identified in its earliest description: Lisa Gherardini (1479-1542), wife of the Florence merchant Francesco del Giocondo. Dianne Hales has followed facts from the Florence State Archives, to the squalid street where Mona Lisa was born, to the ruins of the convent where she died
What has made the Mona Lisa the most famous picture in the world? Why is it that, of all the 6,000 paintings in the Louvre, it is the only one to be exhibited in a special box, set in concrete and protected by two sheets of bulletproof glass? Why do thousands of visitors throng to see it every day, ignoring the masterpieces which surround it?
Invites young readers to touch Baroque and Renaissance paintings, including Da Vinci's "Mona Lisa," Botticelli's "Birth of Venus," and Vermeer's "Girl with a Pearl Earring." On board pages.
Volume 1 focuses on the evolution of Central Europe from the Precambrian to the Permian, a dynamic period which traces the formation of Central Europe from a series of microcontinents that separated from Gondwana through to the creation of Pangaea. Separate summary chapters on the Cadomian, Caledonian and Variscan orogenic events as well as on Palaeozoic magmatism provide an overview of the tectonic and magmatic evolution of the region. These descriptions sometimes extend beyond the borders of Central Europe to take in the Scottish and Irish Caledonides as well as the Palaeozoic successions in the Baltic region.