Samuel Herbert Dougal was intelligent, talented, and the recipient of a military medal. Outwardly, he seemed to embody all that Victorian England valued most. But he was also a career criminal whose appetite for sex and money propelled him through scandal after scandal; through the courts, prisons and asylums; and from woman to vulnerable woman. In 1903, the unexplained disappearance of Dougal's latest inamorata, a wealthy spinster named Miss Holland, began to excite public speculation. A tireless hunt for the missing lady commenced, but, having been arrested on a sample charge of forgery, Dougal simply decided to wait it out. Meanwhile, on the outside, his real wife, Sarah, who had been the beneficiary of Dougal's schemes over the course of a decade, had her own plans to escape official scrutiny. Would Miss Holland's whereabouts be discovered? And who, if anyone, would be held to account for her disappearance?
Known across the UK as ‘The Moat Farm Murder,’ ‘The Secret of Moat Farm’ sees Wallace as his investigative-journalist best. At the age of 28, the author was sent to cover the developments in this true-crime story. In 1903, Camille Holland and Samuel Dougal apparently went on a shopping trip. However, suspicions arose when Dougal returned alone, saying that Camille had caught a train to London. Wallace offers insights into the criminal mind, alongside all the facts that made this one of the most gripping and tragic stories of its time. A must for fans of true-crime such as Netflix's ́Night Stalker: The Hunt For a Serial Killer ́, and those who want an introduction to Wallace’s work. Born in London, Edgar Wallace (1875 – 1932) was an English writer so prolific that his publisher claimed that he was responsible for a quarter of all books sold in England. Leaving school at the age of 12, Wallace made his first steps into the literary world by selling newspapers on the corner of Fleet Street. He worked as a war correspondent after joining the army at age 21, which honed his writing abilities. This led to the creation of his first book ‘The Four Just Men.’ Wallace is best remembered as the co-creator of ‘King Kong,’ which has been adapted for film 12 times (most notably directed by ‘Lord of the Rings’ director, Peter Jackson, and starring Jack Black and Naomi Watts). However, he leaves behind an extensive body of work, including stories such as ‘The Crimson Circle’ and ‘The Flying Squad’.
Samuel Herbert Dougal had a successful military career lasting over 20 years in the Royal Engineers, where he rose to the rank of Quartermaster-Sergeant. But he was also a forger, embezzler, thief, arsonist, serial womaniser and murderer. After leaving the army he preyed on well-off older women and one of them – Camille Cecile Holland – would become the central figure and victim of the Moat Farm Murder. In 1899, Dougal persuaded her to purchase Coldhams Farm, an isolated property at Clavering, Essex, which they renamed “The Moat Farm” and which she supposed was to be their love-nest. Instead, she disappeared shortly after they moved in, with Dougal reporting that she had gone travelling on a sudden whim. He also installed his real wife Sarah at the Moat Farm; she was his third wife and it is likely that he poisoned both the others while serving in Canada. He then began to systematically ransack Miss Holland’s bank account using forged cheques, as well as selling off her substantial investments with forged letters to brokers and putting the farm into his own name. The womanising continued unabated and became the stuff of local legend. Four years later, when Miss Holland’s funds were used up, Dougal tried to flee the country but was arrested at the Bank of England trying to change high value banknotes. After an unsuccessful attempt at escape on the way to the police station, he remained in custody for several months while an unsatisfactory trial for fraud dragged on before the Magistrates Bench. At last the police decided to look for a body, spending weeks to no avail dragging the moats which surrounded the farmhouse. At the very moment when the trial for fraud hung on a thread, Miss Holland was discovered in a filled-in drainage ditch with a bullet in her skull. Public hysteria was at fever-pitch and sightseers came in thousands from all over England. An inquest and trial for murder followed swiftly; Dougal was convicted and executed in July 1903. His last word was “Guilty”.
Electric Edwardians presents a stunning visual record of the films of Sagar Mitchell and James Kenyon, combined with an illuminating discussion of the films and the social context of their production by Vanessa Toulmin, a leading authority on the collection. Advertised as 'local films for local people', the films of Mitchell and Kenyon were commissioned by travelling exhibitors in the early twentieth century for screening in town halls, village fetes and local fairs. Audiences paid to see their neighbours, families and themselves on the screen, glimpsed at work and at play. This attractive volume includes over 200 illustrations drawn from the Mitchell and Kenyon collection, as well as contemporary posters and handbills from the National Fairground Archive. Vanessa Toulmin's lucid accompanying text provides an introduction to the work of the M&K company, the showmen who commissioned their films, and their place in early British cinema. Focusing on major themes, such as Leisure and Recreation, Sport, Industry, the Boer War and the City, Toulmin explores how the M&K collection deepens our understanding of these key aspects of Edwardian life.
