A cozy mystery featuring a lesbian main character. Private eye Casey Cook lands her first case, and it’s a doozy: find a missing comatose woman. Eager to prove herself, Casey does whatever it takes to get answers, from pretending to be pregnant to fawning over a hairless cat. As she runs into one dead end after another, Casey wonders whether she should have left her retail job. Determined to show that she can do the PI thing, Casey refuses to give up, chases down every lead, and snags herself a girlfriend along the way. Keywords: cozy mysteries, lesbian fiction, mystery books, mystery novels, mystery stories, lesbian books, lesbian fiction books, lesbian novels, lesbian character
When Sister Rose finds out that Sister Maddy was put on trial and might be dead, Sister Nora offers her a shoulder to cry on. As months pass with no word of Maddy, Rose and Nora grow closer and realize they have feelings for each other that go beyond friendship. As their love deepens, Nora sees herself growing old with Rose, but Rose isn’t as enthusiastic about the idea. Will Nora’s love for Rose survive her feelings of rejection, or will she give up on their relationship? Rose and Nora is about how Sister Rose and Sister Nora got together. It begins while Maddy is on her journey to Heath and continues past the events that took place in The Salbine Sisters. It's approximately 22,000 words long.
Detective Kate Morgan arrives at a broken-down house, supposedly the site of a suspicious death, only to receive a screaming warning from Simon not to enter the building. Turns out, she had been given the wrong address but does find a dead body at the corrected address. As Kate sorts out whether she has a Black Widow on her most recent case, Simon tries to help a homeless man, who ends up in the morgue—now one of Kate’s newest files because that poor man’s body had been found in the broken-down house. That’s nothing compared to what else she finds on the premises. Kate’s investigations into these deaths confirms the two properties have connections, including linking Simon to the haunted history of the broken-down house. When yet another homeless man is found dead at the broken-down house, Kate struggles to sort out the different threads, before the next man is killed—and this one might not be so homeless …
Whose truth is the lie? Stay up all night reading the sensational psychological thriller that has readers obsessed, from the #1 New York Times bestselling author of Too Late and It Ends With Us. #1 New York Times Bestseller · USA Today Bestseller · Globe and Mail Bestseller · Publishers Weekly Bestseller Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night her family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.
Book Three in the gorgeous Girls in Blue series by bestselling author Fenella J. Miller London, 1942: Charlotte Fenimore is back home on a week's leave from the Women's Auxiliary Airforce. She had planned for a week of rest and recuperation. She hadn't planned to fall deeply in love with an irascible detective called Dan Chalmers, a severely wounded hero of Dunkirk who believed no woman would ever look at him again. DI Chalmers is in London to arrest a gang of dangerous East End criminals and root out corrupt police detectives at the Met – and his involvement with Charlotte brings her into serious danger. And then the plane flying Charlotte to the wilds of Scotland comes down in a storm... In a time of war, with danger around every corner, how can their relationship survive? READERS LOVE FENELLA J. MILLER! 'I loved this book from beginning to end' 5* Review 'A brilliant story that got you gripped to every page' 5* Review 'I can't wait for the next installment' 5* Review 'I have loved all three of these books, I do hope there wil be more' 5* Review 'A great read – I couldn't put it down' 5* Review
ALICE FEENEYS NEW YORK TIMES AND INTERNATIONAL BESTSELLER “Boldly plotted, tightly knotted—a provocative true-or-false thriller that deepens and darkens to its ink-black finale. Marvelous.” —AJ Finn, author of The Woman in the Window My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?
'A brilliant new talent for the lover of crime.' Sue Black DBE, forensic anthropologist When Aberdeen housewife Debbie Milne abruptly vanishes without trace, leaving behind her two young children, husband Scott is too distraught to sit out the police's 72-hour window and await developments. He turns to local detective agency Harcus & Laird. Put off by previous "domestic" cases, Maggie Laird isn't keen, but is cajoled by partner Wilma Harcus into a covert operation. Together they comb through meagre scraps of information, eventually trawling the city's women's refuges and homeless squats, in spite of the deadly danger. Then a woman's body is discovered in a Dundee builder's skip. With the clock ticking and the police struggling to make identification, the race is on. Claire MacLeary fashions a surprising, gritty, fast-paced tale with the warmth and wisdom of ‘women of a certain age'. Praise for the Harcus & Laird series: "Gripping." Good Housekeeping "A terrific writer." Kirsty Gunn, Scotsman "This is a thoroughly entertaining series that could run and run." Sunday Herald "A wise and all-too-pertinent voice." Raven Crime Reads "A brilliant new talent for the lover of crime." Dame Sue Black, forensic anthropologist "Refreshingly different... a fast-paced tale." Shirley Whiteside, Herald "Fantastic ... a gritty book with a surprisingly warm theme." The List "Terrific ... compelling to the end." Theresa Talbot
The fall of Saigon in April 1975 resulted in the largest and most ambitious refugee resettlement effort in Canada’s history. Running on Empty presents the challenges and successes of this bold refugee resettlement program. It traces the actions of a few dozen men and women who travelled to seventy remote refugee camps, worked long days in humid conditions, subsisted on dried noodles and green tea, and sometimes slept on their worktables while rats scurried around them – all in order to resettle thousands of people displaced by war and oppression. After initially accepting 7,000 refugees from camps in Guam, Hong Kong, and military bases in the US in 1975, Canada passed the 1976 Immigration Act to establish new refugee procedures and introduce private refugee sponsorship. In July of 1979, the federal government under Prime Minister Joe Clark announced that Canada would accept an unprecedented 50,000 refugees – later increased to 60,000 – more than half of whom would be sponsored by ordinary Canadians. Running on Empty presents gripping first-hand accounts of the government officials tasked with selecting refugees from eight different countries, receiving and matching them with sponsors, and helping churches, civic organizations, and groups of neighbours to receive and integrate the newcomers in cities, towns, and rural communities across Canada. Timely and inspiring, Running on Empty offers essential lessons for governments, organizations, and individuals trying to come to grips with refugee crises in the twenty-first century.
Cinema Detours' is a collection of two-hundred and twenty movie reviews written over a period of six years and published in a miscellany of media, including: 'Detour Magazine','Detroit's Metro Times','Mondo Film & Video Guide','Wild Side Cinema','Daily Grindhouse', and more. These reviews have been collected to preserve them in an archival physical form to rescue them from the ephemeral nature of the net. Films in this collection are mostly off the beaten path, representing genres all over the map: Cult, Horror, Sci-Fi, Film Festival Flicks, Action Films, Superhero Movies and even a Czechoslovakian Musical Western. Get in, strap in, shut up, and hold on as we take a breakneck tour of the lesser traveled reaches of the cinematic landscape. Tighten your seat belt and read carefully because everything happens fast. You've never had a trip like this before.
This short story is excerpted from the upcoming collection of stories Damage Control by Amber Dermont, to be published in March 2013. One by one, the wives of Portsmouth, Rhode Island are disappearing from Darling Vista Park. Detective Mitchell Landry searches for the rhyme, reason, and meaning behind each of these disappearances by investigating their husbands and trying to find the missing connections between them. But are there connections to be made, or are these random similarities merely coincidences? Who had the means, motive, and opportunity to steal the wives of Portsmouth? What happened to them, and more importantly, why? As Detective Landry delves deeper into the lives of these women, he tries to makes sense of his own wife's suicide, and wonders why some questions simply have no answer.
