The Mirror of Literature, Amusement, and Instruction

The Mirror of Literature, Amusement, and Instruction

Author: CreateSpace Independent Publishing Platform

Publisher: Createspace Independent Publishing Platform

Published: 2016-02-10

Total Pages: 48

ISBN-13: 9781523974207

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This work was compiled by Various Authors and despite its age continues to be popular with modern readers


Early Georgia Magazines

Early Georgia Magazines

Author: Bertram Holland Flanders

Publisher: University of Georgia Press

Published: 2010-05-01

Total Pages: 306

ISBN-13: 0820335363

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First published in 1944, this is a detailed survey of twenty-four distinguished periodicals published in antebellum Georgia. Flanders shows that literary activity was generally confined to middle Georgia and often concentrated on themes of religion and morality, early American life, and European adventures. An extensive bibliography and three appendices give a comprehensive list of magazines published during the time, including dates, places of publication, and names of editors and publishers. More than nine hundred footnotes further elaborate on the analysis of backgrounds, local historical events, and information on contributors.


Reading Fiction in Antebellum America

Reading Fiction in Antebellum America

Author: James L. Machor

Publisher: JHU Press

Published: 2011-04-01

Total Pages: 419

ISBN-13: 0801899338

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James L. Machor offers a sweeping exploration of how American fiction was received in both public and private spheres in the United States before the Civil War. Machor takes four antebellum authors—Edgar Allan Poe, Herman Melville, Catharine Sedgwick, and Caroline Chesebro'—and analyzes how their works were published, received, and interpreted. Drawing on discussions found in book reviews and in private letters and diaries, Machor examines how middle-class readers of the time engaged with contemporary fiction and how fiction reading evolved as an interpretative practice in nineteenth-century America. Through careful analysis, Machor illuminates how the reading practices of nineteenth-century Americans shaped not only the experiences of these writers at the time but also the way the writers were received in the twentieth century. What Machor reveals is that these authors were received in ways strikingly different from how they are currently read, thereby shedding significant light on their present status in the literary canon in comparison to their critical and popular positions in their own time. Machor deftly combines response and reception criticism and theory with work in the history of reading to engage with groundbreaking scholarship in historical hermeneutics. In so doing, Machor takes us ever closer to understanding the particular and varying reading strategies of historical audiences and how they impacted authors’ conceptions of their own readership.