The Minerva Press 1790-1820
Author: Dorothy Blakey
Publisher:
Published: 1939
Total Pages: 380
ISBN-13:
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Author: Dorothy Blakey
Publisher:
Published: 1939
Total Pages: 380
ISBN-13:
DOWNLOAD EBOOKAuthor: Elizabeth Neiman
Publisher: University of Wales Press
Published: 2019-02-15
Total Pages: 322
ISBN-13: 1786833689
DOWNLOAD EBOOKThis project has several distinctive features. The first is statistical analysis of publishing records for all British novels (Minerva and otherwise) published between 1780 and 1829 (data are compiled from James Raven’s and Peter Garside’s The English Novel, 1770-1829: a Bibliographical Survey of Prose Fiction Published in the British Isles). This analysis confirms that Minerva novelists are more prolific than most female novelists in the period. It is rarely noted that Minerva novelists also often publish on occasion with other presses, something to which the data calls attention. The book’s scope and content challenges an anachronism that still permeates studies of the Romantic era. Minerva’s Gothics restores a forgotten pathway between first-generation Romantic reactions to popular print culture and Percy Shelley’s influential conceptualization of the poet.
Author: Hannah Doherty Hudson
Publisher: Cambridge University Press
Published: 2023-04-30
Total Pages: 309
ISBN-13: 100932196X
DOWNLOAD EBOOKExplores the Romantic conviction that there were 'too many' novels and shows how this belief transformed the publication of fiction.
Author: Edward Copeland
Publisher: Cambridge University Press
Published: 2004-12-02
Total Pages: 316
ISBN-13: 9780521616164
DOWNLOAD EBOOKThe fictional world of women in the time of Jane Austen set in the context of social and economic reality.
Author: Coral Ann Howells
Publisher: A&C Black
Published: 2014-01-13
Total Pages: 211
ISBN-13: 1472510240
DOWNLOAD EBOOKThe current Gothic revival in literature and film encourages us to look again to the earliest Gothic novels written beween 1790 and 1820, when Gothic was the most popular kind of fiction in England. Dr. Howells proposes a radical reassessment of these novels to emphasize their importance as experiments in imaginative writing. Her object, the study of feeling, is central to Gothic, for its spell consists in the feelings it arouses and exercises. As pseudo-historical fantasy, Gothic fiction embodies contemporary neuroses, especially sexual fears and repressions, which run right through it and are basic to its conventions. This study traces the effort to articulate these disconcerting emotions in symbol, incident, landscape and architecture. The chronological design suggests developments in Gothic, from the initial explorations of Mrs Radcliffe and M.G. Lewis, through the Minerva Press novelists and Jane Austen's "Northanger Abbey", to new directions taken by C.R. Maturin in "Melmoth the Wanderer" and later by Charlotte Bronte whose "Jane Eyre", arguably the finest of Gothic novels, places the earlier experiments in perspective.
Author: Dr Julia M Wright
Publisher: Ashgate Publishing, Ltd.
Published: 2013-05-28
Total Pages: 238
ISBN-13: 1409478858
DOWNLOAD EBOOKExploring the ways in which transatlantic relationships functioned in the nineteenth century to unsettle hierarchical models of gender, race, and national and cultural differences, this collection demonstrates the generative potential of transatlantic studies to loosen demographic frames and challenge conveniently linear histories. The contributors take up a rich and varied range of topics, including Charlotte Smith's novelistic treatment of the American Revolution, The Old Manor House; Anna Jameson's counter-discursive constructions of gender in a travelogue; Felicia Hemans, Herman Melville, and the 'Queer Atlantic'; representations of indigenous religion and shamanism in British Romantic literary discourse; the mid-nineteenth-century transatlantic abolitionist movement; the transatlantic adventure novel; the exchanges of transatlantic print culture facilitated by the Minerva Press; British and Anglo-American representations of Niagara Falls; and Charles Brockden Brown's intervention in the literature of exploration. Taken together, the essays underscore the strategic power of the concept of the transatlantic to enable new perspectives on the politics of gender, race, and cultural difference as manifested in late eighteenth- and nineteenth-century Britain and North America.
Author: Michael Gamer
Publisher: Cambridge University Press
Published: 2000-09-04
Total Pages: 274
ISBN-13: 1139426842
DOWNLOAD EBOOKThis is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre - the Gothic. Michael Gamer offers a sharply focused analysis of how and why Romantic writers drew on Gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of Gothic literature, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of Romanticism as an ideology. In doing so he examines the early history of the Romantic movement and its assumptions about literary value, and the politics of reading, writing and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing and audience on its formation.
Author: Christopher Goulding
Publisher: Routledge
Published: 2015-09-30
Total Pages: 295
ISBN-13: 1317303709
DOWNLOAD EBOOKThis edition of Romance Readers and Romance Writers (1810) is the first modern scholarly publication of what is arguably Green's most famous novel. As with many of her other works, Green adopts numerous sophisticated methods to parody her contemporaries.
Author: James D. Taylor
Publisher: Algora Publishing
Published: 2006
Total Pages: 246
ISBN-13: 0875864740
DOWNLOAD EBOOKThe last of the Plantagenets, Courtenay spent half of his life in the Tower of London. Released by Mary Tudor, he might have married her. Instead, he ended his days wandering the Continent. His literary remains leave important gaps but show he was no "bum
Author: James Watt
Publisher: Cambridge University Press
Published: 1999-06-28
Total Pages: 222
ISBN-13: 1139426001
DOWNLOAD EBOOKJames Watt's historically grounded account of Gothic fiction, first published in 1999, takes issue with received accounts of the genre as a stable and continuous tradition. Charting its vicissitudes from Walpole to Scott, Watt shows the Gothic to have been a heterogeneous body of fiction, characterized at times by antagonistic relations between various writers or works. Central to his argument about these works' writing and reception is a nuanced understanding of their political import: Walpole's attempt to forge an aristocratic identity, the loyalist affiliations of many neglected works of the 1790s, a reconsideration of the subversive reputation of The Monk, and the ways in which Radcliffean romance proved congenial to conservative critics. Watt concludes by looking ahead to the fluctuating critical status of Scott and the Gothic, and examines the process by which the Gothic came to be defined as a monolithic tradition, in a way that continues to exert a powerful hold.