Freya Stark traveled the difficult and often dangerous journey from Kabul to Kandahar and Herat in search of one of Afghanistan’s most celebrated treasures, the Minaret of Djam. This magnificent symbol of the powerful Ghorid Empire that once stretched from Iran to India lies in the heart of central Afghanistan’s wild Ghor Province. Surrounded by over 6,000 foot high mountains and by the remains of what many believe to have been the lost city of Turquoise Mountain—one of the greatest cities of the Middle Ages—Djam is, even today, one of the most inaccessible and remote places in Afghanistan. When Freya Stark traveled there, few people in the world had ever laid eyes on it or managed to reach the desolate valley in which it lies.
Continued from Second Series 117, with continuous pagination. The first part is Second Series 110, and the fourth Second Series 178. The index to all four parts is provided in Second Series 190. This volume covers Turkestan, Khurasan, Sind, north-western India and Delhi, including an account of the reign of Sultan Muhammad ibn Tughluq. This is a new print-on-demand hardback edition of the volume first published in 1971.
The iconic minaret of Jām stands in a remote mountain valley in central Afghanistan, the finest surviving monument of the enigmatic 12th-century Ghūrid dynasty. The re-discovery of the minaret half a century ago prompted renewed interest in the Ghūrids, and this has intensified since their summer capital at Jām became Afghanistan’s first World Heritage site in 2002. Two seasons of archaeological fieldwork at Jām, the detailed analysis of satellite images and the innovative use of Google Earth as a cultural heritage management tool have resulted in a wealth of new information about known Ghūrid sites, and the identification of hundreds of previously undocumented archaeological sites across Afghanistan. Drawing inspiration from the Annales School and the concept of an ‘archipelagic landscape’, Thomas has used these data to re-assess the Ghūrids and generate a more nuanced understanding of this significant Early Islamic polity. In addition to complementing the événements which form the focus of the urban-based historical sources, the new archaeological data are used by Thomas to reconsider the urban characteristics of the Ghūrids’ summer capital. Throughout The Ebb and Flow of the Ghūrid Empire, Thomas uses this to explore the issues of Ghūrid identity, ideology and the sustainability of their polity.
Through a combination of rich architectural and ethnographic description, this study of apprenticeship and human spatial cognition provides a fascinating insight into the daily lives and activities of a professional class of craftsmen, and investigates the unique teaching-learning processes that distinguish their trade and mould both their professional and social characters.
Historiography is the study of the methodology of writing history, the development of the discipline of history, and the changing interpretations of historical events in the works of individual historians. Exploring the historiography of Persian art and architecture requires a closer look at a diverse range of sources, including chronicles, historical accounts, travelogues, and material evidence coming from archaeological excavations. The Historiography of Persian Architecture highlights the political, cultural, and intellectual contexts that lie behind the written history of Persian architecture in the twentieth century, presenting a series of investigations on issues related to historiography. This book addresses the challenges, complexities, and contradictions regarding historical and geographical diversity of Persian architecture, including issues lacking in the 20th century historiography of Iran and neighbouring countries. This book not only illustrates different trends in Persian architecture but also clarifies changing notions of research in this field. Aiming to introduce new tools of analysis, the book offers fresh insights into the discipline, supported by historical documents, archaeological data, treatises, and visual materials. It brings together well-established and emerging scholars from a broad range of academic spheres, in order to question and challenge pre-existing historiographical frameworks, particularly through specific case studies. Overall, it provides a valuable contribution to the study of Persian architecture, simultaneously revisiting past literature and advancing new approaches. This book would be of interest to students and scholars of Middle East and Iranian Studies, as well as Architectural History, including Islamic architecture and historiography.
Ibn Battuta was born in Tangier in 1304. Between 1324 and 1354 he journeyed through North Africa and Asia Minor and as far as China. On a separate voyage he crossed the Sahara to the Muslim lands of West Africa. His journeys are estimated to have covered over 75,000 miles and he is the only medieval traveller known to have visited every Muslim state of the time, besides the 'infidel' countries of Istanbul, Ceylon and China. The first two volumes recorded Ibn Battuta's earliest journeys through Tunisia, Egypt, Syria, Arabia, Persia, Iraq, Asia Minor and South Russia. In this volume he visits Uzbekistan, Afghanistan, Pakistan and India. There are detailed descriptions of the towns on the way and the customs of the inhabitants. Sir Hamilton Gibb's edition comprises four volumes with introduction and full notes. This first complete and scholarly edition in English has proved essential to orientalists and illuminating to medievalists. The travels are a major source for the political and economic life of large regions of Asia and Africa. The observations of this intelligent representative of Islamic culture on almost all the known inhabited world beyond Europe provide fruitful comparisons with the life and geographical knowledge of the West. Translated with revisions and new annotation from the Arabic text edited by C. Defrémery and B.R. Sanguinetti. Continued from Second Series 117, with continuous pagination. The first part is Second Series 110, and the fourth Second Series 178. The index to all four parts is provided in Second Series 190. This volume covers Turkestan, Khurasan, Sind, north-western India and Delhi, including an account of the reign of Sultan Muhammad ibn Tughluq. This is a new print-on-demand hardback edition of the volume first published in 1971.
This major reference work covers all aspects of architectural inscriptions in the Muslim world: the artists and their patrons, what inscriptions add to architectural design, what materials were used, what their purpose was and how they infuse buildings with meaning. From Spain to China, and from the Middle Ages to our own lifetime, Islamic architecture and calligraphy are inexorably intertwined. Mosques, dervish lodges, mausolea, libraries, even baths and market places bear masterpieces of calligraphy that rival the most refined of books and scrolls.
A.C.S. Peacock is Lecturer in Middle Eastern History at the University of St Andrews, and holds a PhD in Oriental Studies from Pembroke College, Cambridge. He is the author of Early Seljuq History: A New Interpretation (2010), and is the co-editor of The Seljuks of Anatolia: Court and Society in the Medieval Middle East (I.B.Tauris, 2012) and Ferdowsi, the Mongols and the History of Iran: Art, Literature and Culture from Early Islam to Qajar Persia (I.B.Tauris, 2013).D.G. Tor is Assistant Professor of Medieval Middle Eastern History at the University of Notre Dame, and holds a PhD in History and Middle Eastern Studies from Harvard University. She is the author of The Great Selkuq Sultanate and the Formation of Islamic Civilization: A Thematic History (forthcoming) and Violent Order: Religious Warfare, Chivalry and the 'Ayyar Phenomenon in the Medieval Islamic World (2007).
