A collection of short stories from the award-winning author, Kate Wilhelm. Contains the following: The Mile-Long Spaceship Fear Is a Cold Black Jenny with Wings A Is for Automation Gift from the Stars No Light in the Window One for the Road Andover and the Android The Man without a Planet The Apostolic Travelers The Last Days of the Captain
The ship was to be seven miles long, a third of a mile in diameter and have a wing-spread of three and a half miles. It would take two and a half centuries to construct. Its announced purpose: to carry humanity away from its ruined world, from the world that had become a perpetual purgatory. To build this vast ship would require the undivided activity of an entire nation and would mean carrying out a ruthless program of war and conquest, of annihilation and reconstruction, and of education and rediscovery. But was this starship really what it was claimed to be? Or was there a greater secret behind its incredible cost - a secret so strange that no man dared reveal it?
Book 1 in the New York Times bestselling trilogy, perfect for fans of Battlestar Gallactica and Passengers! WHAT DOES IT TAKE TO SURVIVE ABOARD A SPACESHIP FUELED BY LIES? Amy is a cryogenically frozen passenger aboard the spaceship Godspeed. She has left her boyfriend, friends--and planet--behind to join her parents as a member of Project Ark Ship. Amy and her parents believe they will wake on a new planet, Centauri-Earth, three hundred years in the future. But fifty years before Godspeed's scheduled landing, cryo chamber 42 is mysteriously unplugged, and Amy is violently woken from her frozen slumber. Someone tried to murder her. Now, Amy is caught inside an enclosed world where nothing makes sense. Godspeed's 2,312 passengers have forfeited all control to Eldest, a tyrannical and frightening leader. And Elder, Eldest's rebellious teenage heir, is both fascinated with Amy and eager to discover whether he has what it takes to lead. Amy desperately wants to trust Elder. But should she put her faith in a boy who has never seen life outside the ship's cold metal walls? All Amy knows is that she and Elder must race to unlock Godspeed's hidden secrets before whoever woke her tries to kill again.
An interstellar agent discovers his latent powers while investigating a warlike planet in this classic sci-fi fantasy by the author of Dune. It’s been centuries since the devastating Rim Wars separated numerous planets from the protection and control of the galactic empire. The Rediscovery and Reeducation Service is dedicated to finding these “lost planets” and returning them to the fold. But not all civilizations are eager to cooperate. Young and charismatic, Lewis Orne is one of the best R&R agents in the organization’s history. But when he identifies troubling signs on the planet of Hamal, he is transferred to Investigative Adjustment, the agency that specializes in dealing with violent worlds. Suddenly, Orne is shuttling to the edge of the galaxy to detect any signs of latent aggression among Hamal’s population. Shortly after making landfall, Orne makes a far more astonishing discovery: he suddenly finds himself in possession of profound extrasensory powers. When these powers become known, he is invited to join Hamal’s company of “gods.” It is an offer too enticing to refuse. Yet being a god comes with certain expectations . . .
This is a classic American tale of dreams and obsession--the suspenseful, brilliantly written account of one eccentric man’s hunger to open space travel to us all: to let us rocket into orbit, return to earth, and soar yet again--thus transforming space travel forever. They All Laughed at Christopher Columbus Gary Hudson was seven years old when Sputnik flew, nineteen when Neil Armstrong set foot on the moon, and all he ever wanted to do was to travel into space. Between 1970 and 1996 he founded and disbanded five separate rocket-building companies, none meeting with much success. Then, in 1997, at the age of forty-seven, he launched Rotary Rocket. His goal was to develop and build the Roton, the world’s first manned, single-stage-to-orbit, fully reusable spaceship, capable of shuttling ordinary people into orbit and back in a single day. Elizabeth Weil followed Gary for two years, and in this book she brings to vivid life a seductively--perhaps delusionally--optimistic world where science and science fiction meld and fuse, and where imagination and invention collide. In California’s bleak and windswept Mojave Desert, Gary assembled a fanatical, mismatched crew of engineers and technicians, and Weil bears witness to their Roton endeavor, from first conception to final test flight. The cast includes a pyromaniacal engineer, a world expert on composite airframes, two former Navy test pilots, Gary’s infinitely patient wife, a third-generation Mojave motel owner, and an enigmatic and resourceful financier. At their center shines Gary himself, a man eternally reflecting the glow of a better, lighter, higher world--a world that, despite his flaws and failures, he perpetually convinces us we’re all about to reach.
Before becoming one of today's most intriguing and innovative mystery writers, Kate Wilhelm was a leading writer of science fiction, acclaimed for classics like The Infinity Box and The Clewiston Test. Now one of her most famous novels returns to print, the spellbinding story of an isolated post-holocaust community determined to preserve itself, through a perilous experiment in cloning. Sweeping, dramatic, rich with humanity, and rigorous in its science, Where Later the Sweet Birds Sang is widely regarded as a high point of both humanistic and "hard" SF, and won SF's Hugo Award and Locus Award on its first publication. It is as compelling today as it was then. Where Late the Sweet Birds Sang is the winner of the 1977 Hugo Award for Best Novel. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
“The first satisfying end-of-the-world novel in years . . . an ultimate one . . . massively entertaining.”—Cleveland Plain-Dealer The gigantic comet had slammed into Earth, forging earthquakes a thousand times too powerful to measure on the Richter scale, tidal waves thousands of feet high. Cities were turned into oceans; oceans turned into steam. It was the beginning of a new Ice Age and the end of civilization. But for the terrified men and women chance had saved, it was also the dawn of a new struggle for survival—a struggle more dangerous and challenging than any they had ever known. . . . “Take your earthquakes, waterlogged condominiums, swarms of bugs, colliding airplanes and flaming what-nots, wrap them up and they wouldn’t match one page of Lucifer’s Hammer for sweaty-palmed suspense.”—Chicago Daily News
Three teens ride a car across the universe and back. Look out for the flying saucers! "Tipping his hat to Thomas Pynchon, Jack Kerouac, and Douglas Adams, Rucker immerses readers in a fantastical roadtrip adventure that’s a wild ride of unmitigated joy. . . . he ties everything together with internal consistency, playful use of language that keeps his ideas alien yet accessible, and a solid grounding in fourth-dimensional math. This wacky adventure is a geeky reader’s delight."—Publishers Weekly, starred review
Partners in Wonder revolutionizes our knowledge of women and early science fiction. Contrary to accepted interpretations, women fans and writers were a welcome and influential part of pulp science fiction from the birth of the genre. Davin finds that at least 203 female authors, under their own female names, published over a thousand stories in science fiction magazines between 1926 and 1965. This work explores the distinctly different form of science fiction that females produced—one that was both more utopian and more empathetic than that of their male counterparts. Partners in Wonder presents, for the first time, a complete bibliography of every story published by women writers in science fiction magazines from 1926 to 1965 and brief biographies on 133 of these women writers. It is thus the most comprehensive source of information on early women science fiction writers yet available and of great importance to scholars of women's studies, popular culture, and English literature as well as science fiction.