This innovative and original book examines the broad range of Jewish interpretation from antiquity through the medieval and renaissance periods. Its primary focus is on Midrash and midrashic creativity, including the entire range of nonlegal interpretations of the Bible. Considering Midrash as a literary and cultural form, the book explores aspects of classical Midrash from various angles including mythmaking and parables. The relationship between this exoteric mode and more esoteric forms in late antiquity is also examined. This work also focuses on some of the major genres of medieval biblical exegesis: plain sense, allegory, and mystical.
This innovative and original book examines the broad range of Jewish interpretation from antiquity through the medieval and renaissance periods. Its primary focus is on Midrash and midrashic creativity, including the entire range of nonlegal interpretations of the Bible. Considering Midrash as a literary and cultural form, the book explores aspects of classical Midrash from various angles including mythmaking and parables. The relationship between this exoteric mode and more esoteric forms in late antiquity is also examined. This work also focuses on some of the major genres of medieval biblical exegesis: plain sense, allegory, and mystical.
In Midrash and Theory, David Stern presents an approach to midrashic literature through the prism of contemporary theory. As midrash--the literature of classical Jewish Scriptural interpretation--has become the focus of new interest in contemporary literary circles, it has been invoked as a precursor of post-structuralist theory and criticism. At the same time, the midrashic imagination has undergone a revival in the larger Jewish community and shown itself capable of exercising a powerful influence and hold on a new type of contemporary Jewish writing. Stern examines this resurgence of fascination with ancient Jewish interpretation from the persepctive of the cultural relevance of midrash and its connection to its original historical and literary contexts.
Exegesis - interpretation and explanation of sacred texts - is the quintessence of rabinic thought. This volume delineates the connections between biblical interpretation and Jewish religious thought.
Brings popular cinema and Jewish religious texts into a meaningful dialogue. Movies and Midrash uses cinema as a springboard to discuss central Jewish texts and matters of belief. A number of books have drawn on films to explicate Christian theology and belief, but Wendy I. Zierler is the first to do so from a Jewish perspective, exploring what Jewish tradition, text, and theology have to say about the lessons and themes arising from influential and compelling films. The book uses the method of inverted midrash: while classical rabbinical midrash begins with exegesis of a verse and then introduces a mashal (parable) as a means of further explication, Zierler turns that process around, beginning with the culturally familiar cinematic parable and then analyzing related Jewish texts. Each chapter connects a secular film to a different central theme in classical Jewish sources or modern Jewish thought. Films covered include The Truman Show (truth), Memento (memory), Crimes and Misdemeanors (sin), Magnolia (confession and redemption), The Descendants (birthright), Forrest Gump (cleverness and simplicity), and The Hunger Games (creation of humanity in Gods image), among others. This is a groundbreaking work of originality, insight, and high quality. It will be of great importance not only for Jewish readers but also for non-Jewish readers who long for a non-Christian perspective on popular film. I loved this book! Eric Michael Mazur, editor, Encyclopedia of Religion and Film
This book is a study of rabbinic legal interpretation (midrash) in Judaisms rabbinic, medieval, and modern periods. It shows how the rise of Reform, Conservative, and Orthodox Judaism in the modern period is tied to distinct attitudes toward the classical Jewish heritage, and specifically, toward rabbinic midrash halakah.
This book explores a central phenomenon in the development of modern Jewish literature: the retelling of tradtional Jewish narratives by twentieth-century writers. It shows how and toward what ends Biblical stories, legends, and Hasidic tales have been used in shaping modern Hebrew literature. The author's impressive knowledge and careful analysis of both early and modern Hebrew texts reveal the main literary features of the genre, while making an important contribution to current discussions of the relationship between midrash and literature, the relationship between myth (and other traditional narratives) and modern literature, and the concept of intertextuality. The book also provides many fresh insights on the various issues of modern Jewish existence addressed in these works. Among these are: the revival of the Jewish tradition by reinterpreting it in light of new values, the preservation of Jewish identity entering into Western culture, the changing roles of men and women in Jewish culture, challenges to traditional Jewish views of sexuality, attempts to physically destroy the Jewish people, moral and political issues raised by the establishment of the State of Israel, and the conflict between Jews and Arabs.
How did Jews understand sacred writing before the concepts of "Bible" and "book" emerged? The Literary Imagination in Jewish Antiquity challenges anachronistic categories to reveal new aspects of how ancient Jews imagined written revelation-a wildly varied collection stretching back to the dawn of time, with new discoveries always around the corner.
Womanist Midrash is an in-depth and creative exploration of the well- and lesser-known women of the Hebrew Scriptures. Using her own translations, Gafney offers a midrashic interpretation of the biblical text that is rooted in the African American preaching tradition to tell the stories of a variety of female characters, many of whom are often overlooked and nameless. Gafney employs a solid understanding of womanist and feminist approaches to biblical interpretation and the sociohistorical culture of the ancient Near East. This unique and imaginative work is grounded in serious scholarship and will expand conversations about feminist and womanist biblical interpretation.
By comparing interpretations of the Hebrew Bible by Jews, Christians, and Gnostics in Late Antiquity, this book provides a unique perspective on these religious movements in Palestine. Rival interpretations of the early Church and the Midrash are set against the backdrop of the pagan critique of these religions and the gnostic threat that grew within both Christianity and Judaism. The comparison of the exegetical works of Christianity and Judaism illuminates the later development of the two religions and offers fresh insight into the Bible itself.
