In this spellbinding sequel to The Mystwick School of Musicraft, Amelia must master the magic of Composing to help her school win a magic competition—and save her friends from a mysterious evil. Things are finally looking up for Amelia Jones: she's officially a Mystwick student, and she even has a teacher to help her learn how to use her rare Composing magic. When Mystwick enters an international magic competition, it’s Amelia's chance to Compose something that will help them win the day. The only problem is that she still doesn’t understand how her powers work. But then she hears about a super exclusive Midnight Orchestra—half performance, half magical black market—and Amelia is sure that’s where she’ll find the answer to her Composing problem. But the Midnight Orchestra is far more sinister than it initially appears and if Amelia can’t unlock her Composing powers, not only will Mystwick lose the musicraft competition, she won’t be able to rescue her friends from the danger unleashed in this thrilling adventure.
Twelve-year-old Amelia gets the opportunity to attend a boarding school and learn how to use music to create magic, hoping to become a Maestro like her deceased mother.
Lexi Austin is living a fantasy. At the stroke of midnight, in the most romantic country in the world, a masked stranger sweeps her into his arms. But when the man turns out to be Quentin Reddick, Lexi's best friend since college, the celebrity chef knows she's in trouble. He may be the most irresistible man on the planet, but the powerhouse attorney is also the world's hardest partying bachelor. The sensual woman he kissed on New Year's Eve is a world away from the fast-talking tomboy Quentin always thought of as a kid sister. Back home in Atlanta, he plans to show Lexi that he's a one-woman man. As desire reignites—even hotter than before—he'll tempt her with his passion. Seduce her with his love. And together, they'll ring in the new year—and every year—in each other's arms….
As an infant, James Clyde was deposited at a children’s home by his wounded, blood-soaked grandfather. As a result, he grows up under a cloud of mystery. Eleven years later when he hears about his strange past, he vows to uncover the truth. But before he can, his grandfather hands him a magical and mysterious diamond of Orchestra. With the aid of his friends, Ben and Mary Forester, James must protect the diamond from evil forces. Soon, however, their lives are in grave danger. They are being hunted by a sinister man dressed in black and his blood-thirsty army. Outnumbered, James finds he must use the power of the diamond to escape their clutches – or become another victim of their murderous quest. So begins a journey that will transport them to an alternative world where they must confront the mysterious man in black for a final, winner-takes-all battle… James Clyde and the Diamonds of Orchestra will appeal to children aged 12-15 that are fans of fantasy fiction. Colm is inspired by a number of authors, including J. K. Rowling, C. S. Lewis, Brian Keaney and Charles Dickens.James Clyde and the Diamonds of Orchestra won the Bronze award in the 9-12 year-old category of the Wishing Shelf Independent Book Awards 2012.
Winner of the Booker prize and twice winner of the Booker of Bookers, Midnight's Children is "one of the most important books to come out of the English-speaking world in this generation" (New York Review of Books). Reissued for the 40th anniversary of the original publication--with a new introduction from the author--Salman Rushdie's widely acclaimed novel is a masterpiece in literature. Saleem Sinai is born at the stroke of midnight on August 15, 1947, the very moment of India’s independence. Greeted by fireworks displays, cheering crowds, and Prime Minister Nehru himself, Saleem grows up to learn the ominous consequences of this coincidence. His every act is mirrored and magnified in events that sway the course of national affairs; his health and well-being are inextricably bound to those of his nation; his life is inseparable, at times indistinguishable, from the history of his country. Perhaps most remarkable are the telepathic powers linking him with India’s 1,000 other “midnight’s children,” all born in that initial hour and endowed with magical gifts. This novel is at once a fascinating family saga and an astonishing evocation of a vast land and its people–a brilliant incarnation of the universal human comedy. Midnight’s Children stands apart as both an epochal work of fiction and a brilliant performance by one of the great literary voices of our time.
Jessica Khoury brings her masterful world-building and emotional depth to a brand-new fantasy series. In a world where everyone is born with wings, stone monsters prowl the skies, hunting those who dare to fly too high. In the Clandoms, everyone is born with wings, with tight-knit communities formed around bird types: Jay, Falcon, Crow.Ellie Meadows dreams of growing up to join the Goldwings -- the famed knights who defend all the people of the Clandoms. It was a Goldwing, after all, who saved her life on that terrible day her parents were killed. There's just one problem: Ellie is a Sparrow, and the Goldwings are almost invariably picked from the higher clans like Eagles and Ospreys. This rigid hierarchy means that Ellie is destined to become a farmer.Determined to honor her parents' memories and prove herself worthy of the Goldwings, Ellie sets out on her own for the capital. But her journey will be dangerous. Foul creatures called gargols lurk behind every cloud, ready to slay anyone unlucky enough to be caught outside in a storm -- just as Ellie's family was.Soon her path intertwines with a colorful band of fellow outcasts, each with their own aspirations... and their own secrets. Ellie's new friends offer not just roadside companionship. They'll challenge her ideas of right, wrong, and what truly makes a hero.
“A remarkable and gifted debut novel” (Colson Whitehead) about two outsiders—a lonely scientist in the Arctic and an astronaut trying to return to Earth—as they grapple with love, regret, and survival in a world transformed. THE INSPIRATION FOR THE NETFLIX ORIGINAL FILM THE MIDNIGHT SKY, DIRECTED BY AND STARRING GEORGE CLOONEY Augustine, a brilliant, aging astronomer, is consumed by the stars. For years he has lived in remote outposts, studying the sky for evidence of how the universe began. At his latest posting, in a research center in the Arctic, news of a catastrophic event arrives. The scientists are forced to evacuate, but Augustine stubbornly refuses to abandon his work. Shortly after the others have gone, Augustine discovers a mysterious child, Iris, and realizes that the airwaves have gone silent. They are alone. At the same time, Mission Specialist Sullivan is aboard the Aether on its return flight from Jupiter. The astronauts are the first human beings to delve this deep into space, and Sully has made peace with the sacrifices required of her: a daughter left behind, a marriage ended. So far the journey has been a success. But when Mission Control falls inexplicably silent, Sully and her crewmates are forced to wonder if they will ever get home. As Augustine and Sully each face an uncertain future against forbidding yet beautiful landscapes, their stories gradually intertwine in a profound and unexpected conclusion. In crystalline prose, Good Morning, Midnight poses the most important questions: What endures at the end of the world? How do we make sense of our lives? Lily Brooks-Dalton’s captivating debut is a meditation on the power of love and the bravery of the human heart. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY SHELF AWARENESS AND THE CHICAGO REVIEW OF BOOKS “Stunningly gorgeous . . . The book contemplates the biggest questions—What is left at the end of the world? What is the impact of a life’s work?”—Portland Mercury “A beautifully written, sparse post-apocalyptic novel that explores memory, loss and identity . . . Fans of Emily St. John Mandel’s Station Eleven and Kim Stanley Robinson’s Aurora will appreciate the Brooks-Dalton’s exquisite exploration of relationships in extreme environments.”—The Washington Post
