"Anna tells the story of the rise and fall of Mexico's 'Liberator' from September 1821 to March 1823. He highlights Iturbide's contributions to Mexican independence, his crowning as emperor, his historic struggle with Congress, and the role that regionalism played in his downfall. The strong point of the book is Anna's debunking of William Spence Robertson's Iturbide of Mexico and other biographies." - R. Acuña, Choice
The Last Prince of the Mexican Empire is a sweeping historical novel of Mexico during the short, tragic, at times surreal, reign of Emperor Maximilian and his court. Even as the American Civil War raged north of the border, a clique of Mexican conservative exiles and clergy convinced Louis Napoleon to invade Mexico and install the Archduke of Austria, Maximilian von Habsburg, as Emperor. A year later, the childless Maximilian took custody of the two year old, half-American, Prince Agustìn de Iturbide y Green, making the toddler the Heir Presumptive. Maximilian’s reluctance to return the child to his distraught parents, even as his empire began to fall, and the Empress Carlota descended into madness, ignited an international scandal. This lush, grand read is based on the true story and illuminates both the cultural roots of Mexico and the political development of the Americas. But it is made all the more captivating by the depth of Mayo’s writing and her understanding of the pressures and influences on these all too human players.
This young adult graphic biography follows the life of one of Mexico’s greatest living photographers, Graciela Iturbide, as she makes her way from Mexico City to the Sonoran Desert, Los Angeles, India, and beyond. The kaleidoscopic narrative offers deep insight into the path of a young photographer from an early tragedy to great fame. Renowned Mexican photographer Graciela Iturbide was born in Mexico City in 1942, the oldest of thirteen children. When tragedy strikes Graciela as a young mother, she turns to photography for solace and understanding. From then on Graciela embarks on a photographic journey that takes her throughout her native Mexico, from the Sonora Desert to Juchitán to Frida Kahlo’s bathroom, and then to the United States, India, and beyond. Photographic is a symbolic, poetic, and deeply personal graphic biography of this iconic photographer. Graciela’s journey will excite young adults and budding photographers, who will be inspired by her resolve, talent, and curiosity. Ages twelve and up
The "superbly entertaining and well‑researched" (Financial Times) history of Maximilian and Carlota, the European aristocrats who stumbled into power in Mexico--and faced bloody consequences. In the 1860s, Napoleon III, intent on curbing the rise of American imperialism, persuaded a young Austrian archduke and a Belgian princess to leave Europe and become the emperor and empress of Mexico. They and their entourage arrived in a Mexico ruled by terror, where revolutionary fervor was barely suppressed by French troops. When the United States, now clear of its own Civil War, aided the rebels in pushing back Maximilian's imperial soldiers, the French army withdrew, abandoning the young couple. The regime fell apart. Maximilian was executed by a firing squad and Carlota, secluded in a Belgian castle, descended into madness. Assiduously researched and vividly told, The Last Emperor of Mexico is a dramatic story of European hubris, imperialist aspirations clashing with revolutionary fervor, and the Old World breaking from the New.
A war that started under questionable pretexts. A president who is convinced of his country’s might and right. A military and political stalemate with United States troops occupying a foreign land against a stubborn and deadly insurgency. The time is the 1840s. The enemy is Mexico. And the war is one of the least known and most important in both Mexican and United States history—a war that really began much earlier and whose consequences still echo today. Acclaimed historian David A. Clary presents this epic struggle for a continent for the first time from both sides, using original Mexican and North American sources. To Mexico, the yanqui illegals pouring into her territories of Texas and California threatened Mexican sovereignty and security. To North Americans, they manifested their destiny to rule the continent. Two nations, each raising an eagle as her standard, blustered and blundered into a war because no one on either side was brave enough to resist the march into it. In Eagles and Empire, Clary draws vivid portraits of the period’s most fascinating characters, from the cold-eyed, stubborn United States president James K. Polk to Mexico’s flamboyant and corrupt general-president-dictator Antonio López de Santa Anna; from the legendary and ruthless explorer John Charles Frémont and his guide Kit Carson to the “Angel of Monterey” and the “Boy Heroes” of Chapultepec; from future presidents such as Benito Juárez and Zachary Taylor to soldiers who became famous in both the Mexican and North American civil wars that soon followed. Here also are the Irish Soldiers of Mexico and the Yankee sailors of two squadrons, hero-bandits and fighting Indians of both nations, guerrilleros and Texas Rangers, and some amazing women soldiers. From the fall of the Alamo and harrowing marches of thousands of miles in the wilderness to the bloody, dramatic conquest of Mexico City and the insurgency that continued to resist, this is a riveting narrative history that weaves together events on the front lines—where Indian raids, guerrilla attacks, and atrocities were matched by stunning acts of heroism and sacrifice—with battles on two home fronts—political backstabbing, civil uprisings, and battle lines between Union and Confederacy and Mexican Federalists and Centralists already being drawn. The definitive account of a defining war, Eagles and Empire is page-turning history—a book not to be missed.
In this new telling of Mexico’s Second Empire and Louis Napoléon’s installation of Maximilian von Habsburg and his wife, Carlota of Belgium, as the emperor and empress of Mexico, Maximilian and Carlota brings the dramatic, interesting, and tragic time of this six-year-siege to life. From 1861 to 1866, the French incorporated the armies of Austria, Belgium—including forces from Crimea to Egypt—to fight and subdue the regime of Mexico’s Benito Juárez during the time of the U.S. Civil War. France viewed this as a chance to seize Mexican territory in a moment they were convinced the Confederacy would prevail and take over Mexico. With both sides distracted in the U.S., this was their opportunity to seize territory in North America. In 1867, with aid from the United States, this movement came to a disastrous end both for the royals and for France while ushering in a new era for Mexico. In a bid to oust Juárez, Mexican conservatives appealed to European leaders to select a monarch to run their country. Maximilian and Carlota’s reign, from 1864 to 1867, was marked from the start by extravagance and ambition and ended with the execution of Maximilian by firing squad, with Carlota on the brink of madness. This epoch moment in the arc of French colonial rule, which spans North American and European history at a critical juncture on both continents, shows how Napoleon III’s failure to save Maximilian disgusted Europeans and sealed his own fate. Maximilian and Carlota offers a vivid portrait of the unusual marriage of Maximilian and Carlota and of international high society and politics at this critical nineteenth-century juncture. This largely unknown era in the history of the Americas comes to life through this colorful telling of the couple’s tragic reign.
Gen. Vicente Filisola was second in command of the Mexican army in Texas during the Revolution. After the defeat of Gen. José López de Santa Anna by Sam Houston's Texans at San Jacinto, Filisola became commander-in-chief of the four thousand Mexican soldiers that remained in Texas. The Mexican army eventually retreated to Matamoros, Mexico, and Filisola became the scapegoat for all that went wrong in the campaign in Texas. His chief accuser in this disastrous action was Gen. José Cosme Urrea, commander of one of the Mexican divisions in the campaign. After reading this fascinating account of the Mexican army in Texas, readers may well need to reevaluate their opinions of the Mexican army's generals. In spite of the fact that the work is obviously biased and at times blatantly unfair, Filisola makes valid points that will make one wonder if Urrea deserves the high respect that has been generally accorded him by Texan scholars.
The Apache Diaspora brings to life the stories of displaced Apaches and the kin from whom they were separated. Paul Conrad charts Apaches' efforts to survive or return home from places as far-flung as Cuba and Pennsylvania, Mexico City and Montreal.
This book is a radical reinterpretation of the process that led to Mexican independence in 1821—one that emphasizes Mexico's continuity with Spanish political culture. During its final decades under Spanish rule, New Spain was the most populous, richest, and most developed part of the worldwide Spanish Monarchy, and most novohispanos (people of New Spain) believed that their religious, social, economic, and political ties to the Monarchy made union preferable to separation. Neither the American nor the French Revolution convinced the novohispanos to sever ties with the Spanish Monarchy; nor did the Hidalgo Revolt of September 1810 and subsequent insurgencies cause Mexican independence. It was Napoleon's invasion of Spain in 1808 that led to the Hispanic Constitution of 1812. When the government in Spain rejected those new constituted arrangements, Mexico declared independence. The Mexican Constitution of 1824 affirms both the new state's independence and its continuance of Spanish political culture.
