The Methuen Drama Book of Suffrage Plays

The Methuen Drama Book of Suffrage Plays

Author: Naomi Paxton

Publisher: A&C Black

Published: 2013-03-28

Total Pages: 161

ISBN-13: 1408176580

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This anthology presents eight exciting comic pieces that arose from the the Suffrage Movement. Terrific for performance, it provides a variety of strong female parts, while also offering invaluable sources from the period, bringing history to life.


The Methuen Drama Book of Suffrage Plays

The Methuen Drama Book of Suffrage Plays

Author: Cicely Hamilton

Publisher: A&C Black

Published: 2013-01-31

Total Pages: 161

ISBN-13: 1408176602

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The Methuen Drama Book of Suffrage Plays is an anthology of eight exciting pieces written for and by members of the Actresses Franchise League from 1909-13. Immediately playable, they offer strong, varied roles for female casts, while also providing invaluable source material to students and scholars from a wide range of disciplines. Featuring 'How The Vote Was Won' which remains one of the most popular and well known suffrage plays, the volume also includes seven shorter works: 'Lady Geraldine's Speech' (1909), a fantastic, fun piece for actresses. Lady Geraldine hasn't thought through the Suffrage cause and, on a visit to an old school friend meets some charismatic, successful and intelligent women who soon enlighten and encourage her on to the right path! 'Pot and Kettle' (1909), a comic piece in which a young woman returns to her family in great distress having assaulted a suffragette who was sitting near her at a Anti-Suffragist meeting. 'Miss Appleyard's Awakening' about an anti-suffrage campaigner who finds herself in the home of a sympathizer but ends up inadvertently drawing her hostesses' attention to the contradictions in her arguments 'Her Vote' by the actor and playwright Henry Esmond which provides an interesting male viewpoint on the movement, criticizing the young suffragist for wanting to be part of a movement about which she seems to understand little. 'The Anti-Suffragist or The Other Side', a charming, clever monologue about a sheltered young woman who finds herself increasingly involved with her local Anti-Suffrage society and increasingly puzzled by what she learns there. 'The Mother's Meeting', an entertaining monologue that uses a working class character to expose the inconsistencies in the Anti-Suffrage arguments. 'Tradition' was first performed at a matinee for the Woman Suffrage Party held at the Berkeley Theatre in New York City on Saturday 24 January 1913. The plays featured articulate the arguments of the Suffrage Movement through a variety of styles, both comic and serious, and perfectly illustrate the use of drama as a medium for social change and entertainment. Together with illustrations and an introduction charting the history of the Actresses Franchise League and exploring the context and provenance of the plays, this is an excellent resource for both study and performance.


The Methuen Drama Book of Suffrage Plays: Taking the Stage

The Methuen Drama Book of Suffrage Plays: Taking the Stage

Author:

Publisher: Bloomsbury Publishing

Published: 2018-09-10

Total Pages: 274

ISBN-13: 1350082996

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The Methuen Drama Book of Suffrage Plays: Taking the Stage features a wide variety of short pieces and one-act plays written by female and male suffragist writers between 1908-1914. Spanning different styles and genres they explore many issues that interested feminist and suffragist campaigners such as: the value of women's work, domestic and economic inequality, visibility in public space, direct action and its consequences, sexual double standards, and the influence of the media on public opinion. Edited and introduced by Dr Naomi Paxton, the anthology is brimming with in-depth knowledge, photographs and contextual information of the period making for an informative and inspirational volume that's perfect for both performance and study.


How the Vote Was Won

How the Vote Was Won

Author: Cicely Hamilton

Publisher: Graphic Arts Books

Published: 2021-05-21

Total Pages: 20

ISBN-13: 1513284983

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First performed in 1908, How the Vote Was Won is a one act play by actress Cicely Hamilton and Christopher St. John. Set in England during the early 18th century, How the Vote Was Won uses comedy to tell a story in support of women’s suffrage. In this one act the English government tells its people that women do not need to worry about having the right to vote because the men will be in charge of taking care of them. This was part of the ridiculous idea held by the United Kingdom, and the world at the time. Women were held under the authority of their husbands, and would be solely supported by them. This allowed them no place in politics and took away their autonomy. The play stars Horace, an anti-suffragist, who is confronted by many of his female relatives demanding that he start supporting them since they have no rights. Many of these women formally held jobs, financially supporting themselves but have quit in protest and support of the movement for women to have voting rights, the same as men. Now, Horace is forced to either support each of these women, practicing what he preaches, or admit to his hypocritical beliefs. Written by two of the most notable champions in literature for women’s rights in the United Kingdom, How the Vote Was Won by Cecily Hamilton and Christopher St. John served as a clever and humorous way to address the inequalities women suffered. Today, the work of these two passionate activists still provides an accurate portrayal of the political landscape they lived in. This edition of How the Vote Was Won by Cecily Hamilton and Christopher St. John features an eye-catching new cover design and is presented in a font that is both modern and readable. With these accommodations, this edition is accessible and appealing to contemporary audiences, restoring How the Vote Was Won to modern standards while preserving the clever comedy and impact of the work of Cecily Hamilton and Christopher St. John.


Gogol Three Plays

Gogol Three Plays

Author: Nikolai Gogol

Publisher: Bloomsbury Publishing

Published: 2014-03-10

Total Pages: 253

ISBN-13: 1408148617

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This collection contains Gogol's three completed plays The Government Inspector, which satirises a corrupt society was regarded by Nabokov as the greatest play in the Russian language and is still widely studied in schools and universities: "I resolved to gather into one heap everything that was bad in Russia which I was aware of at that time, all the injustices being perpetrated in those places, and in those circumstances that especially cried out for justice, and tried to hold them all up to ridicule, at one fell swoop." (Nikolai Gogol) Marriage is a comedy about the business of matchmaking and matrimony; The Gamblers is an exoriating piece about the excesses of the Moscow aristocracy. "Two and two make five, if not the square root of five, and it all happens quite naturally in Gogol's world... Gogol was a strange creature, but then genius is always strange" (Vladimir Nabokov)


The Methuen Drama Anthology of Testimonial Plays

The Methuen Drama Anthology of Testimonial Plays

Author: Tim Etchells

Publisher: A&C Black

Published: 2014-01-30

Total Pages: 345

ISBN-13: 1408176548

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This diverse anthology features eight contemporary plays founded in testimonies from across the world. Showcasing challenging and provocative works of theatre, the collection also provides a clear insight into the workings of the genre through author interviews, introductions from the companies and performance images which illustrate the process of creating each piece. Bystander 9/11 by Meron Langsner is an impressionistic but wholly authentic response to the catastrophe as it unfolded and in the days following. Big Head by Denise Uyehara is an interrogation of current perceptions of "the enemy now" as seen through the lens of Japanese American internment during World War II. Urban Theatre Projects' The Fence is a tale of love, belonging and healing. It is a tender work that looks at the adult lives of five family and friends who spent their childhoods in orphanages, institutions and foster homes in Australia. Come Out Eli: Christmas 2002 in Hackney, London, saw the longest siege in British history. Using interviews collected at the time and further material gathered in the aftermath, Alecky Blythe's play explores the impact of the siege on the lives of individuals and the community. The Travels: members of Forced Entertainment undertook a series of journeys during one summer, each travelling alone to locations in the UK to complete tasks determined only partially in advance. This began a mapping process and the creation of a landscape of ideas, narratives and bad dreams. On the Record by Christine Bacon and Noah Birksted-Breen circumnavigates the globe to bring true stories from six independent journalists, all linked by their determination to shed light on the truth. Created by Paula Cizmar, Catherine Filloux, Gail Kriegel, Carol K. Mack, Ruth Margraff, Anna Deavere Smith and Susan Yankowitz, Seven is based on personal interviews with seven women who have triumphed over huge obstacles to catalyse major changes in human rights in their home countries of Russia, Pakistan, Nigeria, Northern Ireland, Afghanistan, Guatemala and Cambodia. Pajarito Nuevo la Lleva: The Sounds of the Coup by María José Contreras Lorenzini focuses upon sense memories of witnesses who were children at the time of the 1974 military coup in Chile.


Suffragettes of Kent

Suffragettes of Kent

Author: Jennifer Godfrey

Publisher: Pen and Sword

Published: 2019-12-19

Total Pages: 328

ISBN-13: 1526723522

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A thought-provoking insight into the stories of hope, determination, courage and sacrifice of those involved in the women’s suffrage movement in Kent. Discover an untold story of a young working-class Kent maid involved in the suffrage movement. See photographs of Ethel and learn of her arrest and imprisonment in March 1912 for participating in the window-smashing militant action. The 1908 Women’s Freedom League and the 1913 Women’s Social and Political Union tours of Kent are retraced, their messages and the Kent inhabitants’ reactions explored. Details are included of Kent’s involvement in the National Union of Women’s Suffrage Societies’ mass pilgrimage from all parts of the country to London in 1913. Revealing the part Maidstone Gaol played in forcible feeding of suffragette prisoners the book includes an account written by the gaol’s lead medical man. The many links between national suffrage movement leaders and pioneers and Kent are included in accounts of the visits, speeches and actions of Charlotte Despard, Emmeline Pankhurst, Annie Kenney, Emily Wilding Davison and Millicent Fawcett. Discover who was imprisoned in Maidstone Gaol, which pioneer was stoned by a Kent audience during her speech, who interrupted a Kent Liberal meeting in Tunbridge Wells, which woman challenged their Kent audience to do more for the cause and who was much celebrated on her visit to a Kent seaside town. “Vivid accounts of the abuse of and hardships experienced by the suffragette movement in the county of Kent. One of the most moving histories of the movement in Pen and Sword’s brilliant series.” —Books Monthly


The Routledge Companion to Twentieth Century British Theatre and Performance

The Routledge Companion to Twentieth Century British Theatre and Performance

Author: Claire Cochrane

Publisher: Taylor & Francis

Published: 2024-10-08

Total Pages: 588

ISBN-13: 104011461X

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The Routledge Companion to Twentieth Century British Theatre and Performance provides a broad range of perspectives on the multiple models and examples of theatre, artists, enthusiasts, enablers, and audiences that emerged over this formative 100-year period. This first volume covers the first half of the century, constructing an equitable and inclusive history that is more representative of the nation's lived experience than the traditional narratives of British theatre. Its approach is intra-national – weaving together the theatres and communities of England, Scotland, Wales, and Northern Ireland. The essays are organised thematically arranged into sections that address nation, power, and identity; fixity and mobility; bodies in performance; the materiality of theatre and communities of theatre. This approach highlights the synergies, convergences, and divergences of the theatre landscape in Britain during this period, giving a sense of the sheer variety of performance that was taking place at any given moment in time. This is a fascinating and indispensable resource for undergraduate and graduate students, postgraduate researchers, and scholars across theatre and performance studies, cultural studies, and twentieth-century history.